1.57 score from hupso.pl for:
swoond.com



HTML Content


Titles w o o n d

Length: 11, Words: 6
Description pusty

Length: 0, Words: 0
Keywords pusty
Robots
Charset UTF-8
Og Meta - Title exist
Og Meta - Description exist
Og Meta - Site name pusty
Tytuł powinien zawierać pomiędzy 10 a 70 znaków (ze spacjami), a mniej niż 12 słów w długości.
Meta opis powinien zawierać pomiędzy 50 a 160 znaków (łącznie ze spacjami), a mniej niż 24 słów w długości.
Kodowanie znaków powinny być określone , UTF-8 jest chyba najlepszy zestaw znaków, aby przejść z powodu UTF-8 jest bardziej międzynarodowy kodowaniem.
Otwarte obiekty wykresu powinny być obecne w stronie internetowej (więcej informacji na temat protokołu OpenGraph: http://ogp.me/)

SEO Content

Words/Characters 4928
Text/HTML 15.66 %
Headings H1 0
H2 28
H3 15
H4 0
H5 0
H6 0
H1
H2
8.17.2013
2.02.2012
1.16.2012
12.24.2011
7.24.2011
3.25.2011
3.22.2011
3.21.2011
2.17.2011
2.04.2011
1.27.2011
1.21.2011
1.17.2011
1.01.2011
12.25.2010
12.22.2010
swoond projects in the works (click pics to link)
b e a u t i m u s e
transcendentalese
wished
and
poof
art houses
minds and hearts
artistes
compatriots
paper
irresistible
H3
visionaries: sergei mikhailovich prokudin-gorskii
russia in color: a century ago
i still have a dream
are you ready? here comes santa!
nicole dextras: ephemeral fashion
triangle shirtwaist fire: march 25, 1911
visionaries: shadi ghadirian
empire
saturday fare: the metropolitan
frozen fruit
today in new york
here comes the sun
snow divide
joyful, merry, happy to you and yours
the warm-up
H4
H5
H6
strong
b
i
em
Bolds strong 0
b 0
i 0
em 0
Zawartość strony internetowej powinno zawierać więcej niż 250 słów, z stopa tekst / kod jest wyższy niż 20%.
Pozycji używać znaczników (h1, h2, h3, ...), aby określić temat sekcji lub ustępów na stronie, ale zwykle, użyj mniej niż 6 dla każdego tagu pozycje zachować swoją stronę zwięzły.
Styl używać silnych i kursywy znaczniki podkreślić swoje słowa kluczowe swojej stronie, ale nie nadużywać (mniej niż 16 silnych tagi i 16 znaczników kursywy)

Statystyki strony

twitter:title pusty
twitter:description pusty
google+ itemprop=name pusty
Pliki zewnętrzne 13
Pliki CSS 2
Pliki javascript 11
Plik należy zmniejszyć całkowite odwołanie plików (CSS + JavaScript) do 7-8 maksymalnie.

