4.48 score from hupso.pl for:
trailermusicvibe.com



HTML Content


Titletrailer music vibe

Length: 18, Words: 3
Description pusty

Length: 0, Words: 0
Keywords pusty
Robots
Charset UTF-8
Og Meta - Title exist
Og Meta - Description exist
Og Meta - Site name exist
Tytuł powinien zawierać pomiędzy 10 a 70 znaków (ze spacjami), a mniej niż 12 słów w długości.
Meta opis powinien zawierać pomiędzy 50 a 160 znaków (łącznie ze spacjami), a mniej niż 24 słów w długości.
Kodowanie znaków powinny być określone , UTF-8 jest chyba najlepszy zestaw znaków, aby przejść z powodu UTF-8 jest bardziej międzynarodowy kodowaniem.
Otwarte obiekty wykresu powinny być obecne w stronie internetowej (więcej informacji na temat protokołu OpenGraph: http://ogp.me/)

SEO Content

Words/Characters 6623
Text/HTML 44.81 %
Headings H1 1
H2 11
H3 1
H4 0
H5 0
H6 0
H1
trailer music vibe
H2

warner chappell cranks out new catalog
interview with composer kris dirksen
warner chappell production – new music catalogs press release
a-list music – annihilator by composer steve e. williams
interview with gothic storm
hummingbird productions news
warner/chappell production music and partner catalogs capture five wins ….
warner chappell nominated for eight awards
brand new family adventure album “tales” released by award winning custom music and sound design company the hit house
interview with dan weniger
H3
bringing the epicness of film and trailer music
H4
H5
H6
strong
warner/chappell production music now exclusively licensing cpm’s 40,000 track catalog in the us and canada
what inspires you to compose your unique style of music?
-you have scored hundreds of trailers. which few stand out to you and why?
– what convinced you that composing was a future career path?
– are there any upcoming projects?
– how do you approach your work when you're composing for a movie 
trailer? movie or tv show?
– how did you first break into the production music industry?
– what has inspired gsm to create your particular style of trailer music albums?
– what’s it like to have an array of talent to have worked on with you in the production process?
– what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
– what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
-what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
renowned, multi-award winning
film and sound production company
hummingbird productions
celebrates its 40th anniversary
recent fusic projects:
dolby atmos:
 
** “i am israel” documentary: 
** st. thomas hospital system (clio award nominee): 
** “cuba 2016 from the back of a van: before the american invasion:” 
 
about bob farnsworth:
about hummingbird productions:
media contact:
warner/chappell production music and partner catalogs capture five wins at the 2016 mark awards
best production music track
best non-categorical track
best jazz track
best hip hop track
best folk track
best use of production music
best use in theatrical film trailer
about warner/chappell production music
about the mark awards
warner/chappell production music and partner catalogs receive eight total nominations for the mark awards
best production music track
best ambient track
best non-categorical track
best jazz track
best hip hop track
best film trailer track
best use of production music
best use in online digital advertising
best use in theatrical film trailer
about warner/chappell production music
 
about the hit house:
hit house contact:
 
 
media contact:
 
– what was your purpose in creating the music for this album?
– how challenging would you say it is to be able to come up with a fresh and exciting sounds in an increasingly saturated market?
– what was your favorite aspect for this particular album?
b
warner/chappell production music now exclusively licensing cpm’s 40,000 track catalog in the us and canada
what inspires you to compose your unique style of music?
-you have scored hundreds of trailers. which few stand out to you and why?
– what convinced you that composing was a future career path?
– are there any upcoming projects?
– how do you approach your work when you're composing for a movie 
trailer? movie or tv show?
– how did you first break into the production music industry?
– what has inspired gsm to create your particular style of trailer music albums?
– what’s it like to have an array of talent to have worked on with you in the production process?
– what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
– what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
-what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
renowned, multi-award winning
film and sound production company
hummingbird productions
celebrates its 40th anniversary
recent fusic projects:
dolby atmos:
 
** “i am israel” documentary: 
** st. thomas hospital system (clio award nominee): 
** “cuba 2016 from the back of a van: before the american invasion:” 
 
about bob farnsworth:
about hummingbird productions:
media contact:
warner/chappell production music and partner catalogs capture five wins at the 2016 mark awards
best production music track
best non-categorical track
best jazz track
best hip hop track
best folk track
best use of production music
best use in theatrical film trailer
about warner/chappell production music
about the mark awards
warner/chappell production music and partner catalogs receive eight total nominations for the mark awards
best production music track
best ambient track
best non-categorical track
best jazz track
best hip hop track
best film trailer track
best use of production music
best use in online digital advertising
best use in theatrical film trailer
about warner/chappell production music
 
about the hit house:
hit house contact:
 
 
media contact:
 
– what was your purpose in creating the music for this album?
– how challenging would you say it is to be able to come up with a fresh and exciting sounds in an increasingly saturated market?
– what was your favorite aspect for this particular album?
i
warner/chappell production music now exclusively licensing cpm’s 40,000 track catalog in the us and canada
what inspires you to compose your unique style of music?
-you have scored hundreds of trailers. which few stand out to you and why?
– what convinced you that composing was a future career path?
– are there any upcoming projects?
– how do you approach your work when you're composing for a movie 
trailer? movie or tv show?
– how did you first break into the production music industry?
– what has inspired gsm to create your particular style of trailer music albums?
– what’s it like to have an array of talent to have worked on with you in the production process?
– what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
– what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
-what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
renowned, multi-award winning
film and sound production company
hummingbird productions
celebrates its 40th anniversary
recent fusic projects:
dolby atmos:
 
** “i am israel” documentary: 
** st. thomas hospital system (clio award nominee): 
** “cuba 2016 from the back of a van: before the american invasion:” 
 
about bob farnsworth:
about hummingbird productions:
media contact:
warner/chappell production music and partner catalogs capture five wins at the 2016 mark awards
best production music track
best non-categorical track
best jazz track
best hip hop track
best folk track
best use of production music
best use in theatrical film trailer
about warner/chappell production music
about the mark awards
warner/chappell production music and partner catalogs receive eight total nominations for the mark awards
best production music track
best ambient track
best non-categorical track
best jazz track
best hip hop track
best film trailer track
best use of production music
best use in online digital advertising
best use in theatrical film trailer
about warner/chappell production music
 
about the hit house:
hit house contact:
 
 
media contact:
 
– what was your purpose in creating the music for this album?
– how challenging would you say it is to be able to come up with a fresh and exciting sounds in an increasingly saturated market?
– what was your favorite aspect for this particular album?
em warner/chappell production music now exclusively licensing cpm’s 40,000 track catalog in the us and canada
what inspires you to compose your unique style of music?
-you have scored hundreds of trailers. which few stand out to you and why?
– what convinced you that composing was a future career path?
– are there any upcoming projects?
– how do you approach your work when you're composing for a movie 
trailer? movie or tv show?
– how did you first break into the production music industry?
– what has inspired gsm to create your particular style of trailer music albums?
– what’s it like to have an array of talent to have worked on with you in the production process?
– what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
– what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
-what were your most favorite aspects of creating this album?
– how did you first get involved with gothic storm?
renowned, multi-award winning
film and sound production company
hummingbird productions
celebrates its 40th anniversary
recent fusic projects:
dolby atmos:
 
** “i am israel” documentary: 
** st. thomas hospital system (clio award nominee): 
** “cuba 2016 from the back of a van: before the american invasion:” 
 
about bob farnsworth:
about hummingbird productions:
media contact:
warner/chappell production music and partner catalogs capture five wins at the 2016 mark awards
best production music track
best non-categorical track
best jazz track
best hip hop track
best folk track
best use of production music
best use in theatrical film trailer
about warner/chappell production music
about the mark awards
warner/chappell production music and partner catalogs receive eight total nominations for the mark awards
best production music track
best ambient track
best non-categorical track
best jazz track
best hip hop track
best film trailer track
best use of production music
best use in online digital advertising
best use in theatrical film trailer
about warner/chappell production music
 
about the hit house:
hit house contact:
 
 
media contact:
 
– what was your purpose in creating the music for this album?
– how challenging would you say it is to be able to come up with a fresh and exciting sounds in an increasingly saturated market?
– what was your favorite aspect for this particular album?
Bolds strong 63
b 63
i 63
em 63
Zawartość strony internetowej powinno zawierać więcej niż 250 słów, z stopa tekst / kod jest wyższy niż 20%.
Pozycji używać znaczników (h1, h2, h3, ...), aby określić temat sekcji lub ustępów na stronie, ale zwykle, użyj mniej niż 6 dla każdego tagu pozycje zachować swoją stronę zwięzły.
Styl używać silnych i kursywy znaczniki podkreślić swoje słowa kluczowe swojej stronie, ale nie nadużywać (mniej niż 16 silnych tagi i 16 znaczników kursywy)

Statystyki strony

twitter:title pusty
twitter:description pusty
google+ itemprop=name pusty
Pliki zewnętrzne 20
Pliki CSS 4
Pliki javascript 16
Plik należy zmniejszyć całkowite odwołanie plików (CSS + JavaScript) do 7-8 maksymalnie.

Linki wewnętrzne i zewnętrzne

Linki 69
Linki wewnętrzne 30
Linki zewnętrzne 39
Linki bez atrybutu Title 59
Linki z atrybutem NOFOLLOW 0
Linki - Użyj atrybutu tytuł dla każdego łącza. Nofollow link jest link, który nie pozwala wyszukiwarkom boty zrealizują są odnośniki no follow. Należy zwracać uwagę na ich użytkowania

Linki wewnętrzne

 
?
0 kudos ?
 
?
0 kudos ?
 
?
0 kudos ?
 
?
1 kudos ?
 
?
0 kudos ?
310/859-1831 tel:310%2f859-1831
dan@asburypr.com mailto:dan@asburypr.com
 
?
1 kudos ?
 
?
0 kudos ?
 
?
0 kudos ?
310/378-8633 tel:310%2f378-8633
sally@thehithouse.com mailto:sally@thehithouse.com
310/859-1831 tel:310%2f859-1831
dan@asburypr.com mailto:dan@asburypr.com
 
?
0 kudos ?
 
?
0 kudos ?

Linki zewnętrzne

- http://www.trailermusicvibe.com/
trailer music vibe http://www.trailermusicvibe.com/
http://www.trailermusicvibe.com/
home http://www.trailermusicvibe.com/
news http://www.trailermusicvibe.com/news/
reviews http://www.trailermusicvibe.com/reviews/
interviews http://www.trailermusicvibe.com/interviews/
listen http://www.trailermusicvibe.com/listen/
about http://www.trailermusicvibe.com/about/
contact us http://www.trailermusicvibe.com/contact-us/
warner chappell cranks out new catalog http://www.trailermusicvibe.com/warner-chappell-cranks-out-new-catalog/
interview with composer kris dirksen http://www.trailermusicvibe.com/interview-with-composer-kris-dirksen/
warner chappell production – new music catalogs press release http://www.trailermusicvibe.com/warner-chappell-production-new-music-catalogs-press-release/
- https://t.e2ma.net/click/bxgsu/r9k88s/j7hy6e
www.warnerchappellpm.com https://t.e2ma.net/click/bxgsu/r9k88s/zziy6e
a-list music – annihilator by composer steve e. williams http://www.trailermusicvibe.com/a-list-music-annihilator-by-composer-steve-e-williams/
https://www.youtube.com/watch?v=2joyyy-zwre https://www.youtube.com/watch?v=2joyyy-zwre
https://www.youtube.com/watch?v=m5krxjywhfo https://www.youtube.com/watch?v=m5krxjywhfo
http://alistmusic.com http://alistmusic.com/
interview with gothic storm http://www.trailermusicvibe.com/gothic-storm-questions/
hummingbird productions news http://www.trailermusicvibe.com/hummingbird-productions-news/
https://vimeo.com/116592767 https://vimeo.com/116592767
https://vimeo.com/105199225 https://vimeo.com/105199225
https://vimeo.com/25041130 https://vimeo.com/25041130
https://www.youtube.com/watch?v=ijtuc50-poe https://www.youtube.com/watch?v=ijtuc50-poe
https://www.youtube.com/watch?v=9rswiimty5u https://www.youtube.com/watch?v=9rswiimty5u
https://www.dropbox.com/s/cxj380pf7z7fxr3/new%20orleans%20speech%20full%20audio.mp3?dl=0 https://www.dropbox.com/s/cxj380pf7z7fxr3/new%20orleans%20speech%20full%20audio.mp3?dl=0
www.hummingbirdproductions.com http://www.hummingbirdproductions.com/
warner/chappell production music and partner catalogs capture five wins …. http://www.trailermusicvibe.com/warnerchappell-production-music-and-partner-catalogs-capture-five-wins/
warner chappell nominated for eight awards http://www.trailermusicvibe.com/warner-chappell-nominated-for-eight-awards/
brand new family adventure album “tales” released by award winning custom music and sound design company the hit house http://www.trailermusicvibe.com/brand-new-family-adventure-album-tales-released-by-award-winning-custom-music-and-sound-design-company-the-hit-house/
www.thehithouse.com http://www.thehithouse.com/
https://www.facebook.com/thehithousemusic https://www.facebook.com/thehithousemusic
https://twitter.com/hithousemusic https://twitter.com/hithousemusic
https://www.youtube.com/user/thehithousemusic https://www.youtube.com/user/thehithousemusic
https://soundcloud.com/thehithousemusic https://soundcloud.com/thehithousemusic
https://www.instagram.com/hithousemusic/ https://www.instagram.com/hithousemusic/
interview with dan weniger http://www.trailermusicvibe.com/interview-with-dan-weniger/
continue   → http://www.trailermusicvibe.com/page/2/

Zdjęcia

Zdjęcia 14
Zdjęcia bez atrybutu ALT 5
Zdjęcia bez atrybutu TITLE 14
Korzystanie Obraz ALT i TITLE atrybutu dla każdego obrazu.

