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wilderness house literary review # 11/4
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wilderness house literary review # 11/4
to contact an editor simply click on a name below. to submit work to us please see "submissions" below
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issn number is 2156-0153.
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the vulgar art movement:

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chekhov prize
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wilderness house literary review # 11/4
to contact an editor simply click on a name below. to submit work to us please see "submissions" below
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our
issn number is 2156-0153.
table of contents
opine
the vulgar art movement:

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chekhov prize
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the last of the bird people
sophocles' ajax
em
wilderness house literary review # 11/4
to contact an editor simply click on a name below. to submit work to us please see "submissions" below
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our
issn number is 2156-0153.
table of contents
opine
the vulgar art movement:

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the last of the bird people
sophocles' ajax
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a rapturous imagine: butterflies and language in a masquerade /no-11.4/essays/jacobbutlett.pdf
indian wedding /no-11.4/essays/jamesbrodows.pdf
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wilderness house literary review # 11/4 whlreview 145 foster street littleton ma 01460 the wilderness house literary review is a publication devoted to excellence in literature and the arts. subscribe to our mailing list thewhlreview is published online quarterly with a best of annual print edition. to contact an editor simply click on a name below. to submit work to us please see "submissions" below: editor & publisher steve glines editor-at-large john hanson mitchell poetry editor teisha twomey poetry reader carol smallwood fiction editor tim gager assistant fiction editors emily pineau nonfiction editor steve glines book reviews editor doug holder arts editor/curator steve glines poet in residence tomas o’leary submissions deadlines are as follows march 1 – spring june 1 – summer september 1 – autumn december 1 – winter please read this section before submitting work. please include some form of identification in the work itself. all submissions must be in electronic form. our preference is an ms word file uploaded through the system below. please do not send us pdf files. we can't use them. by submitting work to us you grant us a non-exclusive license to publish your work in any form we see fit. you may withdraw a submission up until the issue deadline (see above). we don't pay so you retain all copyrights. if we publish your work online we may include it in a printed edition. poetry may be submitted in any length. please don't submit 100 poems and ask us to pick 3. fiction may be submitted in three formats: very short stories less than 500 words in length short stories less than 1000 words in length short stories that don’t fit the above should be less than 3000 words. we also accept longer forms of fiction occasionally. non-fiction is just that so lets see some interesting footnotes. non-fiction should be short, (a lot) less than 5000 words book reviews should be positive unless the author is a well-known blowhard. our mission is to encourage literature not discourage it.. any form of art may be submitted with the constraint that it must be something that can be published in 2 dimensions. it’s hard to publish sculpture but illustrations together with some intelligent prose count. published works are welcome with proper attribution. please submit all works electronically. click here to submit to wilderness house literary review live traffic stats welcome to the 44st issue (volume 11, no 4) of the wilderness house literary review. whlr is a result of the collaboration between a group of poets and writers who call themselves the bagel bards (who keep publishing their anthologies). the stories, articles, poems and examples of art have been presented as pdf files. this is a format that allows for a much cleaner presentation than would otherwise be available on the web. if you don’t have an adobe reader (used to read a pdf file) on your computer you can download one from the adobe website. these files are large and we hope you will be patient when downloading then, however we think the beauty of the words deserves a beautiful presentation. wilderness house press has a twitter feed and you can find us on facebook or read about us on wikipedia. it costs quite a bit of money to keep publishing whlr - please help us out if you can as every little bit helps. our issn number is 2156-0153. let us know what you think in our letters to the editor. finally, the copyrights are owned by their respective authors whose opinions are theirs alone and do not reflect the opinions of our sponsors or partners. table of contents opine search art fiction essays poetry review cumulative index opine the vulgar art movement: there is a word that seems to define our times, it’s vulgar. there is something about our current imitation of the gilded age that has a vulgarity the mansions of newport rhode island never had. wealth, robber barons, and over-the-top ostentation are a new sign of the times. having an art collection has always been a sign of cultural sophistication. hiring an art consultant to make sure your collection is up to par, regardless of cost or contents, is also a sign of the times and a signal that the cultural value one’s collection is of less importance than the price paid at public auction. to be seen as sophisticated is far more important than being sophisticated. future historians of the arts will find 2017 to be a watershed year. not a single “a-list” performing artist is willing to perform for the incoming president of the united states at his inauguration. a number of prominent visual artists, when