Linki wewnętrzne i zewnętrzne

Linki 528
Linki wewnętrzne 145
Linki zewnętrzne 383
Linki bez atrybutu Title 346
Linki z atrybutem NOFOLLOW 0
Linki - Użyj atrybutu tytuł dla każdego łącza. Nofollow link jest link, który nie pozwala wyszukiwarkom boty zrealizują są odnośniki no follow. Należy zwracać uwagę na ich użytkowania

Linki wewnętrzne

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Linki zewnętrzne

- http://www.swoond.com/
visionaries: sergei mikhailovich prokudin-gorskii http://www.swoond.com/2013/08/visionaries-sergei-mikhailovich.html
- http://www.flickr.com/photos/11108676@n03/6720829783/
sergei mikhailovich prokudin-gorskii http://www.loc.gov/pictures/collection/prok/
the russian empire http://www.nexuslearning.net/books/ml-wcg-east/4-4.pdf
the coming revolution http://www.history.com/topics/russian-revolution
tsar nicholas ii http://www.firstworldwar.com/bio/nicholasii.htm
prokudin-gorskii http://www.flickr.com/groups/prokudin-gorskii/
the only known color photograph of leo tolstoy http://en.wikipedia.org/wiki/file:l.n.tolstoy_prokudin-gorsky.jpg
glass plate negatives http://www.loc.gov/pictures/collection/prok/digitizing.html
light-projection system http://tmora.org/exhibition/the-lost-empire-photographer-to-the-tsar/
glass-plate negatives http://www.loc.gov/pictures/search/?st=grid&co=prok
library of congress http://www.loc.gov/exhibits/empire/object.html
digichromatography http://www.gridenko.com/pg
library's website http://www.loc.gov/pictures/related/?fi=name&q=prokudin-gorski%c4%ad%2c%20serge%c4%ad%20mikha%c4%adlovich%2c%201863-1944
sheksna river http://en.wikipedia.org/wiki/sheksna_river
kirillov http://en.wikipedia.org/wiki/kirillov_(town)
- https://www.blogger.com/post-edit.g?blogid=2457378864312012069&postid=3029726227153086723&from=pencil
russia in color: a century ago http://www.swoond.com/2012/02/russia-in-color-century-ago.html
- http://www.flickr.com/photos/11108676@n03/6725741907/
sergei mikhailovich prokudin-gorskii http://www.cs.cmu.edu/~dellaert/aligned/
tsar nicholas ii http://www.firstworldwar.com/bio/nicholasii.htm
russian revolution http://cup.columbia.edu/book/978-0-231-13282-4/russias-revolutionary-experience-19051917
world war i http://www.bbc.co.uk/history/worldwars/wwone/eastern_front_01.shtml
library of congress http://myloc.gov/pages/default.aspx
- http://www.flickr.com/photos/11108676@n03/6720665401/
- http://www.flickr.com/photos/11108676@n03/6720688179/
- http://www.flickr.com/photos/11108676@n03/6720653875/
- http://www.flickr.com/photos/11108676@n03/6719824421/
- http://www.flickr.com/photos/11108676@n03/6720597145/
- http://www.flickr.com/photos/11108676@n03/6720642709/
- http://www.flickr.com/photos/11108676@n03/6720672415/
library of congress http://www.loc.gov/pictures/collection/prok/item/prk2000000021/resource/
- https://www.blogger.com/post-edit.g?blogid=2457378864312012069&postid=526018532304846650&from=pencil
i still have a dream http://www.swoond.com/2012/01/i-still-have-dream.html
- http://farm4.static.flickr.com/3430/3209977442_9448d56cb1_o.jpg
- http://farm4.static.flickr.com/3099/3209068159_f4bbb496f0_o.jpg
- http://farm4.static.flickr.com/3133/3209973254_c5ba6175e0_o.jpg
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national geographic http://www.nationalgeographic.com/
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nicole dextras http://www.nicoledextras.com/index.php?/garmentssummer/weedrobes-accessories/
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invasive species http://www.nicoledextras.com/index.php?/garmentssummer/invasive-species/
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bc book arts guild http://blog.alcuinsociety.com/2011/05/canadian-bookbinders-and-book-artists.html
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triangle shirtwaist fire: march 25, 1911 http://www.swoond.com/2011/03/triangle-shirtwaist-fire-march-25-1911.html
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new york city's triangle shirtwaist factory http://www.ilr.cornell.edu/trianglefire/
. the triangle fire http://www.english.illinois.edu/maps/poets/m_r/pinsky/triangle.htm
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new york's asch building http://rememberthetrianglefire.org/images/brown.pdf
max blanck and isaac harris http://law2.umkc.edu/faculty/projects/ftrials/triangle/triangleaccount.html
- http://www.flickr.com/photos/11108676@n03/5558877234/
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washington post article http://www.washingtonpost.com/opinions/what-the-triangle-shirtwaist-fire-means-for-workers-now/2011/03/15/abvafis_story.html
what the triangle shirtwaist fire means for workers now http://www.washingtonpost.com/opinions/what-the-triangle-shirtwaist-fire-means-for-workers-now/2011/03/15/abvafis_story.html
wnyc article http://www.wnyc.org/articles/wnyc-news/2011/mar/21/100-years-later-remembering-triangle-shirtwaist-factory-fire/