Zdjęcia bez atrybutu TITLE

http://www.trailermusicvibe.com/wp-content/uploads/2014/02/logo.jpg
http://i0.wp.com/www.trailermusicvibe.com/wp-content/uploads/2017/01/unnamed.png?resize=300%2c199
http://i1.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/12/ki.jpg?resize=300%2c167
http://i0.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/12/k.jpg?resize=200%2c300
https://ci5.googleusercontent.com/proxy/egxxh15pk-evg1_i0gjxb1n-rtahyh1ptbl_ybyxfum_mtnk5z93mmr6vst0rqtbhmxrzzxxvcmdkntmi7odcdcw_5nendkrrodycrck_n0wlfph2xbb0q7jgpeh8qsatl9us5sklmq0gjcbdth_hzpfbvm=s0-d-e1-ft#http://d31hzlhk6di2h5.cloudfront.net/20161207/ef/63/03/e8/fd00b8e07408e29655c627a2_430x560.jpg
http://i1.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/11/final_squared2.png?resize=300%2c300
http://i1.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/11/final_squared_tools2.png?resize=300%2c300
http://i0.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/11/dg.jpg?resize=300%2c296
http://i1.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/11/dm.png?resize=300%2c220
http://i2.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/11/ca.jpg?resize=249%2c300
http://i2.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/11/js.jpg?resize=300%2c225
http://i2.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/11/kk.jpg?resize=300%2c300
http://i1.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/10/1-hummingbird-productions-founder-bob-farnsworth-center-white-shirt-grey-beard-and-his-team-celebrate-40th-anniversary.jpg?resize=1024%2c780
http://i1.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/10/unnamed.jpg?resize=300%2c300

Zdjęcia bez atrybutu ALT

http://www.trailermusicvibe.com/wp-content/uploads/2014/02/logo.jpg
http://i0.wp.com/www.trailermusicvibe.com/wp-content/uploads/2017/01/unnamed.png?resize=300%2c199
http://i1.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/12/ki.jpg?resize=300%2c167
http://i0.wp.com/www.trailermusicvibe.com/wp-content/uploads/2016/12/k.jpg?resize=200%2c300
https://ci5.googleusercontent.com/proxy/egxxh15pk-evg1_i0gjxb1n-rtahyh1ptbl_ybyxfum_mtnk5z93mmr6vst0rqtbhmxrzzxxvcmdkntmi7odcdcw_5nendkrrodycrck_n0wlfph2xbb0q7jgpeh8qsatl9us5sklmq0gjcbdth_hzpfbvm=s0-d-e1-ft#http://d31hzlhk6di2h5.cloudfront.net/20161207/ef/63/03/e8/fd00b8e07408e29655c627a2_430x560.jpg

Ranking:


Alexa Traffic
Daily Global Rank Trend
Daily Reach (Percent)









Majestic SEO











Text on page:

trailer music vibe bringing the epicness of film and trailer music search for: home news reviews interviews listen about contact us warner chappell cranks out new catalog contact: mark logsdon phone: (615) 327-0100 email: mark.logsdon@plamedia.com warner/chappell production music now exclusively licensing cpm’s 40,000 track catalog in the us and canada nashville, tn (january 10, 2017) – warner/chappell production music, warner music group’s production music department, proudly announces that the renowned cpm music library is available for licensing immediately in the us and canada. warner/chappell production music first took ownership of the catalog in 2010, and has since represented the collection outside of the us and canada. with the addition of the us and canada, warner/chappell production music now represents cpm worldwide through its global offices and sub publishing relationships. one of the largest and most respected production music catalogs in the world, cpm, formerly carlin production music, is comprised of over 40,000 tracks spanning three series: main series, archive series and classical series. produced by warner/chappell production music’s own london production team, cpm got its start in 1988 and has grown its reputation since, gaining a following based on its wide range of musical genres and high production standards. “cpm has a long history and contains a wealth of versatile music across every genre imaginable,” said warner/chappell production music president & ceo randy wachtler. “we are extremely proud to represent such a well-regarded production music catalog across the us and canada, and look forward to building on its already fantastic reputation.” the cpm catalog has been licensed around the globe for many clients including major league baseball, spongebob squarepants, dell, geico, armani, and more. the armani spot can be viewed here: about warner/chappell production music warner/chappell production music is a worldwide leader within the production music industry, with over 35 years of experience and success. it unites many of the most successful and respected independent brands in production music, including 615 music, non-stop music, gari music, groove addicts, v – the production library, and many others. the brands comprising warner/chappell production music have been the recipients of many industry awards, including multiple emmys®, tellys, addys and promax honors. warner/chappell production music is a proud part of warner music group, home to a collection of the best-known labels in the music industry, including atlantic records, elektra, fueled by ramen, parlophone, rhino, roadrunner, warner bros. records as well as warner/chappell music, one of the world’s leading music publishers, with a catalog of more than one million copyrights worldwide. website: www.warnerchappellpm.com facebook: www.facebook.com/warnerchappellpm twitter: @wcprodmusic youtube: warnerchappellpm ### 0 kudos interview with composer kris dirksen meet composer kris dirksen who has scored for a few television shows as well as hundreds of film and tv trailers. he answered a few questions with regards to his style of music composition and so on. what inspires you to compose your unique style of music? we’ve always tried to look outside of film and trailer music for our inspiration. so much of that world is about emulating whatever the popular sound of the day is, it seems like you’re constantly chasing your tail. there are enough hans zimmer sound-alikes in the world, that world has never interested me and i’m not that good at it to be honest. we’ve been more informed by the bands and artists we like, which is probably why we sound like a bad massive attack/mogwai cover band. -you have scored hundreds of trailers. which few stand out to you and why? our material always seems to be a good fit with david fincher’s movies, those projects always seem to turn out well. one recent memorable project is the ethereal trailer for jackie that my brother, nicolas dirksen, scored. he started off as my assistant and has developed into a great composer with his own sound. i’ve been getting more joy lately out of mentoring and guiding new composers and seeing their work pay off. – what convinced you that composing was a future career path? it was something i stumbled upon more than anything, i had no intention of becoming a composer. i went to law school, and ended up starting a music publishing company after graduating, getting various artists’ music into film, tv and video game projects. i started getting opportunities to write spec, custom music for trailers but could never motivate the musicians i worked with to jump on those opportunities, so i taught myself how to write trailer music at night after work on my laptop. after a couple of years of that my music eclipsed that of that the bands i worked with and i started composing full-time with my company methodic doubt music. – are there any upcoming projects? yes, unfortunately it’s too early in the game to announce them. check out my last project quarry, which just aired on cinemax/hbo and is on itunes as of last week. – how do you approach your work when you're composing for a movie trailer? movie or tv show? trailer music is like a sledge hammer, the focus is almost always on making it bigger, bolder and more brash. tv and movies are more of a delicate, restrained approach where you’re forced to make the music play nicely with dialog and sound. they’re both challenging in their own way. thank you to kris for taking the time to give us some insight into his work! 0 kudos warner chappell production – new music catalogs press release warner/chappell production music debuts “color tv” and “elbroar” catalogs warner/chappell production music is proud to announce the debut of its new color tv and elbroar catalogs.  color tv is comprised of german composer curt cress’ nearly 14,000 track collection from curt cress publishing gmbh, and its sister company f.a.m.e. recordings publishing gmbh. color tv and the elbroar catalog, also from germany, are available for licensing now. color tv is a comprehensive library that brings to life a wide range of tv production styles, with the initial release including nine albums: panoramic landscapes simply happy quirky & eccentric piano moods chase & surveillance secret service actionism drama cuts crime scene following the initial release, warner/chappell production music plans to release two new compilations from the catalog every two weeks. color tv is available for licensing worldwide, excluding italy and france. “we are extremely proud to have gained access to the talented works of curt cress and to launch color tv,” says warner/chappell production music president randy wachtler. “curt’s unique talents have been featured in film and television broadcasts in germany and we are excited share this catalog internationally.” elbroar, hailing from hamburg, germany, is a state-of-the-art collection ranging from epic to minimal, jazz to techno and drama to fun.  the catalog serves creatives in the fields of television, film and advertising, with a strong focus on trailers and daytime tv.  the catalog’s first release, “epic fairy tales,” is an album of orchestral arrangements that set the scene for fantastic stories and epic emotions.  elbroar is available for licensing immediately, worldwide. about curt cress german composer curt cress began his musical career in the 1960s, performing in acts such as klaus doldinger’s passport and snowball, as well as in falco and udo lindenber’s bands.  his solo projects involved work with local and international artists including freddie mercury, tina turner, rick springfield, saga, meat loaf and scorpions, as well as releasing his own solo material. he made a name for himself as a composer for popular german films and hit tv series such as sk kölsch, helicops and the red mile, with many of his works now featured as background music in an average of 25 leading german tv programs every year. about warner/chappell production music warner/chappell production music is a worldwide leader within the production music industry, with over 35 years of experience and success. it unites many of the most successful and respected independent brands in production music, including 615 music, non-stop music, gari music, groove addicts, v – the production library, and many others. the brands comprising warner/chappell production music have been the recipients of many industry awards, including multiple emmys®, tellys, addys and promax honors. warner/chappell production music is a proud part of warner music group, home to a collection of the best-known labels in the music industry, including atlantic, elektra, fueled by ramen, rhino, and roadrunner, as well as warner/chappell music, one of the world’s leading music publishers, with a catalog of more than one million copyrights worldwide. for additional information, visit www.warnerchappellpm.com. 0 kudos a-list music – annihilator by composer steve e. williams annihilator from music library a-list music has been released. the artist behind this work was composer steve e. williams. here is a preview of the annihilator release : https://www.youtube.com/watch?v=2joyyy-zwre according to the youtube description: this album packs an extreme musical sound design journey into a world created from decimating, pounding, pulsing electronics, heavy swagger rock, orchestral hybrids and ethereal vocals. annihilate with massive impacts, huge bass stabs, raging build-ups, hard rock guitars, bass and drums, sweeping synth atmospheres, deep pulses, edgy risers and vocal phrases. warning: use of these tracks creates unnerving tension, adrenaline-rush and epic suspense! the second one is a preview of annihilator tools: https://www.youtube.com/watch?v=m5krxjywhfo it’s described as: decimating, pounding, pulsing electronics, heavy swagger rock, orchestral hybrids and ethereal vocals. massive impacts, huge bass stabs, raging build-ups, hard rock guitars, bass and drums, sweeping synth atmospheres, deep pulses, and edgy risers. a-list music website: http://alistmusic.com bio: steve e. williams is a television, trailer, film and ad composer, producer and keyboardist. he has written music for the motion picture and television advertising campaigns of disney/marvel “ant-man”, warner bros. “the 33″, cw “arrow”, “reign”, abc “agents of shield”, “american crime”, “nashville”, cbs “elementary”, “ncis”, “criminal minds” & “blue bloods”. williams’ television credits include “the game awards 2016”, “48 hours”, “a current affair”, “cbs sports spectacular”, national geographic wild, discovery id, nbc’s “life”, “jeff probst show”, msnbc “your business” and extensive contributions to the sound of the bbc, espn, cbs, fox, warner as well as various documentaries including the cnn special “voices of auschwitz” featuring an interview with steven spielberg. williams’ unique sound can be heard on billboard top 100 singles and top 10 club remixes.  his diverse career includes teaming up with platinum artists and major songwriters as well as receiving five district addy and two communicator awards for trendy advertising music. his work has helped shape the brand identities of saab, mattel, sears, levi’s, nokia/vertu, nissan, pf changs, chevy, the dr. phil show, and more. 1 kudos interview with gothic storm below is an interview with the owner along with several composers of the music library known as gothic storm. they present some background as to the beginnings of their composing with gs as well as other influences etc. first up, owner/composer dan graham: – how did you first break into the production music industry? in 2004 my band had split up and i was unemployed. i had to decide between music and a regular job so i just googled “ways to make money out of music” and saw production music as an option so i decided to record 10 solo piano tracks and send them to any related email address i could find. i sent out emails and demos to maybe 2,000 people in a month and got 3 good jobs from that so i suddenly needed to write 50 piano tracks which was a bit complicated but one thing led to another and i didn’t have to do much self promotion after that. by 2010 i was earning enough royalties to invest in my own company so started gothic storm. – what has inspired gsm to create your particular style of trailer music albums? i think that because i started from a more tv-focused area where clients need the albums to be very well categorized i immediately recorded every album with its own genre or style. so it was a case of just deciding the overall theme – emotional, fast, euphoric, adventure and then asking writers to work within that, while writing very elaborate briefs to inspire them. doing it this way means that every album has its own style, and hopefully writers are using their imagination and being original instead of just copying other trailer music. – what’s it like to have an array of talent to have worked on with you in the production process? it’s great to have a team working on every album – everyone has their own style. i think i’m lucky to have found such amazing writers and it’s always great to hear something as good or better than i could have done. – what were your most favorite aspects of creating this album? working with the massive strings and choirs recorded in vienna was a cool experience and having the artistic freedom to do a hybrid remix with almost no limitations. – how did you first get involved with gothic storm? through chris haigh. i have been a youtube supporter of his for a while and he scouted me out to do some hybrid remixes for him. also met dan through a skype call that i won through a charity auction. he also gave me a cue to remix. was a real honor and a great experience! short bio: based in australia, darius moldovan (better known as mythix) specializes in music for film, television, and video game advertising. with fifteen years experience in music production, and performance, from classical to edm, mythix manifests this experience through his compositions with his hard-hitting, aggressive, hybrid orchestral signature sound birthed from his epic music studio. ********* -every gothic storm album is special because strings and choir are recorded live, and it really raises the quality a lot! it´s very exciting to see a track come to live once you hold the printed scores in your hands. this album was very special for me because i had the great pleasure to produce the live recordings with the vienna session orchestra. every musician had a lot of fun and i think you can hear that in the final product! -dan asked me some time ago if i want to write a piece for a new label he just created, the library of the human soul. i ended up doing two tracks for the first album and since then, i enjoyed working with him on many great projects. bio: my name is christoph allerstorfer and i´m a composer and audio engineer. i´m making music since i was a child and i played in various bands. i was always a huge film music fan and after i finished studying audio engineering, i built my own studio and started writing music for movies, television and trailers. ******* johnathan sharp – what were your most favorite aspects of creating this album? as a remixer, having the opportunity to work with such amazing material. – how did you first get involved with gothic storm? as a result of doing product demos for the gothic instruments line. bio : classically trained musician, though not that you’d notice. he spent way to long making noisy industrial albums before stumbling into library music entirely by accident. more recently he has discovered all that noise making actually fits rather well into making trailer music. ***** gabriel brosteanu: what were your most favorite aspects of creating this album? well, it’s always good to challenge yourself and see how far you can push out of your comfort zone but to me, i guess the most rewarding aspect is working with live musicians, that is having live strings and choirs at your disposal, so to say. nothing beats writing for real musicians and knowing that they would surely elevate your music to the next step. – how did you first get involved with gothic storm? at one point i’ve had the wonderful chance to write a couple of tracks for gothic storm’s sister label, the library of the human soul. next, dan (graham) offered me to do one track for gothic storm’s epic emotional album. it all went upwards from there i guess. kyle kniceley: -what were your most favorite aspects of creating this album? -as a remixer i enjoyed working with the great themes and re-envisioning them to create an all new hybrid animal. it’s very inspiring for me personally to be able to morph material and watch it grow into my own vision. it feels more freeing and creative sometimes than starting from scratch. especially working with such awesome writers it’s been a pleasure to do. – how did you first get involved with gothic storm? -my first gothic storm experience was a doing a rock remix for gothic action rock several years back. it was the first remix and first trailer piece i had ever done. since then i’ve had the privilege of producing more remixes and providing original pieces for multiple projects. bio: kyle kniceley is a sound designer and hybrid music producer who’s focus is on the dynamics of emotion, energy and mood. along with traditional genres and modern techniques his work often fuses elements of the nature, orchestra, rock, industrial, edm and pop in new and unique ways. creating sounds ranging from ethereal ambient atmospheres to skull crushing hybrid trailer cues. 0 kudos hummingbird productions news renowned, multi-award winning film and sound production company hummingbird productions celebrates its 40th anniversary nashville, tn, october 24, 2016 — hummingbird productions, a renowned, multi-award winning film and sound production company which has built its reputation as one of america’s leading producers of commercials, sound design and original music, has achieved a truly rare accomplishment – it’s 40thanniversary milestone this month. the company’s celebratory party was held at the company’s headquarters in nashville on october 20, 2016. founded by iconic advertising industry ad man and music composer bob farnsworth in 1976, the company has established itself as the longest standing music commercial house in nashville, tn, and the southern u.s. hummingbird productions is the second oldest such company in the nation. regarding his company’s 40th anniversary, farnsworth said, “i am ridiculously thrilled and delighted to have been spearheading hummingbird productions for four decades! our team and i have worked with the most wonderful creatives in the world on thousands of national, regional and local campaigns for every conceivable product, service and brand across every media platform. i consider myself blessed to have reached this milestone, both on a professional, as well as a personal, level.” farnsworth’s encouragement to the artistic world is this: “i think i have made about every mistake there is to make on this journey, from my first commercial, which was so crazy that i literally got thrown out of the agency, to falling off the conductor’s podium – flat on my face – in front of the entire philadelphia orchestra while rehearsing the commission i had composed for them. but… you just have to get up (literally in that case) and keep on going, because someone out there loves you.” seen in accompanying group photo, hummingbird productions team members: joshua stark, michael carnes, evan weaver, dylan steppeler, haley bussell, aaron howard, bob farnsworth, kimberly kolber, chris esposito, willo collins, karen espenant, and matt thompson. farnsworth is presently working on a book, entitled “40 years on music row.” his book will be a collection of his strange experiences that demonstrate how – much like in sports – “it ain’t how many times you get knocked down. it’s how many times you can get back up.” concurrently, farnsworth will soon be launching, on november 1st,”bobcasts,” a brand new online blog and podcast series which will present “crazy, funny and poignant stories that all relate to the idea of perseverance.” the entries featured within “bobcasts” will be culled from chapters of his upcoming book. hummingbird productions, which, in addition to its history of providing original music and sound design also produces commercials, web content and corporate communications, spearheads these projects by integrating its team of directors, sound designers, and