informed about who had collected their works. rebelled, asking that their works be removed from these collections. like it or not, the president of the united states has a lot of power far beyond the merely political. it goes well into the cultural heart of the nation. who gets funded, who gets appointed, who gets what awards are all part of the power the president has over the cultural life of the country. those who want to curry favor with the power elite will adopt whatever artistic standards seem appropriate even if it’s nothing more than a gilded coprolite. of course, there will always be those willing to jump in whenever there is a vacuum. if the 2016 a-list in the arts is, in retaliation, shunned, a new a-list will eagerly appear. at the risk of stepping on a fresh turd, i am going to call the new movement in the arts simply the vulgar movement. it will be a movement designed, at the outset, to appeal to this new cultural elite (who are, by definition, those willing to pay for art). there is already a vulgar movement in the political arts, there will be a vulgar movement in visual as well as aural arts and, i suspect, the theater arts as well. hamilton will run its course and be replaced by something more appealing to the forbes top 200 and their sycophants. search the house art steve glines - the bards collection advertisement: helpful online essay tools for students of all academic levels. essay a wonderful collection of essays came in over the transom this summer. our essays range from a war memoir to a dissertation on writing letters by hand and lots more. bridget seley-galway - the cherry blossom tree charles hayes - leaving appalachia--a memoir jacob butlett - a rapturous imagine: butterflies and language in a masquerade james brodows - indian wedding michael r. schrimper - on pronunciation, & human voices in general philip harrison - the life and times of a male childminder sankar chatterjee - humanity shines in the mountains of peru toti o’brien - opium advertisement: an online resource for professional freelance writers and editors - improve your writing skills. fiction our fiction editor loves anton chekhov and despairs the notion that there are no latter day chekhov's submitting works for her consideration. this is not to say that the work she receives isn’t excellent … it’s just not chekhov. to that end whlreview announces a new prize for fiction to be called “the chekhov prize.” a google search reveals several other chekhov prizes with cash. alas we’re not offering cash. we will look for a bearded bobble-head doll. in the mean time we have t-shirts with the chekhov prize logo available. just click on chekhov's head. we are thrilled to have tim gager back at the helm of our fiction section while prima takes a well deserved break. tim also has a new novel out. see the review below. every once in a while we publish "experimental" works. here is one: wp newnham - x-mas in penang! for your reading pleasure we offer an outstanding collection of short stories by: bruce j. berger - ten or eleven douglas cole - karmic repatterning marina rubin - severo tom sheehan - the great god shove advertisement: buy a literature review from professional custom paper writing service. poetry our poetry editor, not wanting to be outdone by our fiction editor is pleased to announce the gertrude stein "rose" prize for creativity in poetry. anyone published in volume 3 (and beyond) is eligible. we don't have any idea what the prize will consist of - a t-shirt for sure. perhaps we can find a plaster of paris bust of julius caesar, put a rose in its mouth and decorate it to look like gertrude stein. in the mean time we have t-shirts with the our rose prize logo available. just click on gerturde's head. while we're at it. our poetry editor, teicha, also has a new book out. see the review below for that too. as usual we have a remarkable lineup of poets, so enjoy. ali znaidi andrew hubbard arthur russell beatriz alba del rio candice m. kelsey chad parenteau colin dodds david eingorn donald peach dov weinman jay sizemore julia carlson kurt luchs llyn clague marg walker marguerite gager michael estabrook robert krantz robert t. krantz william pendergast reviews the widget server that once provided a smooth scrolling region for our reviews has gone the way of the dodo and no replacement has been found so we'll just have to point you to the boston area small press and poetry scene we are a bit incestuous this issue. julia carlson, our first fiction editor, reviews teisha dawn twomey's new book of poetry. teisha is our current poetry editor. tim gager, who returns as fiction editor (he replaced julia carlson) has a new book out that we've reviewed. not to be outdone dennis daly both reviews a book and has his own book reviewed. we didn't do this on purpose, honest, it just came out that way. cinnamon girl, by lawrence kessenich north star press of st. cloud, inc., st. cloud, mn review by denise provost from nothing by daniel tobin four way books, www.fourwaybooks.com new york, ny, isbn: 978-1-935536-69-7, 39 pages review by dennis daly sentinel by dennis daly red dashboard press, 107 pages. $16.99. review by ed meek how to treat pretty things, poems by teisha dawn twomey. riverhaven books, whitman, ma. 2016. www.riverhavenbooks.com isbn: 978-1-937588-56-4; 58 pps., $10.00 reviewed by julia carlson at the founding hospital poems by robert pinsky farrar straus giroux/new york, isbn 9780374715472 (e-book) review by michael todd steffen timothy gager’s grand slam: a coming of eggs story (big table publishing, 2016) review by mignon ariel king whlreview is brought to you by: an exciting travelog: seven days in fiji by steve glines dosha, flight of the russian gypsies by sonia meyer by dennis daly from ibbetson street press the last of the bird people a novel by john hanson mitchell sophocles' ajax translated by dennis daly ibbetson street press as we said when we started this is a joint production of wilderness house literary retreat and the “bagel bards”. the “bagel bards” have just published their nineth anthology. you may purchase them here: my library at librarything


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