remembering the triangle shirtwaist fire, 100 years later http://www.wnyc.org/articles/wnyc-news/2011/mar/21/100-years-later-remembering-triangle-shirtwaist-factory-fire/
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visionaries: shadi ghadirian http://www.swoond.com/2011/03/visionaries-shadi-ghadirian.html
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female friends http://shadighadirian.com/index.php?do=photography&id=9#item-9
her own twist http://shadighadirian.com/index.php?do=photography&id=9#item-19
symbols of contemporary life http://shadighadirian.com/index.php?do=photography&id=9#item-10
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los angeles county museum of art, http://collectionsonline.lacma.org/mwebcgi/searchall.exe?keyword=shadi+ghadirian&xsubmit=submit
museum of photography in tehran http://www.homaartgallery.com/en/_default.aspx?cnt=art&id=328
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skip to main | skip to sidebar 8.17.2013 visionaries: sergei mikhailovich prokudin-gorskii now, where were we? ah, yes. the photographs of sergei mikhailovich prokudin-gorskii (1863-1944) offer a vivid portrait of a lost world: the russian empire on the eve of world war i and the coming revolution. supported by tsar nicholas ii, prokudin-gorskii completed surveys of eleven regions of russia between 1909 and 1915, traveling in a specially equipped railroad car. his subjects ranged from the medieval churches and monasteries, to the railroads and factories of an emerging industrial power, to the daily life and work of russia's diverse population. born in st. petersburg and educated as a chemist, prokudin-gorskii devoted his career to the advancement of photography. in the early 1900s, while the world was still shooting black and white photographs, prokudin-gorskii was busy inventing an ingenious technique for creating color images. credited with taking the only known color photograph of leo tolstoy, prokudin-gorskii's technique involved capturing three separate monochrome photographs of the same scene. the same object was captured in black and white on glass plate negatives, using red, green and blue filters. he then presented these images in color in slide lectures using a light-projection system which reconstructed the original color scene. since the images were captured at different times, any subtle changes or shifts in the scene appear as ghosted images. in 1918, after the revolution, prokudin-gorskii went into exile, taking with him only his collection of nearly 2,000 glass-plate negatives and his photograph albums. the collection was purchased by the library of congress in 1948 from his heirs. since 2001, many of prokudin-gorskii's plates have been scanned and, through an innovative process known as digichromatography, brilliant color images produced. in 1948, the united states library of congress purchased 1,902 of prokudin-gorskii's photographs from his family. prokudin-gorskii's entire collection of unrestored photographs can be seen on the library's website. be prepared for a journey to visual wonderland. :glass-plate negative title: krestʹi︠a︡nskīi︠a︡ di︠e︡vushki. [rossiĭskai︠a︡ imperii︠a︡]. title translation: peasant girls. three young women offer berries to visitors to their izba, a traditional wooden house, in a rural area along the sheksna river, near the town of kirillov. 2.02.2012 russia in color: a century ago emir seyyid mir mohammed alim khan, the emir of bukhara, seated holding a sword in bukhara (present-day uzbekistan), ca. 1910. between 1909 and 1912, photographer sergei mikhailovich prokudin-gorskii (1863-1944) undertook a photographic survey of the russian empire with the support of tsar nicholas ii and the ministry of transportation. prokudin-gorskii used a specialized camera to capture three black and white images in fairly quick succession, using red, green and blue filters, allowing them to later be recombined and projected with filtered lanterns to show near-true color images. the high quality of the images, combined with the bright colors, make it difficult for viewers to believe that they are looking 100 years back in time. when these photographs were taken, neither the russian revolution nor world war i had yet begun. collected here are a few of the hundreds of color images made available by (the miracle that is) the library of congress, which purchased the original glass plates back in 1948. a chapel sits on the site where the city of belozersk was founded in ancient times, ca. 1909. an armenian woman in national costume poses for prokudin-gorskii on a hillside near artvin (near present-day turkey), ca. 1910. a view of the nikolaevskii cathedral in mozhaisk, ca. 1911. a man and woman pose in dagestan, ca. 1910. metal truss bridge on stone piers, part of the trans-siberian railway, crossing the kama river near perm, ural mountains region, ca. 1910. a boy leans on a wooden gatepost in the ural mountain region, 1910. in this