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Titleart&digitalculture | transmediale

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H1
art&digitalculture
H2
ever elusive
why we make
fear anger love – ctm festival 27.01.–05.02.2017
transmediale submission platform
portraits, cartwheels, drumsticks, and spikes
/art&digitalculture
transmediale /art&digitalculture
transmediale /festival
transmediale /archive
transmediale /resource
/festival
among previous participants:
visit the festival page
/archive
explore our archives
/resource
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partners & supporters
H3
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jacob appelbaum
franco 'bifo' berardi
william binney
ryan bishop
benjamin h. bratton
dinos chapman
gabriella coleman
douglas coupland
jodi dean
heather dewey-hagborg
thomas drake
wolfgang ernst
exonemo
harun farocki
andrew feenberg
kenneth goldsmith
olga goriunova
ian hacking
graham harman
sarah harrison
hatsune miku
robert henke
lynn hershman leeson
ho tzu nyen
brian holmes
ryoji ikeda
jodi
sarah kember
geoffroy de lagasnerie
laturbo avedon
olia lialina
rosa menkman
metahaven
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trevor paglen
jussi parikka
laura poitras
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anne roth
cornelia sollfrank
sputniko!
bruce sterling
hito steyerl
allucquére rosanne "sandy" stone
telekommunisten
tiziana terranova
joshua white
yoha
liam young
siegfried zielinski
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transmediale will celebrate its 30 year anniversary with an entire month of activities. early bird passes for the festival weekend in february 2017 are available now.
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transmediale will celebrate its 30 year anniversary with an entire month of activities. early bird passes for the festival weekend in february 2017 are available now.
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skip to main content #main-content
deutsch /de
english /
search /search
home /
art&digitalculture /home
home /home
about /content/an-ongoing-adventure-in-art-culture-and-technology
partners /content/partners
team /content/team-1
festival /festival
ever elusive /festival
tickets /festival/2017/tickets
press /festival/2017/press
info /festival/2017/info
supporters /festival/2017/partner
archive /archive
history /archive
explore /archive/explore
media /archive/media
publications /archive/publications
resource /resource
journal /resource
news /resource/news
network /content/network
residency /resource/residency
~ /home
newsletter /content/newsletter
imprint /content/imprint
contact /content/contact
read more /festival
journal /resource
why we make /content/why-we-make
- /content/why-we-make
read more /content/why-we-make
news /resource/news
fear anger love – ctm festival 27.01.–05.02.2017 /content/fear-anger-love-ctm-festival-2701-05022017
- /content/fear-anger-love-ctm-festival-2701-05022017
read more /content/fear-anger-love-ctm-festival-2701-05022017
news /resource/news
transmediale submission platform /content/transmediale-submission-platform
read more /content/transmediale-submission-platform
journal /resource
portraits, cartwheels, drumsticks, and spikes /content/portraits-cartwheels-drumsticks-and-spikes
- /content/portraits-cartwheels-drumsticks-and-spikes
teresa dillon /node/25191/
read more /content/portraits-cartwheels-drumsticks-and-spikes
- /festival
explore /festival
anonymous /content/anonymous
jacob appelbaum /content/jacob-appelbaum
franco 'bifo' berardi /content/franco-bifo-berardi
william binney /content/william-binney
ryan bishop /content/ryan-bishop
benjamin h. bratton /content/benjamin-h-bratton
dinos chapman /content/dinos-chapman
gabriella coleman /content/gabriella-coleman
douglas coupland /content/douglas-coupland
jodi dean /content/jodi-dean
heather dewey-hagborg /content/heather-dewey-hagborg
thomas drake /content/thomas-drake
wolfgang ernst /content/wolfgang-ernst
exonemo /content/exonemo
harun farocki /content/harun-farocki
andrew feenberg /content/andrew-feenberg
kenneth goldsmith /content/kenneth-goldsmith
olga goriunova /content/olga-goriunova
ian hacking /content/ian-hacking
graham harman /content/graham-harman
sarah harrison /content/sarah-harrison
hatsune miku /content/hatsune-miku
robert henke /content/robert-henke
lynn hershman leeson /content/lynn-hershman-leeson
ho tzu nyen /content/ho-tzu-nyen
brian holmes /node/1905
ryoji ikeda /node/11311
jodi /content/jodi
sarah kember /content/sarah-kember
geoffroy de lagasnerie /content/geoffroy-de-lagasnerie
laturbo avedon /content/laturbo-avedon
olia lialina /content/olia-lialina
rosa menkman /content/rosa-menkman
metahaven /content/metahaven
julian oliver /content/julian-oliver
trevor paglen /content/trevor-paglen
jussi parikka /content/jussi-parikka
laura poitras /content/laura-poitras
luther price /content/luther-price
jesselyn radack /content/jesselyn-radack
anne roth /content/anne-roth
cornelia sollfrank /content/cornelia-sollfrank
sputniko! /content/sputniko
bruce sterling /content/bruce-sterling
hito steyerl /content/hito-steyerl
allucquére rosanne "sandy" stone /content/allucqu%c3%a9re-rosanne-sandy-stone
telekommunisten /content/telekommunisten
tiziana terranova /content/tiziana-terranova
joshua white /content/joshua-white
yoha /content/yoha
liam young /content/liam-young
siegfried zielinski /content/siegfried-zielinski
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partner page /node/27489
supporter page /node/31168
- http://www.bpb.de/die-bpb/138852/federal-agency-for-civic-education
info@transmediale.de mailto:info@transmediale.de
newsletter /content/newsletter