its music group, using the hummingbird’s fusic production process, which integrates the sound and music from the very inception of an idea through to the end. hummingbird boasts membership in the clio hall of fame for its budweiser “frogs” commercial – renowned as one of the top ten tv spots of all time – and its many other award winning ads for companies like coca-cola, dodge, oscar meyer, wrigley’s gums, kellogg’s, target, and a host of other international, national, regional and local businesses. the clios are the esteemed international awards for the creative business, founded in 1959 to celebrate high achievement in advertising that pushes boundaries and establishes new precedent. hummingbird is renowned in the industry as a leader of that charge, winning awards year after year throughout the course of its forty-year history. expanding upon his unique business style, farnsworth adds, “basically, we take a team approach to every project by bringing together directors, sound designers and composers to work in tandem throughout the production process. historically, everyone has tended to be compartmentalized. with what we call our fusicprocess (the fusion of film and music), we bring everyone around the same table, right from the very beginning.” hummingbird’s goal for future tv and web advertising campaigns is to create true moments of fusic: to strive for at least one such moment in every piece of ilm and music work they do. hummingbird demonstrates their fusic process dramatically – and regularly, around the united states – with directors who” think audio” and with composers who” think visuals,” and with content creators who always start a project with the importance of sound at top of mind. recent fusic projects: among hummingbird’s recent fusic projects are: ** dolby atmos: dolby’s promotion of dolby atmos is the newest technology of speakers for movie theaters. hummingbird was chosen to carefully integrate – or “fuse” – sound with promotional video, directed by hummingbird’s garrett nantz. dolby took this promotional video all over the world to demonstrate the best audio visual movie theater experience possible. hummingbird created the con- summate fusic piece, blending multi-directional sound and top quality video. please see:  https://vimeo.com/116592767   ** “i am israel” documentary: hummingbird has teamed with its award winning director david kiern to score the entire score for this documentary, which the knesset plans to air for the 50th anniversary of the unification of israel. hummingbird has scored two other full documentaries with mr. kiern, including “journey to everest” and “living hope.”  see: david kiern’s missions reel: https://vimeo.com/105199225 and “journey to everest” trailer: https://vimeo.com/25041130 ** st. thomas hospital system (clio award nominee): hummingbird’s full orchestra score was a major contribution in the bohan agency winning gold in the addys, and also being a clio award contender for this “nothing shall be impossible” campaign. the remarkable thing about this project was that the visuals were almost entirely still pictures. see: https://www.youtube.com/watch?v=ijtuc50-poe ** “cuba 2016 from the back of a van: before the american invasion:” this “documentary in progress” was actually filmed while hummingbird was working on another project in cuba. the doc presents a visceral reaction to cuban communism’s detriment to its people. see:https://www.youtube.com/watch?v=9rswiimty5u   about bob farnsworth: bob farnsworth graduated from furman university in 1974, and was signed as a recording artist with abc records that same year. providence kept him in nashville, where he has spent the last 40 years building hummingbird productions. farnsworth and hummingbird have worked with innumerable and diverse artists, from dolly parton to arlo guthrie, from ray charles to stevie ray vaughn; and with venues ranging from the philadelphia orchestra to the london symphony, and organizations ranging from the united way to the united nations. farnsworth performs and lectures across the country about advertising, fusic, and the power of sonic branding. at present he has five upcoming fusic talks scheduled for presentations in memphis, nashville, madison, wi, and mississippi. in 2014, he delivered a well-received tedx talk entitled “hearing is believing” in colorado. and he has also discussed the topic of fusic in new orleans. pls see: https://www.dropbox.com/s/cxj380pf7z7fxr3/new%20orleans%20speech%20full%20audio.mp3?dl=0 in 2010, farnsworth appeared on “the today show” as an industry icon. he has also been a speaker at the annual american ad federation conference. he tackles tough issues on advertising, branding and roi with a sense of joy that is infectious and exciting. about hummingbird productions: founded in nashville, tn, in 1976 by bob farnsworth, hummingbird productions brands itself as a “one stop fusic shop.” the company, historically one of the longest standing providers in the united states of original commercial, sound and music for the entertainment and advertising industries, also includes a team of film directors who have committed their future films to incorporating his unique design concept. while hummingbird is perhaps best known for its iconic budweiser “frogs” spot, its music also has been featured in such memorable advertising campaigns as oscar meyer’s “my bologna has a first name,” “always coca-cola,” and wrigley’s “double double your refreshment.” hummingbird’s sound designers, lyricists and composers also create original music for feature films/short films/documentaries, tv programs, soundtracks, web videos, radio commercials, video games, and more. in addition to its clio hall of fame award for budweiser “frogs,” hummingbird is the winner of numerous additional clio and lions awards. the company, an acknowledged leader in the field of audio and sonic branding for the past 40 years, also offers music publishing, music licensing and music search services, all while actively working with artists from around the world. hummingbird productions is located at 1521 graybar, nashville, tn, 37215. the phone is 615-385-3729and the website is: www.hummingbirdproductions.com media contact: dan harary the asbury pr agency beverly hills, ca 310/859-1831 dan@asburypr.com 1 kudos warner/chappell production music and partner catalogs capture five wins …. contact: mark logsdon phone: (615) 327-0100 email: mark.logsdon@plamedia.com warner/chappell production music and partner catalogs capture five wins at the 2016 mark awards (los angeles, ca, october 20, 2016) warner/chappell production music and partner catalogs, 9 lives music, sound-pol and midcoast music, took home five trophies at the 2016 mark awards held tuesday evening at the production music conference. the second annual awards recognized both track and usage categories. “i’m so proud of our team at warner/chappell production music and our worldwide partners for the wins at the 2016 mark awards,” says randy wachtler, president & ceo of warner/chappell production music. “the talented professionals behind these wins, from composers to producers, musicians and licensing professionals, worked tirelessly to deliver high-quality tracks, and are so deserving of the recognition that they have received.” a full overview of the awards is included below: best production music track best non-categorical track a classical drama – 9 lives music, warner/chappell production music composer: christopher white best jazz track the long road that is short – midcoast music, warner/chappell production music composer: paul silbergleit best hip hop track against the world – warner/chappell production music composers: daniel delaney & chris b. harris best folk track starting to grow – sound-pol composer: pawel górniak best use of production music best use in theatrical film trailer interstellar – warner/chappell production music (full tilt) composers: kaveh cohen & michael david nielsen about warner/chappell production music warner/chappell production music is a worldwide leader within the production music industry, with over 35 years of experience and success. it unites many of the most successful and respected independent brands in production music, including 615 music, non-stop music, gari music, groove addicts, v – the production library, and many others. the brands comprising warner/chappell production music have been the recipients of many industry awards, including multiple emmys®, tellys, addys and promax honors. warner/chappell production music is a proud part of warner music group, home to a collection of the best-known labels in the music industry, including atlantic, elektra, fueled by ramen, rhino, and roadrunner, as well as warner/chappell music, one of the world’s leading music publishers, with a catalog of more than one million copyrights worldwide. for additional information, visit www.warnerchappellpm.com. about the mark awards the production music association (pma) was proud to present the second annual mark awards, an awards ceremony dedicated to honoring excellence in the production music community. named in honor of the late andy mark, who was a library owner and founding member of the pma, the “mark awards” recognizes the very best in production music in 24 categories. the production music association (pma) is the leading advocate and voice of the production music community. this non-profit organization has over 670 music publisher members, ranging from major labels to independent boutiques. for more information, visit www.markawards.pmamusic.com. 0 kudos warner chappell nominated for eight awards contact: mark logsdon phone: (615) 327-0100 email: mark.logsdon@plamedia.com warner/chappell production music and partner catalogs receive eight total nominations for the mark awards (los angeles, ca, october 10, 2016) the nominees were released for the 2016 mark awards with warner/chappell production music and partner catalogs 9 lives music and midcoast music securing a total of eight nominations. the nominations, for the second annual awards being held on october 18 at the production music conference, are for both track categories and usage categories. “congratulations to our entire team at warner/chappell production music and our worldwide partners on the nominations for the 2016 mark awards,” says randy wachtler, president & ceo of warner/chappell production music. “our talented and passionate team of composers, producers, musicians and licensing professionals work hard to create and deliver the very best for our clients and i’m happy they are recognized with these nominations.” a full overview of the nominations is below: best production music track best ambient track zero degree sphere – 9 lives music, warner/chappell production music composer: ben cocks best non-categorical track a classical drama – 9 lives music, warner/chappell production music composer: christopher white circuit breaker – 9 lives music, warner/chappell production music composer: ben cocks best jazz track the long road that is short – midcoast music, warner/chappell production music composer: paul silbergleit best hip hop track against the world – warner/chappell production music composers: daniel delaney & chris b. harris best film trailer track hawx – warner/chappell production music (glory oath + blood) composers: joshua daniel crispin & robert leslie bennett best use of production music best use in online digital advertising big dreams – warner/chappell production music composers: daniel delaney & chris b. harris best use in theatrical film trailer interstellar – warner/chappell production music (full tilt) composers: kaveh cohen & michael david nielsen about warner/chappell production music warner/chappell production music is a worldwide leader within the production music industry, with over 35 years of experience and success. it unites many of the most successful and respected independent brands in production music, including 615 music, non-stop music, gari music, groove addicts, v – the production library, and many others. the brands comprising warner/chappell production music have been the recipients of many industry awards, including multiple emmys®, tellys, addys and promax honors. warner/chappell production music is a proud part of warner music group, home to a collection of the best-known labels in the music industry, including atlantic, elektra, fueled by ramen, rhino, and roadrunner, as well as warner/chappell music, one of the world’s leading music publishers, with a catalog of more than one million copyrights worldwide. for additional information, visit www.warnerchappellpm.com . about the mark awards the production music association (pma) is proud to present the second annual mark awards, an awards ceremony dedicated to honoring excellence in the production music community. named in honor of the late andy mark, who was a library owner and founding member of the pma, the “mark awards” recognizes the very best in production music in 24 categories. the production music association (pma) is the leading advocate and voice of the production music community. this non-profit organization has over 670 music publisher members, ranging from major labels to independent boutiques. for more information, visit www.markawards.pmamusic.com. ### for more information, review copies or to request an interview with the talent or executive team, please contact mark logsdon of pla media at (615) 327-0100 or mark.logsdon@plamedia.com. warner/chappell production music representative: jennifer stowe, marketing manager warner/chappell production music jennifer.stowe@warnerchappellpm.com (615) 244-6515 0 kudos brand new family adventure album “tales” released by award winning custom music and sound design company the hit house los angeles, ca, august 24, 2016 – top custom music and sound design company the hit house has released “tales,” its latest original album. tales has been created and produced by composers scott lee miller, william hunt, dan diaz, and martyn corbet. sally house, executive producer, the hit house, made the announcement. comprised of 12 pieces of original music, tales is a new family adventure album from the hit house, transitioning to a unique new tonal blend and style from where the company’s popular “epic funny bone” series left off.   “we’ve crafted these ‘tales’ for our clients, so they can more easily write their own,” said sally house. “everyone has their own dragon to conquer, tame and ride over the horizon. ours is breathing new fire into a genre that had lost its magic. with tales, we’ve crafted a fiery new tome in our ‘epic’ anthology filled with wonder, fascination, charm, a touch of darkness, and a little bit of the ‘potion’ we mixed up at the wet bar.” adds jesse goodwin, the hit house’s vp of music supervision, “every note and melody featured within tales has been meticulously curated, scrutinized and crafted, to provide our clients’ stories with the unique arrangements they deserve. life itself is exciting, unpredictable and beautiful – and that is magnified by the tales we tell!” among the track titles from tales are “tharos,””bloodbane,” “saphira,” “spyro,” “dragotha,” “mushu,” “albi” and “haku.” according to house, numerous tracks from original music albums produced by the hit house have been successfully placed within high-profile action, comedy and animated movie trailers, as well as many commercials. recent placements have included: “the jungle book” “beauty and the beast” “suicide squad” “pete’s dragon” “resident evil: the final chapter” “bad moms” the bfg” “ghostbusters” “the nice guys” “the conjuring 2” “the boss” “unchartered 4” “the finest hours” “gods of egypt” “grimsby” “the peanuts movie” “fantastic four” “the road chip” commercials: target, playstation, jaguar, comcast and lexus about the hit house: a premier, multi-award winning, custom music and sound design company in los angeles, recent work from the hit house has been used in national and global television campaigns for such major brand clients as netflix, google, playstation, lexus, jaguar, jell-o, porsche, hbo, honda, toyota, and the ritz carlton, to name some. in the area of motion picture marketing, music from the hit house was recently featured within the campaigns for the hit films “the jungle book,” “suicide squad,” “beauty and the beast,” “the nice guys,” “the angry birds movie,” “ben hur” and “ghostbusters.” in addition, music from the hit house was recognized in 2016 by the winning of three “golden trailer awards” for trailers promoting disney’s “the jungle book:” the awards were for “best original score,” on behalf of client vibe creative; and, on behalf of client create advertising, “best original score tv spot” and “best animation/family tv spot.” the hit house also conceived and produced the multi-award winning arrangement of the iconic song “the bare necessities” that was prominently featured within “the jungle book” movie itself. other hit house music has been heard within trailers promoting “zootopia,” “elvis & nixon,” “the boss,” “triple 9,” “gods of egypt,” “burnt,” “dirty grandpa,” “where to invade next,” “kung fu panda 3,” “jem and the holograms,” “pan,” “creed,” “alvin and the chipmunks: the road chip,” “minions,” “million dollar arm,” “anchorman 2,” “spy,” “ted 2,” “pixels,” “ricki and the flash,” “godzilla,” “big hero 6,” “book of life,” “frozen,” “thor: the dark world” and “iron man 3,” and many more. hear more at: www.thehithouse.com and please visit the company’s social media sites: https://www.facebook.com/thehithousemusic https://twitter.com/hithousemusic https://www.youtube.com/user/thehithousemusic https://soundcloud.com/thehithousemusic https://www.instagram.com/hithousemusic/ ### hit house contact:  sally house executive producer 310/378-8633 sally@thehithouse.com   media contact:  dan harary the asbury pr agency beverly hills, ca 310/859-1831 dan@asburypr.com 0 kudos interview with dan weniger see below for the following interview with composer dan weniger. – what was your purpose in creating the music for this album? i wanted to create a soundtrack album for the listener, not music written to picture as usual. i find most soundtracks have great moments, then go off into something else, interrupting the mood because, well, they’re not written for the listener of course. ‘tomorrow we live forever’ is a listening experience that keeps going right until the end. i also feel that feature scores get boring because composers even big composers often don’t have the freedom to experiment, or they just get lazy. in a small way this album is an answer to that. i love writing sci-fi/action/horror, i truly love it. and when i hear something i could have done a better job at, i get inspired to push my own work. the other reason for this album is to show my current and future clients what i can do. i hope to get more involved with gaming. i love the way people are pushing boundaries, it’s the wild west for experimentation. so we’ll see what the future holds. – how challenging would you say it is to be able to come up with a fresh and exciting sounds in an increasingly saturated market? i’m always hearing ways to improve my writing, trying to push myself to get that bigger, fatter, crazier sound. i also think it’s important to work with other people. bouncing ideas off other great composers is a fantastic way to get inspiration for new ideas and it keeps me on my toes. yes, the market is saturated, but with a lot of bad or so-so music. most people are using the same sample libraries and if you don’t do something with those samples and create your own sounds then you end up sounding like everyone else. it’s also having the experience of knowing what sounds good. so i guess the answer for myself is to keep experimenting. once i made a percussion sample library for myself, from big old machines in an abandoned warehouse. if i find something that makes a great/interesting sound, i record it. – what was your favorite aspect for this particular album? i like the mix of live strings and synths. there is so much potential there. it was a lot of fun experimenting and creating sounds for this album. for instance, there was a synth sound i created on a track that cross faded with the violins making the transition almost unnoticeable. i recorded the strings at capitol records and when i finally heard that blend with the live strings it was like magic. it’s that dance between live and synthetic that i find very interesting, introducing the two and making them fall in love or hate each other. 0 kudos continue →