last image, self-portrait on the karolitskhali river (ca. 1910), prokudin-gorskii is seated on a rock beside the karolitskhali river. the karolitskhali is located in the caucasus mountains near the seaport of batumi on the eastern coast of the black sea. i'm enthralled by this whole prokudin-gorskii trove. next post will offer more information on the innovative, ingenious process that prokudin-gorskii developed to produce these brilliant images. :library of congress 1.16.2012 i still have a dream the night before he was murdered, martin luther king warned, in his famous "i see the promised land" speech in memphis, that "if something isn't done, and in a hurry, to bring the colored peoples of the world out of their long years of poverty, their long years of hurt and neglect, the whole world is doomed." in "a christmas sermon on peace," broadcast on christmas eve 1967 on the canadian broadcasting corporation as part of the massey lectures, dr. king acknowledged "that not long after talking about" the dream in washington in 1963, "i started seeing it turn into a nightmare." he spoke of the nightmarish conditions of birmingham, where four girls were murdered in a church bombing a few weeks after his speech. he spoke of the punishing poverty that he observed in the nation's ghettoes as the antithesis of his dream, as were the race riots and the vietnam war. king confessed that while "i am personally the victim of deferred dreams, of blasted hopes," that "i still have a dream." by 1967, martin luther king had stretched his dream to include the desire "that one day the idle industries of appalachia will be revitalized, and the empty stomachs of mississippi will be filled, and brotherhood will be more than a few words at the end of prayer, but rather the first order of business on every legislative agenda." these speeches place dr. king's dream in the broader context of his spiritual and moral evolution over the last three years of his life. set free from the ideological confines of his "i have a dream" speech, king's true ethical ambitions were free to breathe through the words he spoke and wrote as he made his way to the promised land. perhaps even more so than when he dreamed out loud in washington in 1963, dr. king's act of dreaming in 1967 was a courageous act of social imagination and national hope: yes, i am personally the victim of deferred dreams, of blasted hopes, but in spite of that i close today by saying i still have a dream, because, you know, you can't give up in life. if you lose hope, somehow you lose that vitality that keeps life moving, you lose that courage to be, that quality that helps you go on in spite of it all. and so today i still have a dream. 12.24.2011 are you ready? here comes santa! these boys are either on leave from flying duty this year, or they're lichen loading before their big night. merry christmas! :dmitriy nikonov, reindeer herder, siberia; via national geographic 7.24.2011 nicole dextras: ephemeral fashion for the past six years, nicole dextras has taken the native plants of the pacific northwest and turned them into elaborate dresses she calls "weedrobes." dextras’s art is made out of things found in nature: ice, grass, flowers and leaves. as such, they melt, crack, rot, disintegrate and return to their original composite elements. the dresses are beautiful, but dextras has more than a pretty picture in mind. her plant-based apparel is designed to confront important environmental concerns. "i've had an ongoing interest in environmental art, and working in the theater as a clothes designer opened me up to the idea that the way people dress affects their psychology," dextras says. "i want these dresses to open a dialogue to people about where their clothes come from." on frames woven from flexible boughs, dextras layers sturdy plant materials, such as yucca and eucalyptus leaves, stitched to the frames with hawthorn ‘pins’. professional actors bring the costumes to life, improvising on themes of nature, such as jordi sancho’s memorable eco-man or nita bowerman’s “ivy” from the 2009 invasive species show. the costumes are brought to dextras’s back yard where the process of disintegration begins. dextras's studio is located on granville island in vancouver bc. the artist divides her time between her art practice, teaching, casting editions for local artists and volunteering for art organizations such as the bc book arts guild and the artists and artisans of granville island. dextras has meticulously photographed all her pieces and the performances, on view at her flickr stream and on her website. :nicole dextras, weedrobes summer series; artist statement; shop 3.25.2011 triangle shirtwaist fire: march 25, 1911 one hundred years ago today, new york city's triangle shirtwaist factory burst into flames, killing 146 garment workers and fundamentally changing the way america viewed its laborers. in the months after the blaze, dozens of