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Titlewriting excuses | fifteen minutes long, because you're in a hurry, and we're not that smart.

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writing excuses
12.13: beautiful prose, purple prose
12.12: words as words, with linda addison
12.11: diction
12.10: developing your own, personal style
12.9: q&a on viewpoint
12.8 short stories as exploration, with tananarive due
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fifteen minutes long, because you're in a hurry, and we're not that smart.
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writing excuses search primary menu skip to content start here new to the podcast? episode 10.1! alumni favorites about the podcast wesley chu piper j. drake mary robinette kowal mary anne mohanraj brandon sanderson howard tayler dan wells event schedule register for out of excuses 2017 sponsors guests discussion policy contact wxr 2017 in the baltic sea search for: season 12, theory and technique 12.13: beautiful prose, purple prose march 26, 2017 howard tayler 3 comments your hosts: brandon, piper, dan, and howard the rising, golden sun crested the snowcapped eastern mountains, its first morning rays pouring like molten lemon through the window to glisten and gleam from the chrome grille of the studio microphone. the collapsing energy quanta of joyous photon goodness made no sound, but the microphone’s 4db spl-a noise floor changed subtly from cold white noise to the warmer, friendlier pink; a difference similarly found between the sussurus emanating from an air-handling system and the exhalation of a sleeping goddess. the podcasters talked about writing stuff, and maybe something about adverbs. the microphone didn’t care. it was just happy to be getting some sunlight. podcast: play in new window | download (duration: 22:34 — 15.5mb)subscribe: itunes | android | rssmake a paragraph purple. maybe make one of our paragraphs purple… the devil’s daughter: hidden sins book 1, by katee robert, narrated by carly robins purple prose guest, season 12, theory and technique 12.12: words as words, with linda addison march 19, 2017 howard tayler 15 comments your hosts: howard and dan, with special guest linda addison linda addison joined us at the world horror convention in 2016 for a discussion of the shapes and sounds of words as seen from the perspective of the poet, and how this approach can inform our prose. podcast: play in new window | download (duration: 21:07 — 14.5mb)subscribe: itunes | android | rsshow to recognize a demon has become your friend, by linda addison poetry season 12, theory and technique 12.11: diction march 12, 2017 howard tayler 12 comments your hosts: brandon, mary, mary anne, and wesley let’s talk about word choice. and when we say “let’s” we mean “we’re going to talk to you about it. you don’t actually get to talk back.” so maybe “let’s” wasn’t the best of the possible openers. our discussion covers what we want to say, how specific we need to be, and what we want to evoke in the reader. sometimes the wrong word is the right one, and the right word is the wrong one. podcast: play in new window | download (duration: 19:58 — 13.8mb)subscribe: itunes | android | rssexercise 1: take some dialog you’ve written recently. replace the dialog with dialog that uses completely different words (except for articles, prepositions, and names.) exercise 2:  write a scene in sentences no longer than seven words, then rewrite it in a single long sentence. sins of empire by brian mccellan dictionprosepurple prose season 12, theory and technique 12.10: developing your own, personal style march 5, 2017 howard tayler 20 comments your hosts: brandon, mary, dan, and howard we’re not talking about character voice here. we’re talking about your voice as a writer, your authorial style, and the aesthetics you employ, and how this is an expression unique to you. and with that definition out of the way, our discussion focuses around how we go about identifying, developing, and embracing our personal styles. (and, of course, when this is something to actually worry about it.) liner notes: here is corinne duyvis’ faq and commentary about the twitter hashtag #ownvoices, and the movement it describes. credits: this episode was recorded in cosmere house studios by dan dan the audioman thompson, and mastered in a secret laboratory by alex jackson podcast: play in new window | download (duration: 19:13 — 13.2mb)subscribe: itunes | android | rsstake something written by someone else, which you did not like, and rewrite it in a way that makes it sound like you, with your voice. the inklings: c.s. lewis, j.r.r. tolkien, and their friends, by humphrey carpenter author voiceownvoicesstyle q&a, season 12, theory and technique 12.9: q&a on viewpoint