press /festival/2017/press
imprint /content/imprint
partners /content/partners
data privacy /content/data-privacy
credits /content/credits

Linki zewnętrzne

twitter https://twitter.com/transmediale
facebook https://www.facebook.com/transmediale
instagram https://www.instagram.com/transmediale/?hl=en
youtube https://www.youtube.com/channel/uc3enqta8dip9yhhmqnwzz1a
telegram https://telegram.me/transmediale
kulturstiftung des bundes since 2004. it is a project by http://www.kulturstiftung-des-bundes.de/cms/en/index.html
kulturprojekte berlin gmbh http://www.kulturprojekte-berlin.de/en/home.html
haus der kulturen der welt https://www.hkw.de/en/index.php
- http://www.kulturstiftung-des-bundes.de/cms/en/index.html
- http://www.kulturprojekte-berlin.de/en/home.html
- https://www.hkw.de/en/index.php
ctm – festival for adventurous music and art http://www.ctm-festival.de/news/
- http://www.ctm-festival.de/
- https://www.medienboard.de/en/
- https://www.au.dk/en/
- http://www.southampton.ac.uk/wsa/index.page
- https://in-berlin.de/
- http://serve-u.de/index.php?id=aktuell&no_cache=1
facebook https://www.facebook.com/transmediale
twitter https://twitter.com/transmediale
youtube https://www.youtube.com/channel/uc3enqta8dip9yhhmqnwzz1a
instagram https://www.instagram.com/transmediale/?hl=en
telegram https://telegram.me/transmediale
linkedin https://www.linkedin.com/company/transmediale.11---festival-for-art-&-digital-culture-1-6-feb-berlin?trk=ppro_cprof
kulturprojekte berlin gmbh http://www.kulturprojekte-berlin.de/en/home.html
kulturstiftung des bundes http://www.kulturstiftung-des-bundes.de/cms/en/index.html
haus der kulturen der welt https://www.hkw.de/en/index.php

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skip to main content menu deutsch english search home art&digitalculturehome about partners team festivalever elusive tickets press info supporters archivehistory explore media publications resourcejournal news network residency ~newsletter twitter facebook instagram youtube telegram imprint contact art&digitalculture ever elusive thirty years of transmediale 2 feb - 5 mar 2017 hkw and various venues, berlin read more transmediale/resource/journal why we make reflections on the anxious to make stream by teresa dillon read more transmediale/resource/news fear anger love – ctm festival 27.01.–05.02.2017 read more transmediale/resource/news transmediale submission platform read more transmediale/resource/journal portraits, cartwheels, drumsticks, and spikes photo essay from the anxious to make stream by teresa dillon and lydia goolia read more transmediale will celebrate its 30 year anniversary with an entire month of activities. early bird passes for the festival weekend in february 2017 are available now. explore /art&digitalculture transmediale is a berlin-based festival and year-round project that draws out new connections between art, culture, and technology. all activities of transmediale aim at fostering a critical understanding of contemporary culture and politics as saturated by media technologies. in the course of its 30 year history, the annual transmediale/festival has turned into an essential event in the calendar of media art professionals, artists, activists, and students from all over the world. since 2011, transmediale also has an all-year ongoing activity, including a residency program. these activities provide a sustainable structure of feedback, research, and reflection that interacts with the annual festival. transmediale/art&digitalculture transmediale/festival a yearly leading media arts event transmediale/archive a unique 30 year history of media art transmediale/resource all-year activities beyond the festival prev next /festival transmediale/festival annually presents an extensive range of exhibitions, conferences, screenings, performances, and publications to more than 25,000 visitors. the broad cultural appeal of the festival is recognized by the german federal government who supports the transmediale through its program for beacons of contemporary culture. each year, a specific theme provides the framework for hundreds of artists, media activists, researchers, designers, and other creative tinkerers to engage in reflective, aesthetic, and speculative positions in between art, culture, and technology. the next transmediale/festival takes place from 2 february to 5 march 2017 at haus der kulturen der welt and at various venues in berlin. "das forum", foyer installation at transmediale/conversationpiece. photo: transmediale // design akademie berlin among previous participants: anonymous jacob appelbaum franco 'bifo' berardi william binney ryan bishop benjamin h. bratton dinos chapman gabriella coleman douglas coupland jodi dean heather dewey-hagborg thomas drake wolfgang ernst exonemo harun farocki andrew feenberg kenneth goldsmith olga goriunova ian hacking graham harman sarah harrison hatsune miku robert henke lynn hershman leeson ho tzu nyen brian holmes ryoji ikeda jodi sarah kember geoffroy de lagasnerie laturbo avedon olia lialina rosa menkman metahaven julian oliver trevor paglen jussi parikka laura poitras luther price jesselyn radack anne roth cornelia sollfrank sputniko! bruce sterling hito steyerl allucquére rosanne "sandy" stone telekommunisten tiziana terranova joshua white yoha liam young siegfried zielinski visit the festival page /archive the continuously developing transmediale/archive gathers material from 30 years of festival activities. in the archive section on the website you can browse through program brochures, catalogs and other publications from past festival editions or explore artworks, lectures and audiovisual documentation