workplace regulations were passed, helping to make factories much safer. the triangle fire inspired a massive unionization push that paved the way for the development of america's middle class. on march 25, 1911, a fire tore through the top three floors of new york's asch building (washington place and greene street), home of the triangle shirtwaist company. on the eighth floor, where the blaze began, garment workers and their supervisors quickly filed out. two floors up, the company's owners — max blanck and isaac harris — were notified by telephone of the fire and escaped by jumping to the roof of a nearby building. but on the ninth floor, there were no phone calls, fire alarms or other warnings. in fact, the 200 seamstresses who worked there — many of them new immigrants to america — didn't realize there was a fire until smoke began pouring in from the floor below. within a half hour, more than half of those women were dead. in remembrance of the tragedy, a special memorial meeting was held this morning at the factory site. a fire truck ladder was raised to the sixth floor, representing the highest story firefighters could reach during the tragedy. :washington post article, "what the triangle shirtwaist fire means for workers now"; wnyc article, "remembering the triangle shirtwaist fire, 100 years later" 3.22.2011 visionaries: shadi ghadirian shadi ghadirian is a photographer who lives and works in her native tehran. ghadirian's work is intimately linked to her identity as a muslim woman living in iran. in her qajar series, ghadirian questions the role of women in society at large and explores ideas of censorship, religion, modernity and the status of women. the qajar series of portraits was inspired by old plate-glass photographs from iran's qajar period (1794-1925). "until that time, portraits were forbidden in iran for religious reasons," ghadirian says, "so the impact of these photographs on 19th-century iranians was enormous." for her own qajar portraits, ghadirian asked a painter friend to recreate the elaborate 19th-century backdrops. she then borrowed vintage clothing in which to dress female friends, and reproduced the poses from the old photographs, incorporating her own twist. ghadirian juxtaposes the traditional images with symbols of contemporary life. ghadirian studied photography at azad university in tehran. after finishing her undergraduate work, ghadirian began her professional career as a photographer. her work has been exhibited in museums and galleries across europe and the united states. ghadirian's photographs are in the permanent collection of the los angeles county museum of art, among others. currently, ghadirian works at the museum of photography in tehran. :images shadi ghadirian 3.21.2011 empire from the top of the rock, mid-week, late february. the sunset, supported by a stunning cast of thousands, takes its rightful turn at showing off. :images diana murphy 2.17.2011 saturday fare: the metropolitan taking multiple detail shots of works of art satisfies me on several levels — not the least of which is that i can make my own postcards for later study and recall.* i've found (have you?) that museums no longer deliver on the extensive-variety-of-exhibition-postcards front. this makes me cranky, since i'm a compulsive postcard collector from way back. my solution has been to stop the moaning, just deal with it already and do it myself. case in point: two or three (four? whatever) saturdays ago, i took these photos of the tomb effigy of elizabeth boott duveneck at the met. i've seen the sculpture many, many times on met visits — and i've photographed it before as well — but this time around, i wanted to move in and capture a sense of the rich patina and the artistry of the folds and deep relief. and so? and then? well? me likey. me not grumpy anymore. and for you, my dearest darlings, repros of these and many other swoond and beautimuse images (card-size, wall-size and in-betweens) will soon be available to order online. about the artwork: after the death of elizabeth boott duveneck (1846-1888), her bereaved husband, the painter frank duveneck, modeled a funerary monument with the guidance of the cincinnati sculptor clement j. barnhorn. reminiscent of gothic and renaissance gisant (recumbent) tomb effigies, the figure reclines peacefully, arms folded over her chest. the palm branch stretching nearly the entire length of her body symbolizes christian victory over death. the original bronze is on elizabeth duveneck's grave in the cimitero evangelico degli allori, the protestant cemetery on the outskirts of florence. * many thanks to all of you who have inquired about prints, cards and large-scale reproductions(!) of my photos. i've responded to most of you individually, but i want to make sure you know that you'll soon be able to place orders online. as ever, thanks for your visits and support. mwah! and again, mmmwah!! :all images diana