Here you find all texts from your page as Google (googlebot) and others search engines seen it.

Words density analysis:

Numbers of all words: 6270

One word

Two words phrases

Three words phrases

the - 6.09% (382)
and - 4.42% (277)
music - 3.25% (204)
product - 1.72% (108)
production - 1.67% (105)
for - 1.59% (100)
with - 1.36% (85)
warner - 1.13% (71)
chappell - 1% (63)
warner/chappell - 0.85% (53)
his - 0.83% (52)
you - 0.83% (52)
- 0.8% (50)
that - 0.73% (46)
any - 0.72% (45)
our - 0.69% (43)
use - 0.69% (43)
out - 0.67% (42)
award - 0.65% (41)
all - 0.64% (40)
sound - 0.64% (40)
compose - 0.64% (40)
one - 0.64% (40)
man - 0.62% (39)
composer - 0.61% (38)
from - 0.57% (36)
has - 0.57% (36)
own - 0.54% (34)
was - 0.53% (33)
work - 0.53% (33)
music, - 0.51% (32)
awards - 0.49% (31)
ever - 0.49% (31)
very - 0.49% (31)
track - 0.48% (30)
are - 0.48% (30)
its - 0.48% (30)
hummingbird - 0.46% (29)
world - 0.46% (29)
mark - 0.46% (29)
best - 0.45% (28)
have - 0.43% (27)
album - 0.43% (27)
red - 0.41% (26)
house - 0.41% (26)
trailer - 0.41% (26)
this - 0.41% (26)
hit - 0.4% (25)
catalog - 0.37% (23)
more - 0.37% (23)
many - 0.37% (23)
here - 0.37% (23)
film - 0.35% (22)
new - 0.33% (21)
way - 0.32% (20)
now - 0.32% (20)
company - 0.3% (19)
get - 0.3% (19)
every - 0.3% (19)
well - 0.3% (19)
been - 0.3% (19)
how - 0.3% (19)
live - 0.29% (18)
ten - 0.29% (18)
end - 0.29% (18)
your - 0.29% (18)
“the - 0.29% (18)
including - 0.27% (17)
part - 0.27% (17)
got - 0.27% (17)
brand - 0.27% (17)
top - 0.27% (17)
most - 0.27% (17)
composers - 0.27% (17)
other - 0.27% (17)
dan - 0.26% (16)
industry - 0.26% (16)
over - 0.24% (15)
project - 0.24% (15)
pla - 0.24% (15)
able - 0.24% (15)
also - 0.24% (15)
what - 0.24% (15)
can - 0.24% (15)
year - 0.24% (15)
about - 0.24% (15)
wide - 0.24% (15)
led - 0.24% (15)
first - 0.22% (14)
see - 0.22% (14)
far - 0.22% (14)
some - 0.22% (14)
create - 0.22% (14)
library - 0.22% (14)
advertising - 0.21% (13)
record - 0.21% (13)
experience - 0.21% (13)
ways - 0.21% (13)
team - 0.21% (13)
gothic - 0.21% (13)
farnsworth - 0.21% (13)
worldwide - 0.21% (13)
it’s - 0.21% (13)
2016 - 0.21% (13)
produce - 0.21% (13)
sent - 0.21% (13)
media - 0.19% (12)
present - 0.19% (12)
self - 0.19% (12)
productions - 0.19% (12)
thing - 0.19% (12)
there - 0.19% (12)
movie - 0.18% (11)
original - 0.18% (11)
write - 0.18% (11)
fusic - 0.18% (11)
storm - 0.18% (11)
like - 0.18% (11)
not - 0.18% (11)
score - 0.18% (11)
design - 0.18% (11)
mix - 0.18% (11)
book - 0.18% (11)
udo - 0.18% (11)
will - 0.18% (11)
proud - 0.18% (11)
start - 0.18% (11)
full - 0.18% (11)
within - 0.18% (11)
into - 0.16% (10)
such - 0.16% (10)
than - 0.16% (10)
on. - 0.16% (10)
hear - 0.16% (10)
artist - 0.16% (10)
met - 0.16% (10)
had - 0.16% (10)
kudos - 0.16% (10)
which - 0.16% (10)
tracks - 0.16% (10)
winning - 0.16% (10)
615 - 0.16% (10)
they - 0.16% (10)
great - 0.16% (10)
music. - 0.16% (10)
always - 0.16% (10)
years - 0.16% (10)
tales - 0.16% (10)
release - 0.16% (10)
motion - 0.16% (10)
but - 0.14% (9)
style - 0.14% (9)
television - 0.14% (9)
working - 0.14% (9)
commercial - 0.14% (9)
brands - 0.14% (9)
projects - 0.14% (9)
“a - 0.14% (9)
catalogs - 0.14% (9)
remix - 0.14% (9)
client - 0.14% (9)
old - 0.14% (9)
epic - 0.14% (9)
feature - 0.14% (9)
off - 0.14% (9)
honor - 0.14% (9)
orchestra - 0.14% (9)
their - 0.14% (9)
road - 0.14% (9)
long - 0.13% (8)
collection - 0.13% (8)
contact - 0.13% (8)
unique - 0.13% (8)
bob - 0.13% (8)
addition - 0.13% (8)
logsdon - 0.13% (8)
through - 0.13% (8)
national - 0.13% (8)
trailers - 0.13% (8)
them - 0.13% (8)
youtube - 0.13% (8)
stop - 0.13% (8)
leading - 0.13% (8)
industry, - 0.13% (8)
chris - 0.13% (8)
were - 0.13% (8)
hybrid - 0.13% (8)
who - 0.13% (8)
awards, - 0.13% (8)
label - 0.13% (8)
color - 0.13% (8)
time - 0.13% (8)
licensing - 0.13% (8)
hip - 0.13% (8)
interview - 0.13% (8)
recent - 0.11% (7)
rock - 0.11% (7)
making - 0.11% (7)
band - 0.11% (7)
german - 0.11% (7)
clients - 0.11% (7)
video - 0.11% (7)
call - 0.11% (7)
featured - 0.11% (7)
composer: - 0.11% (7)
musician - 0.11% (7)
known - 0.11% (7)
group - 0.11% (7)
producer - 0.11% (7)
creating - 0.11% (7)
just - 0.11% (7)
partner - 0.11% (7)
nashville, - 0.11% (7)
late - 0.11% (7)
think - 0.11% (7)
warnerchappellpm - 0.11% (7)
cpm - 0.11% (7)
good - 0.11% (7)
doc - 0.11% (7)
 the - 0.11% (7)
series - 0.11% (7)
real - 0.11% (7)
home - 0.1% (6)
william - 0.1% (6)
big - 0.1% (6)
ours - 0.1% (6)
information, - 0.1% (6)
visit - 0.1% (6)
addy - 0.1% (6)
second - 0.1% (6)
worked - 0.1% (6)
curt - 0.1% (6)
campaigns - 0.1% (6)
clio - 0.1% (6)
ranging - 0.1% (6)
two - 0.1% (6)
name - 0.1% (6)
nominations - 0.1% (6)
after - 0.1% (6)
right - 0.1% (6)
something - 0.1% (6)
hop - 0.1% (6)
talent - 0.1% (6)
found - 0.1% (6)
strings - 0.1% (6)
involved - 0.1% (6)
labels - 0.1% (6)
piece - 0.1% (6)
composers: - 0.1% (6)
audio - 0.1% (6)
independent - 0.1% (6)
hummingbird’s - 0.1% (6)
leader - 0.1% (6)
major - 0.1% (6)
aspect - 0.1% (6)
lives - 0.1% (6)
range - 0.1% (6)
“i - 0.1% (6)
hall - 0.1% (6)
web - 0.1% (6)
while - 0.1% (6)
show - 0.1% (6)
album? - 0.1% (6)
contact: - 0.1% (6)
publisher - 0.1% (6)
started - 0.1% (6)
up, - 0.1% (6)
did - 0.1% (6)
member - 0.1% (6)
because - 0.1% (6)
andy - 0.1% (6)
artists - 0.1% (6)
then - 0.08% (5)
october - 0.08% (5)
watch - 0.08% (5)
creative - 0.08% (5)
action - 0.08% (5)
atmos - 0.08% (5)
sounds - 0.08% (5)
company’s - 0.08% (5)
writing - 0.08% (5)
push - 0.08% (5)
100 - 0.08% (5)
phone - 0.08% (5)
entire - 0.08% (5)
nice - 0.08% (5)
back - 0.08% (5)
films - 0.08% (5)
five - 0.08% (5)
special - 0.08% (5)
these - 0.08% (5)
favorite - 0.08% (5)
created - 0.08% (5)
albums - 0.08% (5)
owner - 0.08% (5)
synth - 0.08% (5)
categories - 0.08% (5)
los - 0.08% (5)
once - 0.08% (5)
fun - 0.08% (5)
include - 0.08% (5)
annual - 0.08% (5)
everyone - 0.08% (5)
see: - 0.08% (5)
fan - 0.08% (5)
director - 0.08% (5)
people - 0.08% (5)
bio - 0.08% (5)
email - 0.08% (5)
writers - 0.08% (5)
williams - 0.08% (5)
successful - 0.08% (5)
cress - 0.08% (5)
addys - 0.08% (5)
worldwide. - 0.08% (5)
classical - 0.08% (5)
since - 0.08% (5)
cross - 0.08% (5)
canada - 0.08% (5)
david - 0.08% (5)
renowned - 0.08% (5)
million - 0.08% (5)
elbroar - 0.08% (5)
i’m - 0.08% (5)
spot - 0.08% (5)
respected - 0.08% (5)
game - 0.08% (5)
love - 0.08% (5)
publishing - 0.08% (5)
where - 0.08% (5)
say - 0.08% (5)
multiple - 0.08% (5)
(615) - 0.08% (5)
musicians - 0.08% (5)
group, - 0.08% (5)
too - 0.08% (5)
future - 0.08% (5)
joy - 0.08% (5)
drama - 0.08% (5)
genre - 0.08% (5)
myself - 0.08% (5)
more. - 0.06% (4)
bands - 0.06% (4)
promotion - 0.06% (4)
success. - 0.06% (4)
find - 0.06% (4)
president - 0.06% (4)
angeles, - 0.06% (4)
wins - 0.06% (4)
unites - 0.06% (4)
below - 0.06% (4)
stand - 0.06% (4)
around - 0.06% (4)
ethereal - 0.06% (4)
fantastic - 0.06% (4)
material - 0.06% (4)
fit - 0.06% (4)
composing - 0.06% (4)
make - 0.06% (4)
categories. - 0.06% (4)
represent - 0.06% (4)
randy - 0.06% (4)
pop - 0.06% (4)
designer - 0.06% (4)
do. - 0.06% (4)
midcoast - 0.06% (4)
rhino, - 0.06% (4)
community. - 0.06% (4)
non-stop - 0.06% (4)
promax - 0.06% (4)
aspects - 0.06% (4)
publishers, - 0.06% (4)
world’s - 0.06% (4)
records - 0.06% (4)
(pma) - 0.06% (4)
association - 0.06% (4)
having - 0.06% (4)
roadrunner, - 0.06% (4)
tellys, - 0.06% (4)
exciting - 0.06% (4)
ramen, - 0.06% (4)
fueled - 0.06% (4)
storm? - 0.06% (4)
elektra, - 0.06% (4)
atlantic - 0.06% (4)
best-known - 0.06% (4)
won - 0.06% (4)
copyrights - 0.06% (4)
emmys®, - 0.06% (4)
gari - 0.06% (4)
daniel - 0.06% (4)
groove - 0.06% (4)
day - 0.06% (4)
addicts, - 0.06% (4)
recorded - 0.06% (4)
him - 0.06% (4)
library, - 0.06% (4)
much - 0.06% (4)
we’ve - 0.06% (4)
inspire - 0.06% (4)
www.warnerchappellpm.com - 0.06% (4)
doing - 0.06% (4)
done - 0.06% (4)
others. - 0.06% (4)
comprising - 0.06% (4)
ago - 0.06% (4)
scored - 0.06% (4)
recipients - 0.06% (4)
lot - 0.06% (4)
short - 0.06% (4)
multi-award - 0.06% (4)
across - 0.06% (4)
idea - 0.06% (4)
annihilator - 0.06% (4)
steve - 0.06% (4)
10, - 0.06% (4)
available - 0.06% (4)
journey - 0.06% (4)
both - 0.06% (4)
house, - 0.06% (4)
international - 0.06% (4)
sally - 0.06% (4)
play - 0.06% (4)
massive - 0.06% (4)
bass - 0.06% (4)
review - 0.06% (4)
hard - 0.06% (4)
almost - 0.06% (4)
house. - 0.06% (4)
life - 0.06% (4)
market - 0.06% (4)
dolby - 0.06% (4)
agency - 0.06% (4)
anniversary - 0.06% (4)
air - 0.06% (4)
listen - 0.06% (4)
advertising, - 0.06% (4)
ray - 0.06% (4)
orchestral - 0.06% (4)
additional - 0.06% (4)
jungle - 0.06% (4)
directors - 0.06% (4)
united - 0.06% (4)
 his - 0.06% (4)
327-0100 - 0.06% (4)
made - 0.06% (4)
mark.logsdon@plamedia.com - 0.06% (4)
focus - 0.06% (4)
honors. - 0.06% (4)
keep - 0.06% (4)
released - 0.06% (4)
high - 0.06% (4)
custom - 0.06% (4)
could - 0.06% (4)
itself - 0.06% (4)
asbury - 0.06% (4)
picture - 0.06% (4)
announce - 0.06% (4)
produced - 0.06% (4)
bio: - 0.06% (4)
face - 0.06% (4)
sphere - 0.06% (4)
ben - 0.06% (4)
sample - 0.05% (3)
***** - 0.05% (3)
following - 0.05% (3)
moment - 0.05% (3)
hope - 0.05% (3)
ca, - 0.05% (3)
atmospheres - 0.05% (3)
nations. - 0.05% (3)
musical - 0.05% (3)
ceo - 0.05% (3)
phone: - 0.05% (3)
said - 0.05% (3)
come - 0.05% (3)
same - 0.05% (3)
founded - 0.05% (3)
visual - 0.05% (3)
please - 0.05% (3)
kiern - 0.05% (3)
comprised - 0.05% (3)
quality - 0.05% (3)
held - 0.05% (3)
st. - 0.05% (3)
recording - 0.05% (3)
choir - 0.05% (3)
producers - 0.05% (3)
email: - 0.05% (3)
reputation - 0.05% (3)
next - 0.05% (3)
book. - 0.05% (3)
demonstrate - 0.05% (3)
times - 0.05% (3)
history - 0.05% (3)
budweiser - 0.05% (3)
professionals - 0.05% (3)
album. - 0.05% (3)
awards. - 0.05% (3)
christoph - 0.05% (3)
grow - 0.05% (3)
field - 0.05% (3)
michael - 0.05% (3)
commercials, - 0.05% (3)
branding - 0.05% (3)
immediately - 0.05% (3)
delaney - 0.05% (3)
deliver - 0.05% (3)
local - 0.05% (3)
“we - 0.05% (3)
recognized - 0.05% (3)
host - 0.05% (3)
harris - 0.05% (3)
guess - 0.05% (3)
website - 0.05% (3)
final - 0.05% (3)
national, - 0.05% (3)
took - 0.05% (3)
american - 0.05% (3)
organization - 0.05% (3)
projects. - 0.05% (3)
receive - 0.05% (3)
provide - 0.05% (3)
arrangement - 0.05% (3)
bad - 0.05% (3)
stories - 0.05% (3)
cover - 0.05% (3)
service - 0.05% (3)
current - 0.05% (3)
solo - 0.05% (3)
awards” - 0.05% (3)
various - 0.05% (3)
eight - 0.05% (3)
piano - 0.05% (3)
job - 0.05% (3)
tales, - 0.05% (3)
movies - 0.05% (3)
“best - 0.05% (3)
iconic - 0.05% (3)
getting - 0.05% (3)
i’ve - 0.05% (3)
sound. - 0.05% (3)
mood - 0.05% (3)
a-list - 0.05% (3)
those - 0.05% (3)
blend - 0.05% (3)
heard - 0.05% (3)
atlantic, - 0.05% (3)
documentaries - 0.05% (3)
voice - 0.05% (3)
when - 0.05% (3)
crafted - 0.05% (3)
2010 - 0.05% (3)
cbs - 0.05% (3)
extreme - 0.05% (3)
germany - 0.05% (3)
dirksen - 0.05% (3)
kris - 0.05% (3)
### - 0.05% (3)
them. - 0.05% (3)