material. transmediale was founded as videofilmfest in 1988 and thus the collection depicts a significant portion of the history of media and digital art with all its frictions, technological transitions and shifting thematic focuses. considered that the berlin based festival has always maintained its multidisciplinary approach and brought together a variety of—national as well as international—artistic, academic and activist positions, one thing becomes clear: the transmediale/archive also makes a substantial contribution to the archiving of experimental media culture in berlin and internationally. since 1973, video contributions had been part of the international forum of new cinema at the berlin international film festival. as the forum decided to almost completely cease the screenings of videos and video art in 1987, the independent production group medienoperative presented its own video-only program under the name videofilmfest in 1988, highlighting the importance and variety of video art. read more in only its second year, the videofest ‘89 had already become the largest european video festival. it focused on video as a young artform, which has always been a reaction to the “brave new world” of the highly technical mass societies with all their computers, nuclear power stations, destroyed landscapes and lonely individuals. thus, video is not film—it remains bulky, playful and vulnerable. read more within a short time, the videofest has become one of the most important international video festivals.the videofest ‘90 program consisted of works covering the field of video art and documentation; the intention was to point out video-specific realizations of documentaries. read more the character of the videofest ‘91 had become edgier than before: the program included more works irritating in form and content, more documentaries trying to find an innovative formal language for exciting topics, and more videos using artistic means to reflect upon social or political topics in an unusual way. read more also with the videofest ‘92, the medienoperative claimed to reflect the development of international video culture and to represent a rich variety of genres - productions, sculptures, or fields like interactive media or computer animation that break down boundaries. read more a new edition, a changed festival: the videofest ’93 presented the new program accents that explored the video cultures of france and latin america. video full up: different from film, different from television - sometimes irritating, but never boring. read more the seventh year, the year of that infamous “itch” - luckily that wasn’t the case with the videofest ‘94. as the interconnections between video and television had become ever more important, the program showed uncommon television productions and tapes that, critically speaking, went against the grain of commercial media. read more the videofest ‘95 saw beyond the tip of its nose and explored in detail what the new magic word multimedia stood for in the realm of cd-rom and internet artworks. there were performances, discussions, workshops and an exhibition. read more technological advances grew at an exponential rate, and electronic art started to invariably succumb to the digital. thus, the videofest ‘96 had restructured itself and payed more equal attention to video, television, and multimedia. read more on its tenth anniversary, the videofest changed its name to transmedia ‘97. the focus was again on multimedia, innovative television and video. the festival also integrated technological developments and philosophical discourses relevant to these media realms into the program: brain research, neuroaesthetics, nanotechnology and more. read more for the first time in its history, the festival had a motto: bestandsaufnahme sehen. transmediale ‘98 took stock of where television and all the new media have gotten us so far, and what they have given us. read more with the byline 'international media arts festival berlin', transmediale ‘99 invited artists, scientists and commercial producers to present digital worlds and beings in films, video and games. the aim was to explore the entertainment industry and its stimulating experiments with art, design and modern technologies, as well as the revolutionary changes the branch has undergone and brought about. read more the turn of the millennium: the world was speculating about major computer break downs and seemed to take one step closer to its own doom. transmediale 2000 documented the changing artistic practice in a media-technologically oriented culture at the beginning of a new millennium. read more transmediale.01 diy aimed at turning passive media consumers into active producers: emphasizing the emancipatory, self-empowering tendencies of digital culture, the festival offered a highly qualified forum for investigating new forms of artistic and social participation. read more the term “go public” is used in the new economy, meaning the initial public offering on a stock market. originally, however, it meant the publication of information. transmediale.02 go public! invited artists and visitors to create publicity and to develop new creative ideas for the public space in the digital era. read more conceptualized as a counter-weight to economic and military forms of globalization, transmediale.03 play global! presented itself as an artistic "global player": aesthetic and critical strategies were called upon to create playful ideas to handle globalization in ironic and humorous manners. read more transmediale.04 fly utopia! dealt with the hope that lies beneath the infinite potential of possibilities in the era of media technology—but also