murphy; tomb effigy of elizabeth boot duveneck, 1891; this cast, 1927; gilt bronze; the metropolitan museum of art, new york city 2.04.2011 frozen fruit to quote the cowardly lion: unusual weather we're having, ain't it? :images diana, groundhog day on ice check out groupings of my upsized photos here at beautimuse 1.27.2011 today in new york my thought: the neighbors will probably postpone their garden party. :image diana, rear window series 1.21.2011 here comes the sun the depth of color and shadow produced by sidelong sunrise light (featured here) is endlessly fascinating to me. (and, lest we forget, sunset light has its own special mojo. but it's sunrise's turn today. thank you.) :image diana murphy 1.17.2011 snow divide this afternoon in riverside park. :image diana murphy, new york city 1.01.2011 1-jan-65 the kings will lose your old address. no star will flare up to impress. the ear may yield, under duress, to blizzards’ nagging roar. the shadows falling off your back, you’d snuff the candle, hit the sack, for calendars more nights can pack than there are candles for. what is this? sadness? yes, perhaps. a little tune that never stops. one knows by heart its downs and ups. may it be played on par with things to come, with one’s eclipse, as gratefulness of eyes and lips for what occasionally keeps them trained on something far. and staring up where no cloud drifts because your sock’s devoid of gifts you’ll understand this thrift: it fits your age; it’s not a slight. it is too late for some breakthrough, for miracles, for santa’s crew. and suddenly you’ll realize that you yourself are a gift outright. - joseph brodsky (translated from the russian by the author) brodsky wrote this poem while in internal exile in norenskaia, in the arkhangelsk region of northern russia. in the soviet union, new year’s celebrations came to be seen as a substitute for christmas. this translation was found among his papers. :image diana murphy, new york city 12.25.2010 joyful, merry, happy to you and yours :image diana 12.22.2010 the warm-up :image boston globe older posts home subscribe to: posts (atom) what do we live for, if it is not to make life less difficult for each other? - george eliot the really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day. - david foster wallace, this is water to me, every hour of the light and dark is a miracle. - walt whitman swoond projects in the works (click pics to link) c o n t a c t. . . . . . . . . . . . . . . . . . . . . . . . . . . dianamurphy [at] swoond [dot] com . . . . . . . . . . . . . . . . . . . . . . . . . . . diana murphy view my complete profile apparently there is nothing that cannot happen today. - mark twain tell me, what is it you plan to dowith your one wild and precious life? - mary oliver my favorite thing is to go where i've never been. - diane arbus you've gotta own your own days and name 'em, each one of 'em, every one of 'em, or else the years go right by and none of 'em belong to you. - herb gardner, a thousand clowns doubt is not a pleasant condition,but certainty is absurd. - voltaire the world is full of magic things, patiently waiting for our senses to grow sharper. - w. b. yeats sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes. - tom robbins enjoy your life. no curse hangs over you, nor did it ever. no devil chases after your soul. sing and dance andbe merry. - christopher pike ...feelings like disappointment, embarrassment, irritation, resentment, anger, jealousy and fear, instead of being bad news, are actually very clear moments that teach us where we're holding back. they teach us to lean in when we feel we'd rather collapse and back away. they're like messengers that show us, with terrifying clarity, exactly where we're stuck. this very moment is the perfect teacher, and, lucky for us, it's with us wherever we are. - pema chodron the relationship between commitment and doubt is by no means an antagonistic one. commitment is healthiest when it is not without doubt, but in spite of doubt. - rollo may we want to take it all in, for one last time, we want to eat the world with our eyes. - margaret atwood the same dream returned each night until i dared not to go to sleep and grew quite ill. i dreamed i had a child, and even in the dream i saw it was my life, and it was an idiot, and i ran away. but it always crept onto my lap again, clutched at my clothes. until i thought, if i could kiss it, whatever in it was my own, perhaps i could sleep. and i bent to its broken face, and it was horrible . . . but i kissed it. i think one must finally take one's life in one's arms. - arthur miller, after the fall i watched titanic when i got back home from the hospital, and cried. i knew that my iq had been damaged. - stephen king they were nothing like the french people i had imagined. if anything, they were too kind, too generous and too knowledgeable in the fields of plumbing and electricity. - david sedaris