last - 0.05% (3)
talented - 0.05% (3)
vocal - 0.05% (3)
being - 0.05% (3)
better - 0.05% (3)
starting - 0.05% (3)
approach - 0.05% (3)
executive - 0.05% (3)
says - 0.05% (3)
remixes - 0.05% (3)
few - 0.05% (3)
using - 0.05% (3)
rock, - 0.05% (3)
answer - 0.05% (3)
television, - 0.05% (3)
family - 0.05% (3)
career - 0.05% (3)
upcoming - 0.05% (3)
even - 0.05% (3)
phil - 0.05% (3)
popular - 0.05% (3)
ended - 0.05% (3)
jazz - 0.05% (3)
soundtrack - 0.05% (3)
huge - 0.05% (3)
adventure - 0.05% (3)
written - 0.05% (3)
trailers. - 0.05% (3)
tilt) - 0.03% (2)
double - 0.03% (2)
song - 0.03% (2)
3,” - 0.03% (2)
wrigley’s - 0.03% (2)
marketing - 0.03% (2)
jennifer - 0.03% (2)
designers, - 0.03% (2)
2,” - 0.03% (2)
fame - 0.03% (2)
experimenting - 0.03% (2)
conference. - 0.03% (2)
and music - 0.03% (2)
“suicide - 0.03% (2)
presents - 0.03% (2)
hate - 0.03% (2)
people. - 0.03% (2)
“gods - 0.03% (2)
in nashville, - 0.03% (2)
productions. - 0.03% (2)
fall - 0.03% (2)
target, - 0.03% (2)
playstation, - 0.03% (2)
magic. - 0.03% (2)
transition - 0.03% (2)
jaguar, - 0.03% (2)
arlo - 0.03% (2)
lexus - 0.03% (2)
historically - 0.03% (2)
“beauty - 0.03% (2)
the united - 0.03% (2)
book” - 0.03% (2)
sonic - 0.03% (2)
“every - 0.03% (2)
talk - 0.03% (2)
adds - 0.03% (2)
used - 0.03% (2)
speaker - 0.03% (2)
promoting - 0.03% (2)
dragon - 0.03% (2)
1976 - 0.03% (2)
behalf - 0.03% (2)
company, - 0.03% (2)
joshua - 0.03% (2)
310/859-1831 - 0.03% (2)
cocks - 0.03% (2)
mark, - 0.03% (2)
keeps - 0.03% (2)
tracks, - 0.03% (2)
“mark - 0.03% (2)
overview - 0.03% (2)
pma, - 0.03% (2)
included - 0.03% (2)
below: - 0.03% (2)
going - 0.03% (2)
non-categorical - 0.03% (2)
christopher - 0.03% (2)
white - 0.03% (2)
founding - 0.03% (2)
paul - 0.03% (2)
feel - 0.03% (2)
silbergleit - 0.03% (2)
recognizes - 0.03% (2)
don’t - 0.03% (2)
against - 0.03% (2)
named - 0.03% (2)
excellence - 0.03% (2)
it. - 0.03% (2)
honoring - 0.03% (2)
at, - 0.03% (2)
dedicated - 0.03% (2)
theatrical - 0.03% (2)
interstellar - 0.03% (2)
(full - 0.03% (2)
ceremony - 0.03% (2)
nielsen - 0.03% (2)
cohen - 0.03% (2)
producers, - 0.03% (2)
wachtler, - 0.03% (2)
numerous - 0.03% (2)
weniger - 0.03% (2)
inspiration - 0.03% (2)
nominations. - 0.03% (2)
dark - 0.03% (2)
contact:  - 0.03% (2)
harary - 0.03% (2)
ideas - 0.03% (2)
hills, - 0.03% (2)
total - 0.03% (2)
beverly - 0.03% (2)
hearing - 0.03% (2)
saturated - 0.03% (2)
kaveh - 0.03% (2)
www.markawards.pmamusic.com. - 0.03% (2)
dan@asburypr.com - 0.03% (2)
capture - 0.03% (2)
awards,” - 0.03% (2)
listener - 0.03% (2)
partners - 0.03% (2)
advocate - 0.03% (2)
usage - 0.03% (2)
wild - 0.03% (2)
west - 0.03% (2)
non-profit - 0.03% (2)
sound-pol - 0.03% (2)
boutiques. - 0.03% (2)
fresh - 0.03% (2)
2016) - 0.03% (2)
670 - 0.03% (2)
soundtracks - 0.03% (2)
members, - 0.03% (2)
(los - 0.03% (2)
hours” - 0.03% (2)
another - 0.03% (2)
visuals - 0.03% (2)
bands. - 0.03% (2)
pounding, - 0.03% (2)
decimating, - 0.03% (2)
according - 0.03% (2)
behind - 0.03% (2)
www.warnerchappellpm.com. - 0.03% (2)
year. - 0.03% (2)
programs - 0.03% (2)
background - 0.03% (2)
material. - 0.03% (2)
set - 0.03% (2)
electronics, - 0.03% (2)
arrangements - 0.03% (2)
tales,” - 0.03% (2)
“epic - 0.03% (2)
creatives - 0.03% (2)
techno - 0.03% (2)
launch - 0.03% (2)
works - 0.03% (2)
plans - 0.03% (2)
release, - 0.03% (2)
scene - 0.03% (2)
pulsing - 0.03% (2)
heavy - 0.03% (2)
happy - 0.03% (2)
pulses, - 0.03% (2)
along - 0.03% (2)
includes - 0.03% (2)
diverse - 0.03% (2)
id, - 0.03% (2)
sports - 0.03% (2)
williams’ - 0.03% (2)
abc - 0.03% (2)
preview - 0.03% (2)
risers - 0.03% (2)
edgy - 0.03% (2)
deep - 0.03% (2)
swagger - 0.03% (2)
atmospheres, - 0.03% (2)
sweeping - 0.03% (2)
drums, - 0.03% (2)
guitars, - 0.03% (2)
build-ups, - 0.03% (2)
raging - 0.03% (2)
stabs, - 0.03% (2)
impacts, - 0.03% (2)
vocals. - 0.03% (2)
hybrids - 0.03% (2)
crime - 0.03% (2)
initial - 0.03% (2)
storm. - 0.03% (2)
three - 0.03% (2)
bros. - 0.03% (2)
armani - 0.03% (2)
building - 0.03% (2)
look - 0.03% (2)
extremely - 0.03% (2)
wachtler. - 0.03% (2)
genres - 0.03% (2)
based - 0.03% (2)
team, - 0.03% (2)
london - 0.03% (2)
world, - 0.03% (2)
hundreds - 0.03% (2)
global - 0.03% (2)
canada, - 0.03% (2)
outside - 0.03% (2)
2010, - 0.03% (2)
canada. - 0.03% (2)
40,000 - 0.03% (2)
news - 0.03% (2)
search - 0.03% (2)
bringing - 0.03% (2)
vibe - 0.03% (2)
website: - 0.03% (2)
composition - 0.03% (2)
germany, - 0.03% (2)
film, - 0.03% (2)
recordings - 0.03% (2)
sister - 0.03% (2)
debut - 0.03% (2)
challenging - 0.03% (2)
they’re - 0.03% (2)
you’re - 0.03% (2)
bigger, - 0.03% (2)
early - 0.03% (2)
yes, - 0.03% (2)
couple - 0.03% (2)
went - 0.03% (2)
that world - 0.03% (2)
upon - 0.03% (2)
off. - 0.03% (2)
memorable - 0.03% (2)
turn - 0.03% (2)
movies, - 0.03% (2)
why - 0.03% (2)
never - 0.03% (2)
enough - 0.03% (2)
seems - 0.03% (2)
is, - 0.03% (2)
several - 0.03% (2)
break - 0.03% (2)
gold - 0.03% (2)
milestone - 0.03% (2)
farnsworth, - 0.03% (2)
philadelphia - 0.03% (2)
literally - 0.03% (2)
crazy - 0.03% (2)
commercial, - 0.03% (2)
regional - 0.03% (2)
four - 0.03% (2)
standing - 0.03% (2)
longest - 0.03% (2)
20, - 0.03% (2)
truly - 0.03% (2)
book, - 0.03% (2)
renowned, - 0.03% (2)
productions, - 0.03% (2)
24, - 0.03% (2)
40th anniversary - 0.03% (2)
and sound production - 0.03% (2)
ambient - 0.03% (2)
edm - 0.03% (2)
often - 0.03% (2)
kniceley - 0.03% (2)
pieces - 0.03% (2)
matt - 0.03% (2)
entitled - 0.03% (2)
remixer - 0.03% (2)
directors, - 0.03% (2)
contribution - 0.03% (2)
everest” - 0.03% (2)
“journey - 0.03% (2)
theater - 0.03% (2)
promotional - 0.03% (2)
integrate - 0.03% (2)
among - 0.03% (2)
who” - 0.03% (2)
moments - 0.03% (2)
throughout - 0.03% (2)
take - 0.03% (2)
online - 0.03% (2)
course - 0.03% (2)
boundaries - 0.03% (2)
celebrate - 0.03% (2)
oscar - 0.03% (2)
ads - 0.03% (2)
“frogs” - 0.03% (2)
end. - 0.03% (2)
content - 0.03% (2)
relate - 0.03% (2)
funny - 0.03% (2)
providing - 0.03% (2)
kyle - 0.03% (2)
decide - 0.03% (2)
case - 0.03% (2)
mythix - 0.03% (2)
cue - 0.03% (2)
freedom - 0.03% (2)
artistic - 0.03% (2)
vienna - 0.03% (2)
choirs - 0.03% (2)
done. - 0.03% (2)
amazing - 0.03% (2)
style, - 0.03% (2)
theme - 0.03% (2)
style. - 0.03% (2)
scores - 0.03% (2)
need - 0.03% (2)
area - 0.03% (2)
particular - 0.03% (2)
inspired - 0.03% (2)
that. - 0.03% (2)
bit - 0.03% (2)
month - 0.03% (2)
demos - 0.03% (2)
regular - 0.03% (2)
between - 0.03% (2)
hold - 0.03% (2)
pleasure - 0.03% (2)
emotional - 0.03% (2)
entirely - 0.03% (2)
next, - 0.03% (2)
storm’s - 0.03% (2)
wonderful - 0.03% (2)
would - 0.03% (2)
knowing - 0.03% (2)
nothing - 0.03% (2)
me, - 0.03% (2)
well, - 0.03% (2)
actually - 0.03% (2)
recently - 0.03% (2)
before - 0.03% (2)
want - 0.03% (2)
industrial - 0.03% (2)
spent - 0.03% (2)
trained - 0.03% (2)
******* - 0.03% (2)
studio - 0.03% (2)
built - 0.03% (2)
i´m - 0.03% (2)
enjoyed - 0.03% (2)
soul. - 0.03% (2)
human - 0.03% (2)
each - 0.03% (2)
production music - 1.26% (79)
chappell production - 0.8% (50)
warner/chappell production - 0.78% (49)
of the - 0.65% (41)
in the - 0.51% (32)
the production - 0.33% (21)
for the - 0.26% (16)
at the - 0.24% (15)
music in - 0.21% (13)
with the - 0.21% (13)
music and - 0.21% (13)
hit house - 0.21% (13)
the hit - 0.19% (12)
with a - 0.19% (12)
mark awards - 0.19% (12)
as well - 0.19% (12)
well as - 0.19% (12)
gothic storm - 0.18% (11)
the world - 0.18% (11)
and the - 0.18% (11)
from the - 0.18% (11)
hummingbird productions - 0.18% (11)
to the - 0.18% (11)
music is - 0.16% (10)
this album - 0.16% (10)
film and - 0.14% (9)
that i - 0.14% (9)
sound design - 0.14% (9)
have been - 0.13% (8)
trailer music - 0.13% (8)
the music - 0.13% (8)
0 kudos - 0.13% (8)
one of - 0.13% (8)
music for - 0.13% (8)
music industry, - 0.13% (8)
and so - 0.11% (7)
interview with - 0.11% (7)
– how - 0.11% (7)
– warner/chappell - 0.11% (7)
color tv - 0.11% (7)
to have - 0.11% (7)
– what - 0.11% (7)
in production - 0.11% (7)
award winning - 0.11% (7)
has been - 0.11% (7)
music, warner - 0.11% (7)
the most - 0.1% (6)
the second - 0.1% (6)
music, warner/chappell - 0.1% (6)
of warner - 0.1% (6)
working with - 0.1% (6)
us and - 0.1% (6)
such a - 0.1% (6)
9 lives - 0.1% (6)
ranging from - 0.1% (6)
for this - 0.1% (6)
production music, - 0.1% (6)
this album? - 0.08% (5)
bob farnsworth - 0.08% (5)
more than - 0.08% (5)
a world - 0.08% (5)
did you - 0.08% (5)
information, visit - 0.08% (5)
is the - 0.08% (5)
it was - 0.08% (5)
and partner - 0.08% (5)
2016 mark - 0.08% (5)
and canada - 0.08% (5)
tv and - 0.08% (5)
to write - 0.08% (5)
favorite aspect - 0.08% (5)
a collection - 0.08% (5)
music group, - 0.08% (5)
the us - 0.08% (5)
involved with - 0.08% (5)
curt cress - 0.08% (5)
that is - 0.08% (5)
best use - 0.08% (5)
and many - 0.08% (5)
proud to - 0.08% (5)
of music - 0.08% (5)
many of - 0.08% (5)
the very - 0.08% (5)
and sound - 0.08% (5)
within the - 0.08% (5)
you first - 0.08% (5)
experience and - 0.08% (5)
lives music, - 0.08% (5)
the 2016 - 0.08% (5)
his work - 0.08% (5)
and it - 0.08% (5)
with gothic - 0.08% (5)
of film - 0.08% (5)
he has - 0.08% (5)
partner catalogs - 0.08% (5)
how did - 0.08% (5)
to create - 0.08% (5)
warner music - 0.08% (5)
the best - 0.08% (5)
years of - 0.08% (5)
collection of - 0.08% (5)
. about - 0.08% (5)
been the - 0.06% (4)
most favorite - 0.06% (4)
music have - 0.06% (4)
the mark - 0.06% (4)
aspects of - 0.06% (4)
brands comprising - 0.06% (4)
recipients of - 0.06% (4)
were your - 0.06% (4)
many industry - 0.06% (4)
awards, including - 0.06% (4)
los angeles, - 0.06% (4)
– the - 0.06% (4)
others. the - 0.06% (4)
creating this - 0.06% (4)
production library, - 0.06% (4)
multiple emmys®, - 0.06% (4)
music, groove - 0.06% (4)
get involved - 0.06% (4)
music, gari - 0.06% (4)
music, non-stop - 0.06% (4)
including 615 - 0.06% (4)
of his - 0.06% (4)
brands in - 0.06% (4)
respected independent - 0.06% (4)
multi-award winning - 0.06% (4)
successful and - 0.06% (4)
out of - 0.06% (4)
strings and - 0.06% (4)
tellys, addys - 0.06% (4)
publishers, with - 0.06% (4)
what were - 0.06% (4)
(615) 327-0100 - 0.06% (4)
it unites - 0.06% (4)
your most - 0.06% (4)
favorite aspects - 0.06% (4)
of creating - 0.06% (4)
use in - 0.06% (4)
to work - 0.06% (4)
million copyrights - 0.06% (4)
of more - 0.06% (4)
a catalog - 0.06% (4)
first get - 0.06% (4)
midcoast music - 0.06% (4)
leading music - 0.06% (4)
and promax - 0.06% (4)
the world’s - 0.06% (4)
association (pma) - 0.06% (4)
warner/chappell music, - 0.06% (4)
fueled by - 0.06% (4)
best-known labels - 0.06% (4)
my own - 0.06% (4)
home to - 0.06% (4)
and music - 0.06% (4)
custom music - 0.06% (4)
proud part - 0.06% (4)
i think - 0.06% (4)
honors. warner/chappell - 0.06% (4)
gothic storm? - 0.06% (4)
than one - 0.06% (4)
addicts, v - 0.06% (4)
and success. - 0.06% (4)
group, home - 0.06% (4)
the recipients - 0.06% (4)