february 26, 2017 howard tayler 3 comments your hosts: brandon, piper, dan, and howard you had questions about viewpoint. here they are! do you have tips and tricks for making 3rd-person omniscient compelling? how do you make 3rd-person limited compelling? is it normal to need several drafts to nail down a character’s voice? what’s the best way to portray an unreliable 3rd-person limited narrator? what are your most effective methods for immersing yourself in character attributes so that you can get the voice right? how do you choose between 1st and 3rd person? how do you select the viewpoint character for a scene? how do you smoothly transition between viewpoints? how do you prevent character voices from blending into each other and becoming indistinguishable? (our answers are in the podcast.) podcast: play in new window | download (duration: 25:02 — 17.2mb)subscribe: itunes | android | rssswap dialog between characters. how do different characters say the same thing? how do they react when something they would say is said to them? ones and zeroes: mirador, book 2, by dan wells povviewpoint guest, live audience, season 12, theory and technique 12.8 short stories as exploration, with tananarive due february 19, 2017 howard tayler 9 comments your hosts: brandon, mary, dan, and howard tananrive due, whose short-fiction expertise is exemplified in her collection, ghost summer, joined us on the oasis of the seas to talk about how to use short stories to explore aspects of the craft. we discuss the importance of allowing ourselves to fail, and how we can learn from those failures, and continue to push our own limits. we also talk about how we go about pushing those limits, and what we do in order to most effectively explore new techniques. credits: this episode was recorded aboard oasis of the seas by bert grimm, and mastered by alex jackson. podcast: play in new window | download (duration: 14:26 — 10.0mb)subscribe: itunes | android | rsstake something larger that you’ve written  and find a short story in it. write that story. “summer“, by tananarive due, which you can find in the ghost summer collection. practiceshort story posts navigation 1 2 … 93 next → episode tagsagents brainstorming business career character arc characters collaboration conventions creative process criticism demonstration dialog discovery writing editing editors education elemental genre endings fantasy gender genre horror humor ideas lifestyle live audience mice quotient mistborn nanowrimo outlining pacing plot pov prose q&a race research revision schlock mercenary setting site news submitting world building worldbuilding writing groups search for: recent commentssidney h on 12.13: beautiful prose, purple prosejdd on 12.13: beautiful prose, purple proseshakespeare on 12.13: beautiful prose, purple proselinda addison on 12.12: words as words, with linda addisonangela brett on 12.12: words as words, with linda addison brandon’s blogtor.com is offering a free download of the the way of kings march 23, 2017brian mcclellan’s sins of empire march 15, 2017weekly update! march 6, 2017 howard’s blogyou can have ad-free schlock mercenary march 21, 2017kong: skull island march 10, 2017logan march 3, 2017 dan’s blogsavage rifts: a reviewthe i am not a serial killer twitter party!always do the most awesome thing mary’s blogmy favorite bit: stacey berg talks about regeneration march 23, 2017my favorite bit: sherri smith talks about follow me down march 21, 2017my favorite bit: randy henderson talks about smells like finn spirit march 9, 2017@writingexcuses on twittermy tweets fifteen minutes long, because you're in a hurry, and we're not that smart. most recent posts season 12 season 11 season 10 season 9 season 8 season 7 season 6 season 5 season 4 season 3 season 2 season 1 episode transcripts wx community facebook forums episodes by crunchcareer and lifestyle (“fluffy”) theory and technique (“crunchy”) demonstration (“extra crunchy”) project in depth (“the mother of all crunchy”) q&a (“randomly delicious”) announcements (“no nutritional value”) march 2017 m t w t f s s « feb 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 alumni favorites 1.11: the business of writing 3.14: the four principles of puppetry 5.13: writing the second book 5.27: perseverance 6.10: the m.i.c.e. quotient 6.18: the hollywood formula 7.41: seven point story structure 8.15: narrative rhythm 8.42: the internal heckler vs. the internal editor 8.47: roguishness 9.37: training a critique group 10.15: worldbuilding wilderness 10.25: what makes a scene? meta log in entries rss comments rss wordpress.org subscribe to writing excuses via email join 2,589 other subscribers email address advertise here admin notes: private proudly powered by wordpress


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