sometimes you have to play a long time to be able to play like yourself. - miles davis to begin to understand the gorgeous fever that is consciousness, we must try to understand the senses and what they can tell us about the ravishing world we have the privilege to inhabit. - diane ackerman life is too precious to waste on fast reading; i bet neruda says something like that in his memoirs, but i haven't gotten to that part yet. - teju cole sticking with uncertainty is how we learn to relax in the midst of chaos, how we learn to be cool when the ground beneath us suddenly disappears. - pema chodron b e a u t i m u s e everybody needs beauty ... places to play and pray in, where nature may heal and cheer and give strength to body and soul alike. - john muir have compassion for all beings,rich and poor alike;each has their suffering.some suffer too much,others too little. - buddha mother, who has an absolute belief that it is not the cards that one is dealt in life, it is how one plays them, is, by far, the highest card i was dealt. - kay redfield jamison if there is one thing i've learned in thirty years as a psychotherapist, it is this: if you can let your experience happen, it will release its knots and unfold, leading to a deeper, more grounded experience of yourself. no matter how painful or scary your feelings appear to be, your willingness to engage with them draws forth your essential strength. - john welwood experience is a brutal teacher, but you learn. my god, do you learn. - c. s. lewis before you know kindness as the deepest thing inside, you must know sorrow as the other deepest thing. - naomi shihab nye confidence is ten percent hard work and ninety percent delusion. - tina fey our imagination flies; we are its shadow on the earth. - vladimir nabokov we must have the courage to allow a little disorder in our lives. - ben weininger one does not become enlightened by imagining figures of light, but by making the darkness conscious. - carl jung let me keep my mind on what matters,which is my work,which is mostly standing still and learning to beastonished. - mary oliver to emphasize only the beautiful seems to me to be like a mathematical system that only concerns itself with positive numbers. - paul klee meditate.live purely. be quiet.do your work with mastery.like the moon, come outfrom behind the clouds!shine. - buddha secretly, i wanted to look like jimi hendrix, but i could never quite pull it off. - bryan ferry no, it's not a very good story - its author was too busy listening to other voices to listen as closely as he should have to the one coming from inside. - stephen king it is in playing, and perhaps only in playing, that the child is free to be creative. - d. w. winnicott what a mess we are, i thought.but this is where any hope of improvement begins - acknowledging the mess. - anne lamott i think oprah expected me to cry or something. she asked me if i wanted a hug. i said, "get away from me, you loon. i'm english." - lady sarah graham moon choose your corner, pick away at it carefully, intensely and to the best of your ability - and that way, you may change the world. - charles eames yin and jung who looks outside, dreams;who looks inside, awakes. everything that irritates us about others can lead us to a better understanding of ourselves. when we must deal with problems, we instinctively resist trying the way that leads through obscurity and darkness. we wish to hear only of unequivocal results, and completely forget that these results can only be brought about when we have ventured into and emerged again from the darkness. but to penetrate the darkness we must summon all the powers of enlightenment that consciousness can offer. - carl jung, the stages of life the only advantage of not being too good a housekeeper is that your guests are so pleased to feel how very much better they are. - eleanor roosevelt the complexity of things - the things within things - just seems to be endless. i mean nothing is easy, nothing is simple. - alice munro art is the highest form of hope. - gerhard richter life is not easy for any of us. but what of that? we must have perseverance and, above all, confidence in ourselves. we must believe that we are gifted for something and that this thing must be attained. - marie curie in the matter of furnishing, i find a certain absence of ugliness far worse than ugliness. - colette love and work are the cornerstones of our humanness. - sigmund freud when you're arguing for an unpopular idea, there are three stages of truth: first, your opponents say it can't be true.  next they say if it's true, it can't be very important.  