of many - 0.06% (4)
industry awards, - 0.06% (4)
of experience - 0.06% (4)
emmys®, tellys, - 0.06% (4)
addys and - 0.06% (4)
promax honors. - 0.06% (4)
a proud - 0.06% (4)
part of - 0.06% (4)
the best-known - 0.06% (4)
the brands - 0.06% (4)
labels in - 0.06% (4)
industry, including - 0.06% (4)
elektra, fueled - 0.06% (4)
by ramen, - 0.06% (4)
as warner/chappell - 0.06% (4)
music, one - 0.06% (4)
world’s leading - 0.06% (4)
music publishers, - 0.06% (4)
catalog of - 0.06% (4)
comprising warner/chappell - 0.06% (4)
many others. - 0.06% (4)
copyrights worldwide. - 0.06% (4)
over 35 - 0.06% (4)
mark logsdon - 0.06% (4)
available for - 0.06% (4)
the catalog - 0.06% (4)
to get - 0.06% (4)
second annual - 0.06% (4)
the long - 0.06% (4)
music warner/chappell - 0.06% (4)
worldwide leader - 0.06% (4)
industry, with - 0.06% (4)
success. it - 0.06% (4)
library, and - 0.06% (4)
unites many - 0.06% (4)
most successful - 0.06% (4)
and respected - 0.06% (4)
independent brands - 0.06% (4)
music, including - 0.06% (4)
615 music, - 0.06% (4)
non-stop music, - 0.06% (4)
gari music, - 0.06% (4)
groove addicts, - 0.06% (4)
one million - 0.06% (4)
including multiple - 0.06% (4)
the company’s - 0.06% (4)
of that - 0.06% (4)
leader within - 0.06% (4)
for licensing - 0.06% (4)
with over - 0.06% (4)
by the - 0.06% (4)
create a - 0.06% (4)
featured within - 0.06% (4)
their own - 0.06% (4)
a worldwide - 0.06% (4)
worked with - 0.06% (4)
about warner/chappell - 0.06% (4)
original music - 0.06% (4)
35 years - 0.06% (4)
“the jungle - 0.06% (4)
produced by - 0.05% (3)
and to - 0.05% (3)
i have - 0.05% (3)
having the - 0.05% (3)
been a - 0.05% (3)
we are - 0.05% (3)
is available - 0.05% (3)
and more. - 0.05% (3)
music from - 0.05% (3)
a-list music - 0.05% (3)
chris b. - 0.05% (3)
for additional - 0.05% (3)
every album - 0.05% (3)
working on - 0.05% (3)
a team - 0.05% (3)
delaney & - 0.05% (3)
a great - 0.05% (3)
had the - 0.05% (3)
album is - 0.05% (3)
contact: mark - 0.05% (3)
and trailer - 0.05% (3)
sound designer - 0.05% (3)
phone: (615) - 0.05% (3)
campaigns for - 0.05% (3)
for gothic - 0.05% (3)
musicians and - 0.05% (3)
327-0100 email: - 0.05% (3)
mark.logsdon@plamedia.com warner/chappell - 0.05% (3)
more information, - 0.05% (3)
warner chappell - 0.05% (3)
catalog in - 0.05% (3)
and with - 0.05% (3)
logsdon phone: - 0.05% (3)
and has - 0.05% (3)
president & - 0.05% (3)
comprised of - 0.05% (3)
email: mark.logsdon@plamedia.com - 0.05% (3)
you can - 0.05% (3)
lot of - 0.05% (3)
midcoast music, - 0.05% (3)
to its - 0.05% (3)
angeles, ca, - 0.05% (3)
music catalog - 0.05% (3)
in addition - 0.05% (3)
i find - 0.05% (3)
and roadrunner, - 0.05% (3)
for our - 0.05% (3)
and ad - 0.05% (3)
roadrunner, as - 0.05% (3)
use of - 0.05% (3)
team of - 0.05% (3)
video game - 0.05% (3)
the talent - 0.05% (3)
into a - 0.05% (3)
design company - 0.05% (3)
style of - 0.05% (3)
including atlantic, - 0.05% (3)
worldwide. for - 0.05% (3)
additional information, - 0.05% (3)
have worked - 0.05% (3)
here is - 0.05% (3)
the artist - 0.05% (3)
kudos interview - 0.05% (3)
steve e. - 0.05% (3)
with composer - 0.05% (3)
rhino, and - 0.05% (3)
visit www.warnerchappellpm.com - 0.05% (3)
advertising campaigns - 0.05% (3)
& chris - 0.05% (3)
hummingbird is - 0.05% (3)
composers: daniel - 0.05% (3)
our clients - 0.05% (3)
everyone has - 0.05% (3)
i could - 0.05% (3)
ramen, rhino, - 0.05% (3)
– and - 0.05% (3)
kudos warner - 0.05% (3)
film trailer - 0.05% (3)
music composers: - 0.05% (3)
daniel delaney - 0.05% (3)
harris best - 0.05% (3)
b. harris - 0.05% (3)
an interview - 0.05% (3)
atlantic, elektra, - 0.05% (3)
late andy - 0.03% (2)
michael david - 0.03% (2)
the pma, - 0.03% (2)
theatrical film - 0.03% (2)
honoring excellence - 0.03% (2)
community. named - 0.03% (2)
in honor - 0.03% (2)
annual mark - 0.03% (2)
dedicated to - 0.03% (2)
mark, who - 0.03% (2)
library owner - 0.03% (2)
and founding - 0.03% (2)
nielsen about - 0.03% (2)
member of - 0.03% (2)
below: best - 0.03% (2)
awards the - 0.03% (2)
of production - 0.03% (2)
awards ceremony - 0.03% (2)
jazz track - 0.03% (2)
is short - 0.03% (2)
composers: kaveh - 0.03% (2)
cohen & - 0.03% (2)
composer: christopher - 0.03% (2)
composer: paul - 0.03% (2)
drama – - 0.03% (2)
a classical - 0.03% (2)
– midcoast - 0.03% (2)
(full tilt) - 0.03% (2)
track against - 0.03% (2)
road that - 0.03% (2)
non-categorical track - 0.03% (2)
music best - 0.03% (2)
trailer interstellar - 0.03% (2)
track best - 0.03% (2)
to present - 0.03% (2)
hip hop - 0.03% (2)
awards, an - 0.03% (2)
silbergleit best - 0.03% (2)
house has - 0.03% (2)
the “mark - 0.03% (2)
behalf of - 0.03% (2)
pr agency - 0.03% (2)
the asbury - 0.03% (2)
dan harary - 0.03% (2)
the road - 0.03% (2)
jungle book” - 0.03% (2)
of client - 0.03% (2)
on behalf - 0.03% (2)
“best original - 0.03% (2)
ca 310/859-1831 - 0.03% (2)
trailers promoting - 0.03% (2)
house was - 0.03% (2)
“gods of - 0.03% (2)
music albums - 0.03% (2)
we’ve crafted - 0.03% (2)
hit house, - 0.03% (2)
of original - 0.03% (2)
and produced - 0.03% (2)
beverly hills, - 0.03% (2)
composer dan - 0.03% (2)
overview of - 0.03% (2)
people are - 0.03% (2)
making the - 0.03% (2)
a track - 0.03% (2)
was your - 0.03% (2)
create your - 0.03% (2)
sound. i - 0.03% (2)
and exciting - 0.03% (2)
be able - 0.03% (2)
i love - 0.03% (2)
what was - 0.03% (2)
what i - 0.03% (2)
push my - 0.03% (2)
have done - 0.03% (2)
hear something - 0.03% (2)
when i - 0.03% (2)
freedom to - 0.03% (2)
the listener - 0.03% (2)
album? i - 0.03% (2)
tales has - 0.03% (2)
24, 2016 - 0.03% (2)
awards” recognizes - 0.03% (2)
major labels - 0.03% (2)
and our - 0.03% (2)
at warner/chappell - 0.03% (2)
ca, october - 0.03% (2)
(los angeles, - 0.03% (2)
visit www.markawards.pmamusic.com. - 0.03% (2)
boutiques. for - 0.03% (2)
to independent - 0.03% (2)
publisher members, - 0.03% (2)
on the - 0.03% (2)
670 music - 0.03% (2)
has over - 0.03% (2)
non-profit organization - 0.03% (2)
community. this - 0.03% (2)
and voice - 0.03% (2)
leading advocate - 0.03% (2)
categories. the - 0.03% (2)
best in - 0.03% (2)
worldwide partners - 0.03% (2)
nominations for - 0.03% (2)
company the - 0.03% (2)
in theatrical - 0.03% (2)
adventure album - 0.03% (2)
new family - 0.03% (2)
david nielsen - 0.03% (2)
& michael - 0.03% (2)
kaveh cohen - 0.03% (2)
tilt) composers: - 0.03% (2)
music (full - 0.03% (2)
interstellar – - 0.03% (2)
cocks best - 0.03% (2)
mark awards,” - 0.03% (2)
composer: ben - 0.03% (2)
full overview - 0.03% (2)
and i’m - 0.03% (2)
licensing professionals - 0.03% (2)
production music. - 0.03% (2)
of warner/chappell - 0.03% (2)
wachtler, president - 0.03% (2)
says randy - 0.03% (2)
the awards - 0.03% (2)
me some - 0.03% (2)
a full - 0.03% (2)
ethereal vocals. - 0.03% (2)
synth atmospheres, - 0.03% (2)
drums, sweeping - 0.03% (2)
bass and - 0.03% (2)
rock guitars, - 0.03% (2)
build-ups, hard - 0.03% (2)
stabs, raging - 0.03% (2)
huge bass - 0.03% (2)
massive impacts, - 0.03% (2)
hybrids and - 0.03% (2)
edgy risers - 0.03% (2)
rock, orchestral - 0.03% (2)
heavy swagger - 0.03% (2)
pulsing electronics, - 0.03% (2)
decimating, pounding, - 0.03% (2)
composer steve - 0.03% (2)
music has - 0.03% (2)
by composer - 0.03% (2)
visit www.warnerchappellpm.com. - 0.03% (2)
deep pulses, - 0.03% (2)
and epic - 0.03% (2)
german composer - 0.03% (2)
them to - 0.03% (2)
has their - 0.03% (2)
trailer music. - 0.03% (2)
are using - 0.03% (2)
of just - 0.03% (2)
its own - 0.03% (2)
because i - 0.03% (2)
have to - 0.03% (2)
which was - 0.03% (2)
piano tracks - 0.03% (2)
preview of - 0.03% (2)
to make - 0.03% (2)
composers of - 0.03% (2)
1 kudos - 0.03% (2)
up with - 0.03% (2)
and top - 0.03% (2)
can be - 0.03% (2)
the sound - 0.03% (2)
motion picture - 0.03% (2)
tv programs - 0.03% (2)
and television - 0.03% (2)
through a - 0.03% (2)
on its - 0.03% (2)
kris dirksen - 0.03% (2)
across the - 0.03% (2)
extremely proud - 0.03% (2)
“we are - 0.03% (2)
randy wachtler. - 0.03% (2)
music president - 0.03% (2)
genres and - 0.03% (2)
wide range - 0.03% (2)
the world, - 0.03% (2)
me and - 0.03% (2)
music now - 0.03% (2)
and canada, - 0.03% (2)
and canada. - 0.03% (2)
outside of - 0.03% (2)
licensing immediately - 0.03% (2)
nashville, tn - 0.03% (2)
40,000 track - 0.03% (2)
music search - 0.03% (2)
to his - 0.03% (2)
hundreds of - 0.03% (2)
been featured - 0.03% (2)
of its - 0.03% (2)
the talented - 0.03% (2)
are extremely - 0.03% (2)
plans to - 0.03% (2)
the initial - 0.03% (2)
range of - 0.03% (2)
and its - 0.03% (2)
composer curt - 0.03% (2)
is comprised - 0.03% (2)
is proud - 0.03% (2)
his own - 0.03% (2)
music catalogs - 0.03% (2)
you to - 0.03% (2)
like a - 0.03% (2)
to announce - 0.03% (2)
the game - 0.03% (2)
a couple - 0.03% (2)
music publishing - 0.03% (2)
ended up - 0.03% (2)
something i - 0.03% (2)
and choirs - 0.03% (2)
and video - 0.03% (2)
that they - 0.03% (2)
movie theater - 0.03% (2)
of fusic - 0.03% (2)
the united - 0.03% (2)
philadelphia orchestra - 0.03% (2)
while hummingbird - 0.03% (2)
clio award - 0.03% (2)
to everest” - 0.03% (2)
hummingbird has - 0.03% (2)
with its - 0.03% (2)
– sound - 0.03% (2)
longest standing - 0.03% (2)
for movie - 0.03% (2)
recent fusic - 0.03% (2)
who” think - 0.03% (2)
the same - 0.03% (2)
providing original - 0.03% (2)
many times - 0.03% (2)
how many - 0.03% (2)
will be - 0.03% (2)
the company, - 0.03% (2)
and advertising - 0.03% (2)
was so - 0.03% (2)
and usage - 0.03% (2)
and licensing - 0.03% (2)
producers, musicians - 0.03% (2)
composers to - 0.03% (2)
ceo of - 0.03% (2)
randy wachtler, - 0.03% (2)
awards,” says - 0.03% (2)
our worldwide - 0.03% (2)
team at - 0.03% (2)
both track - 0.03% (2)
featured in - 0.03% (2)
awards (los - 0.03% (2)
five wins - 0.03% (2)
catalogs capture - 0.03% (2)
agency beverly - 0.03% (2)
asbury pr - 0.03% (2)
harary the - 0.03% (2)
the field - 0.03% (2)
hall of - 0.03% (2)
addition to - 0.03% (2)
bob farnsworth, - 0.03% (2)
my first - 0.03% (2)
in music - 0.03% (2)
with such - 0.03% (2)
the human - 0.03% (2)
library of - 0.03% (2)
guess the - 0.03% (2)
and see - 0.03% (2)
it’s always - 0.03% (2)
all that - 0.03% (2)
way to - 0.03% (2)
not that - 0.03% (2)
a composer - 0.03% (2)
able to - 0.03% (2)
enjoyed working - 0.03% (2)
human soul. - 0.03% (2)
the library - 0.03% (2)
write a - 0.03% (2)
the live - 0.03% (2)
to produce - 0.03% (2)
for me - 0.03% (2)
with his - 0.03% (2)
create an - 0.03% (2)
pleasure to - 0.03% (2)
there is - 0.03% (2)
the longest - 0.03% (2)
world is - 0.03% (2)
the artistic - 0.03% (2)
across every - 0.03% (2)
and local - 0.03% (2)
national, regional - 0.03% (2)
“i am - 0.03% (2)
company in - 0.03% (2)
productions is - 0.03% (2)
itself as - 0.03% (2)
since then - 0.03% (2)
october 20, - 0.03% (2)
as one - 0.03% (2)
its reputation - 0.03% (2)
film and sound production - 0.03% (2)
and sound production company - 0.03% (2)