with the hopelessness of a completely technologized and dis-cultured society, which is dominated by the unlimited claim and use of power. read more transmediale.05 basics explored the aesthetic and ethical foundations of artistic practice with digital technologies in a hyper-potential culture. for this reason, it presented models of an artistic practice whose ethics derive not from past value systems, but from an appropriation of an extreme and contradictory, contemporary culture. read more transmediale.06 reality addicts was interested in real human beings, in words and images, in nature and culture. it was devoted to subverting our reality - produced through means of media-technology - with the help of artistic strategies. read more transmediale.07 unfinish! investigated the terrain of human agency and artistic practice between openness, finitude, and closure. after all, “unfinish!” is not only the battle cry, but also the curse of digital work—work that knows no conclusion, but only consecutive versions. read more in examining dubious worlds of story-telling and remote opinion making, transmediale.08 conspire... critically explored the means of creative conspiratorial strategies that offer the potential to uncover new forms of expression in the digital discourse. read more transmediale.09 deep north focused on the impact and unavoidable consequences of the pending global transformation—the crossing of a point of no return akin to the fall of the berlin wall 20 years ago. read more in search of new templates for the future: transmediale.10 futurity now! asked not what the future has in store for us, but what it is that we have in store for the future. read more transmediale.11 response:ability put forward a call for action in terms how we live on and with the internet today, and explored the emerging qualities of liveness as a fundamental nature of our present digital culture. read more incompatibility is the condition arising when things are not working together. transmediale 2k+12 in/compatible probed the productive and destructive sides of incompatibility as a fundamental condition of cultural production. read more “bwpwap” (back when pluto was a planet) is an expression used when one wants to talk about things in our recent past that have changed quickly. transmediale 2013 bwpwap suggested that this classification crisis opens up a space of cultural negotiation and artistic intervention. read more between shiny high-tech, e-waste dumps, big data businesses and mass surveillance schemes: transmediale 2014 afterglow explored our present post-digital moment as one in which former treasures of our mediatized life are turning into trash. read more what do the futures of work, play and life look like through the black mirror of data? transmediale 2015 capture all looked at how we make sense of a culture dependent on measurement, and how to act with autonomy within such a culture. read more in 2016, transmediale/conversationpiece created an intensive space of exchanges, murmurs, and transitions. it aimed to provide a space for reflections on idealized aspects of contemporary life under digital capitalism. read more 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 explore our archives /resource transmediale/resource is the framework for transmediale’s all-year activity including cooperation projects, networking activities, and special events. the aim is to preserve and further articulate the tacit knowledge produced during the festivals and to create a sustainable structure for feedback and research. as part of this endeavor, the transmediale journal launched in 2016, providing a platform for ongoing reflections, reactions, and discussions in many different forms. festival related projects and events that happen throughout the year—such as workshops, talks, and network events—are presented in the resource news section. additionally, transmediale/resource is the context for cooperations such as the annual vilém flusser residency for artistic research and the regular exchange with an extensive network of international and berlin partners. magical secrecy tour, berlin, germany, june 5, 2014. photographer: adam berry explore the journal, our latest projects and network partners & supporters transmediale is funded as a cultural institution of excellence by kulturstiftung des bundes since 2004. it is a project by kulturprojekte berlin gmbh in collaboration with haus der kulturen der welt. since 1999, transmediale cooperates with its partner ctm – festival for adventurous music and art, presenting joint highlight performances and the yearly pre-festival program vorspiel. together, the two festivals constitute the world’s largest platform for reflection on new technologies and digital culture. over the last years, transmediale has built up an extensive network of partners and supporters, ranging from renowned universities, cultural institutions and foundations to like-minded festivals. for transmediale’s year-round partners who provide substantial support and intensive exchange contributing to the thematic and conceptual development of the festival editions, visit our partner page. for the wide range of supporters that help making each year’s transmediale festival possible and unique, visit the supporter page. kulturprojekte berlin gmbh transmediale klosterstrasse 68 d-10179 berlin +49 (0)30 24749 761 info@transmediale.de facebook twitter youtube instagram telegram linkedin newsletter press imprint partners data privacy credits a project by kulturprojekte berlin gmbh funded by kulturstiftung des bundes in cooperation with haus der kulturen der welt


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