finally they say, well, we've known it all along. - jonas salk remember that you call on me today.be near me, that i may remember you. - shakespeare, julius caesar you never really understand a person until you consider things from his point of view - until you climb into his skin and walk around in it. - spoken by atticus finch, to kill a mockingbird intense creative episodes are, in many instances, indistinguishable from hypomania. - kay redfield jamison here is the deepest secretnobody knows.here is the root of the root and the bud of the budand the sky of the skyof a tree called life;which grows higher than soul can hope or mind can hide.and this is the wonder that's keeping the stars apart.i carry your heart.i carry it in my heart. - e. e. cummings every day, every day i hear enough to filla year of nights with wondering. - denise levertov hope begins in the dark, the stubborn hopethat if you just show upand try to do the right thing,the dawn will come.you wait and watch and work:you don't give up. - anne lamott i try to lead as ordinary a life as i can. you can't get spoiled if you do your own ironing. - meryl streep 1 . 2 0 . 0 9 what a day.what a country. mlk 1 2 3 a nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual death. almost always, the creative dedicated minority has made the world better. never succumb to the temptation of bitterness. - martin luther king, jr. labor to keep alive in your breast that little spark of celestial fire, called conscience. - george washington if you hear a voice within you say"you cannot paint," then by all means paint, and that voice will be silenced. - vincent van gogh certainly it's not just a visual experience - it's an emotional one. in an informal way i have seen quite demented patients recognize and respond vividly to paintings and delight in painting at a time when they are scarcely responsive to words and disoriented and out of it. i thinkthat recognition of visual art can be very deep. - oliver sacks temper zeal with human kindness. - robert jackson transcendentalese i should not talk so much about myself if there were anybody else whom i knew as well.  unfortunately, i am confined to this theme by the narrowness of my experience. - henry david thoreau if your ship doesn't come in, swim out to it. - jonathan winters wished i want to lead the victorian life, surrounded by exquisite clutter. --freddie mercury created by oneplusyou and without culture, and the relative freedom it implies, society, even when perfect, is but a jungle.  this is why any authentic creation is a gift to the future. - albert camus poof and above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places.  those who don't believe in magic will never find it. - roald dahl art houses brooklyn museum cloisters cooper hewitt dia el museo del barrio frick guggenheim icp jewish museum met moma morgan library national academy national gallery uk new museum p.s. 1 sf moma tate britain tate modern tenement museum v & a whitney minds and hearts 96.3 wqxr animal planet design observer designer observer dr x dynamist ex libris gothamist hendrik hertzberg huff po human rights watch jen lemen mind hacks national geographic national institute of mental health ny times op-ed stop global warming technology, entertainment, design the globalist the infinite mind the issue the new yorker women for women artistes abbey ryan art school girl collage lab elizabeth perry graphic exchange hanna werning heather smith jones janne peters fotografie jenny bowers l'affiche moderne nick campbell rex ray sabrina ward harrison studio ilse tord boontje treats and treasures compatriots 1000 journals a cup of jo a2eatwrite all the best ampersand anahata katkin art and ghosts automatism bandelle bayou contessa brandi strickland brilliant asylum cachemire & soie creature comforts dear ada decor amor design for mankind design work life door sixteen fine little day found object fryd + design geninne's art blog girl meets glamour hi + low hula seventy ill seen, ill said inchmark indexed irina troitskaya jenny vorwaller katiedid krisatomic liquid sky arts my marrakesh nectar & light neon polish noodle gun paris parfait passementerie patricia gray persisting stars purple area red red day sandra evertson so haute studio wellspring style court tangobaby tatielle teesha moore the serif things that inspire this is glamorous what possessed me wish jar paper angela adams beau monde bella figura dauphine press hammerpress luxe paperie moma orange beautiful paper stories round robin satsuma press irresistible bell'occhio bigelow chemists blog.mode bo bedre design museum john derian company mao and more sfmoma textile arts watson kennedy ▼  13 (1) aug (1) ►  12 (2) feb (1) jan (1) ►  11 (11) dec (1) jul (1) mar (3) feb (2) jan (4) ►  10 (101) dec (4) nov (3) oct (6) sep (7) aug (11) jul (4) jun (3) may (3) apr (17) mar (21) feb (14) jan (8) ►  09 (92) dec (2) nov (2) oct (5) sep (12) aug (12) jul (2) jun (5) may (1) apr (2) mar (8) feb (10) jan (31) ►  08 (239) dec (39) nov (22) oct (34) sep (24) aug (9) jul (13) jun (8) may (16) apr (16) mar (15) feb (24) jan (19) ►  07 (67) dec (16) nov (18) oct (6) sep (7) aug (16) jul (4)  


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