winning film - 0.03% (2)
kyle kniceley - 0.03% (2)
projects. bio: - 0.03% (2)
i’ve had - 0.03% (2)
and when - 0.03% (2)
warner/chappell production music - 0.78% (49)
the production music - 0.24% (15)
as well as - 0.19% (12)
the hit house - 0.18% (11)
production music is - 0.14% (9)
music is a - 0.13% (8)
production music and - 0.11% (7)
in the production - 0.11% (7)
– warner/chappell production - 0.11% (7)
one of the - 0.11% (7)
9 lives music - 0.1% (6)
music, warner/chappell production - 0.1% (6)
how did you - 0.08% (5)
a collection of - 0.08% (5)
in production music, - 0.08% (5)
9 lives music, - 0.08% (5)
the us and - 0.08% (5)
and partner catalogs - 0.08% (5)
– how did - 0.08% (5)
with gothic storm - 0.08% (5)
did you first - 0.08% (5)
music and partner - 0.08% (5)
the 2016 mark - 0.08% (5)
emmys®, tellys, addys - 0.06% (4)
is a proud - 0.06% (4)
part of warner - 0.06% (4)
awards, including multiple - 0.06% (4)
and promax honors. - 0.06% (4)
been the recipients - 0.06% (4)
production music have - 0.06% (4)
brands comprising warner/chappell - 0.06% (4)
many others. the - 0.06% (4)
v – the - 0.06% (4)
production library, and - 0.06% (4)
of many industry - 0.06% (4)
of experience and - 0.06% (4)
music, groove addicts, - 0.06% (4)
within the production - 0.06% (4)
creating this album? - 0.06% (4)
you first get - 0.06% (4)
involved with gothic - 0.06% (4)
and sound design - 0.06% (4)
– 9 lives - 0.06% (4)
production music warner/chappell - 0.06% (4)
a worldwide leader - 0.06% (4)
music industry, with - 0.06% (4)
non-stop music, gari - 0.06% (4)
over 35 years - 0.06% (4)
to a collection - 0.06% (4)
success. it unites - 0.06% (4)
many of the - 0.06% (4)
most successful and - 0.06% (4)
respected independent brands - 0.06% (4)
including 615 music, - 0.06% (4)
music group, home - 0.06% (4)
music, one of - 0.06% (4)
of the best-known - 0.06% (4)
including multiple emmys®, - 0.06% (4)
groove addicts, v - 0.06% (4)
– the production - 0.06% (4)
library, and many - 0.06% (4)
others. the brands - 0.06% (4)
comprising warner/chappell production - 0.06% (4)
music have been - 0.06% (4)
the recipients of - 0.06% (4)
many industry awards, - 0.06% (4)
tellys, addys and - 0.06% (4)
615 music, non-stop - 0.06% (4)
promax honors. warner/chappell - 0.06% (4)
a proud part - 0.06% (4)
of warner music - 0.06% (4)
group, home to - 0.06% (4)
the best-known labels - 0.06% (4)
in the music - 0.06% (4)
music and sound - 0.06% (4)
from the hit - 0.06% (4)
music, gari music, - 0.06% (4)
production music, including - 0.06% (4)
labels in the - 0.06% (4)
the second annual - 0.06% (4)
music industry, including - 0.06% (4)
well as warner/chappell - 0.06% (4)
were your most - 0.06% (4)
the world’s leading - 0.06% (4)
music publishers, with - 0.06% (4)
a catalog of - 0.06% (4)
more than one - 0.06% (4)
million copyrights worldwide. - 0.06% (4)
music association (pma) - 0.06% (4)
independent brands in - 0.06% (4)
about warner/chappell production - 0.06% (4)
music warner/chappell production - 0.06% (4)
worldwide leader within - 0.06% (4)
industry, with over - 0.06% (4)
35 years of - 0.06% (4)
experience and success. - 0.06% (4)
it unites many - 0.06% (4)
of the most - 0.06% (4)
successful and respected - 0.06% (4)
favorite aspects of - 0.06% (4)
of film and - 0.06% (4)
aspects of creating - 0.06% (4)
music, non-stop music, - 0.06% (4)
multiple emmys®, tellys, - 0.06% (4)
industry awards, including - 0.06% (4)
recipients of many - 0.06% (4)
have been the - 0.06% (4)
the brands comprising - 0.06% (4)
the production library, - 0.06% (4)
addicts, v – - 0.06% (4)
gari music, groove - 0.06% (4)
music, including 615 - 0.06% (4)
honors. warner/chappell production - 0.06% (4)
brands in production - 0.06% (4)
and respected independent - 0.06% (4)
the most successful - 0.06% (4)
unites many of - 0.06% (4)
and success. it - 0.06% (4)
years of experience - 0.06% (4)
with over 35 - 0.06% (4)
production music industry, - 0.06% (4)
addys and promax - 0.06% (4)
proud part of - 0.06% (4)
is a worldwide - 0.06% (4)
world’s leading music - 0.06% (4)
collection of the - 0.06% (4)
best-known labels in - 0.06% (4)
home to a - 0.06% (4)
your most favorite - 0.06% (4)
the music industry, - 0.06% (4)
elektra, fueled by - 0.06% (4)
warner music group, - 0.06% (4)
as warner/chappell music, - 0.06% (4)
publishers, with a - 0.06% (4)
one million copyrights - 0.06% (4)
catalog of more - 0.06% (4)
than one million - 0.06% (4)
fueled by ramen, - 0.06% (4)
warner/chappell music, one - 0.06% (4)
of the world’s - 0.06% (4)
leading music publishers, - 0.06% (4)
with a catalog - 0.06% (4)
of more than - 0.06% (4)
leader within the - 0.06% (4)
and many others. - 0.06% (4)
most favorite aspects - 0.06% (4)
what were your - 0.06% (4)
of creating this - 0.06% (4)
first get involved - 0.06% (4)
with gothic storm? - 0.06% (4)
president & ceo - 0.05% (3)
worldwide. for additional - 0.05% (3)
phone: (615) 327-0100 - 0.05% (3)
rhino, and roadrunner, - 0.05% (3)
in the world - 0.05% (3)
including atlantic, elektra, - 0.05% (3)
color tv is - 0.05% (3)
atlantic, elektra, fueled - 0.05% (3)
best use in - 0.05% (3)
by ramen, rhino, - 0.05% (3)
and roadrunner, as - 0.05% (3)
kudos interview with - 0.05% (3)
for additional information, - 0.05% (3)
the mark awards - 0.05% (3)
for this album - 0.05% (3)
to work with - 0.05% (3)
327-0100 email: mark.logsdon@plamedia.com - 0.05% (3)
logsdon phone: (615) - 0.05% (3)
email: mark.logsdon@plamedia.com warner/chappell - 0.05% (3)
for more information, - 0.05% (3)
los angeles, ca, - 0.05% (3)
contact: mark logsdon - 0.05% (3)
an interview with - 0.05% (3)
at the 2016 - 0.05% (3)
industry, including atlantic, - 0.05% (3)
ramen, rhino, and - 0.05% (3)
roadrunner, as well - 0.05% (3)
copyrights worldwide. for - 0.05% (3)
additional information, visit - 0.05% (3)
association (pma) is - 0.05% (3)
custom music and - 0.05% (3)
& chris b. - 0.05% (3)
composers: daniel delaney - 0.05% (3)
sound design company - 0.05% (3)
what was your - 0.03% (2)
below: best production - 0.03% (2)
producers, musicians and - 0.03% (2)
kudos warner chappell - 0.03% (2)
is comprised of - 0.03% (2)
and when i - 0.03% (2)
ceo of warner/chappell - 0.03% (2)
us and canada, - 0.03% (2)
could have done - 0.03% (2)
for licensing immediately - 0.03% (2)
nominations for the - 0.03% (2)
for the 2016 - 0.03% (2)
wachtler, president & - 0.03% (2)
awards,” says randy - 0.03% (2)
mark awards (los - 0.03% (2)
music and our - 0.03% (2)
angeles, ca, october - 0.03% (2)
music track best - 0.03% (2)
at the production - 0.03% (2)
and midcoast music - 0.03% (2)
at warner/chappell production - 0.03% (2)
dan harary the - 0.03% (2)
this album is - 0.03% (2)
“beauty and the - 0.03% (2)
design company the - 0.03% (2)
hit house has - 0.03% (2)
michael david nielsen - 0.03% (2)
kaveh cohen & - 0.03% (2)
to independent boutiques. - 0.03% (2)
tales has been - 0.03% (2)
family adventure album - 0.03% (2)
production music now - 0.03% (2)
“the jungle book” - 0.03% (2)
new family adventure - 0.03% (2)
– what was - 0.03% (2)
(full tilt) composers: - 0.03% (2)
are extremely proud - 0.03% (2)
in theatrical film - 0.03% (2)
of production music - 0.03% (2)
music composer: ben - 0.03% (2)
composer: ben cocks - 0.03% (2)
on behalf of - 0.03% (2)
music has been - 0.03% (2)
asbury pr agency - 0.03% (2)
in the us - 0.03% (2)
trailer interstellar – - 0.03% (2)
in honor of - 0.03% (2)
from major labels - 0.03% (2)
track the long - 0.03% (2)
says randy wachtler, - 0.03% (2)
of warner/chappell production - 0.03% (2)
full overview of - 0.03% (2)
production music track - 0.03% (2)
best non-categorical track - 0.03% (2)
a classical drama - 0.03% (2)
sound of the - 0.03% (2)
music composer: christopher - 0.03% (2)
road that is - 0.03% (2)
wins at the - 0.03% (2)
short – midcoast - 0.03% (2)
music composer: paul - 0.03% (2)
silbergleit best hip - 0.03% (2)
hop track against - 0.03% (2)
the world – - 0.03% (2)
best use of - 0.03% (2)
production music best - 0.03% (2)
use in theatrical - 0.03% (2)
film trailer interstellar - 0.03% (2)
2016 mark awards,” - 0.03% (2)
and our worldwide - 0.03% (2)
music (full tilt) - 0.03% (2)
multi-award winning film - 0.03% (2)
– what were - 0.03% (2)
live strings and - 0.03% (2)
i’ve had the - 0.03% (2)
of the human - 0.03% (2)
i enjoyed working - 0.03% (2)
be able to - 0.03% (2)
the human soul. - 0.03% (2)
the library of - 0.03% (2)
film and sound production company - 0.03% (2)
the longest standing - 0.03% (2)
interview with the - 0.03% (2)
how many times - 0.03% (2)
in addition to - 0.03% (2)
recent fusic projects - 0.03% (2)
“journey to everest” - 0.03% (2)
have worked with - 0.03% (2)
harary the asbury - 0.03% (2)
pr agency beverly - 0.03% (2)
partner catalogs capture - 0.03% (2)
awards (los angeles, - 0.03% (2)
film and ad - 0.03% (2)
composers: kaveh cohen - 0.03% (2)
publisher members, ranging - 0.03% (2)
the “mark awards” - 0.03% (2)
awards ceremony dedicated - 0.03% (2)
to honoring excellence - 0.03% (2)
music community. named - 0.03% (2)
the late andy - 0.03% (2)
mark, who was - 0.03% (2)
a library owner - 0.03% (2)
and founding member - 0.03% (2)
of the pma, - 0.03% (2)
recognizes the very - 0.03% (2)
proud to present - 0.03% (2)
best in production - 0.03% (2)
music in 24 - 0.03% (2)
categories. the production - 0.03% (2)
is the leading - 0.03% (2)
advocate and voice - 0.03% (2)
of the production - 0.03% (2)
music community. this - 0.03% (2)
non-profit organization has - 0.03% (2)
over 670 music - 0.03% (2)
mark awards, an - 0.03% (2)
composer kris dirksen - 0.03% (2)
& michael david - 0.03% (2)
bass stabs, raging - 0.03% (2)
nielsen about warner/chappell - 0.03% (2)
and ethereal vocals. - 0.03% (2)
rock, orchestral hybrids - 0.03% (2)
electronics, heavy swagger - 0.03% (2)
decimating, pounding, pulsing - 0.03% (2)
atmospheres, deep pulses, - 0.03% (2)
drums, sweeping synth - 0.03% (2)
guitars, bass and - 0.03% (2)
build-ups, hard rock - 0.03% (2)
massive impacts, huge - 0.03% (2)
style of music - 0.03% (2)
hybrids and ethereal - 0.03% (2)
swagger rock, orchestral - 0.03% (2)
pulsing electronics, heavy - 0.03% (2)
information, visit www.warnerchappellpm.com. - 0.03% (2)
extremely proud to - 0.03% (2)
the initial release - 0.03% (2)
color tv and - 0.03% (2)
is proud to - 0.03% (2)
film and trailer - 0.03% (2)
lot of fun - 0.03% (2)

Here you can find chart of all your popular one, two and three word phrases. Google and others search engines means your page is about words you use frequently.

Copyright © 2015-2016 hupso.pl. All rights reserved. FB | +G | Twitter

Hupso.pl jest serwisem internetowym, w którym jednym kliknieciem możesz szybko i łatwo sprawdź stronę www pod kątem SEO. Oferujemy darmowe pozycjonowanie stron internetowych oraz wycena domen i stron internetowych. Prowadzimy ranking polskich stron internetowych oraz ranking stron alexa.