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the moving picture blog
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thursday, february 16, 2017
wednesday, february 08, 2017
sunday, february 05, 2017
friday, february 03, 2017
monday, january 30, 2017
monday, january 16, 2017
friday, january 06, 2017
sunday, january 01, 2017
wednesday, december 28, 2016
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about me: joe leydon
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donald trump is keyser söze!
arriving just in time to be even more relevant: from nowhere
me and steve bannon go way back
it's about damn time: the blackcoat's daughter (a.k.a. february) opens march 31
charlie chaplin: another immigrant banned from the usa
hail and farewell to gene cernan -- the last man on the moon
la la land, hell or high water big winners at houston film critics society awards
prepare for 2017 with words of wisdom from sir michael caine
my titillating encounter with the great debbie reynolds
happy 121st birthday to cinema!
coming soon to a theater or scratching post near you: kedi
godzilla flames again. and again. and again. and again.
remembering fritz weaver
and then there was the time robert vaughn told me...
does doctor strange make house calls?
words of wisdom from john cassavetes: “you know, in this business, it's all jealousy.”
wild western: in a valley of violence
there are bad movies, and then there are worse movies, and then there is... max steel
shin godzilla: the batman begins of zilla thrillers
phantasm: ravager: a grand finale for the franchise?
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Linki zewnętrzne

donald trump is keyser söze! http://www.movingpictureblog.com/2017/02/donald-trump-is-keyser-soze.html
stephen colbert https://www.nytimes.com/2017/02/16/arts/television/stephen-colbert-trump-seth-meyers.html?_r=0
joe leydon https://www.blogger.com/profile/16480093833915945352
2/16/2017 09:58:00 am http://www.movingpictureblog.com/2017/02/donald-trump-is-keyser-soze.html
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donald trump http://www.movingpictureblog.com/search/label/donald%20trump
keyser söze http://www.movingpictureblog.com/search/label/keyser%20s%c3%b6ze
stephen colbert http://www.movingpictureblog.com/search/label/stephen%20colbert
arriving just in time to be even more relevant: from nowhere http://www.movingpictureblog.com/2017/02/arriving-just-in-time-to-be-even-more.html
- https://4.bp.blogspot.com/-t5c4kndmr1e/wjvelhtt48i/aaaaaaaafpo/0eeffsfdltoocj8qiahkz2e77xqf2rwigclcb/s1600/capturefromnowhere.jpg
from nowhere http://www.fromnowherefilm.com/
here http://variety.com/2016/film/festivals/from-nowhere-review-sxsw-1201732182/
here https://www.youtube.com/watch?v=onjfgmgfcca
joe leydon https://www.blogger.com/profile/16480093833915945352
2/08/2017 09:45:00 pm http://www.movingpictureblog.com/2017/02/arriving-just-in-time-to-be-even-more.html
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from nowhere http://www.movingpictureblog.com/search/label/from%20nowhere
immigration http://www.movingpictureblog.com/search/label/immigration
sxsw http://www.movingpictureblog.com/search/label/sxsw
undocumented immigrants http://www.movingpictureblog.com/search/label/undocumented%20immigrants
me and steve bannon go way back http://www.movingpictureblog.com/2017/02/me-and-steve-bannon-go-way-back.html
- https://2.bp.blogspot.com/-dtakc-attzi/wjgm75donqi/aaaaaaaafpe/soemaga3ssilk94vuiwdsu7dr__y54-cqclcb/s1600/the_undefeated_poster_349x466.jpg
ann hornaday's washington post piece https://www.washingtonpost.com/lifestyle/style/you-can-learn-a-lot-about-steve-bannon-by-watching-the-films-he-made/2017/02/02/6eaa2688-e8b2-11e6-b82f-687d6e6a3e7c_story.html?tid=sm_tw&utm_term=.8e5754a039d7
making right-wing agitprop documentaries http://www.imdb.com/name/nm0052442/?ref_=ttfc_fc_cr2
reviewed for variety http://variety.com/2011/film/reviews/the-undefeated-1117945619/
andrew breitbart http://variety.com/2012/film/reviews/hating-breitbart-1117948668/
one of the more positive ones https://www.rottentomatoes.com/m/771245638
the indian runner http://www.rogerebert.com/reviews/the-indian-runner-1991
joe leydon https://www.blogger.com/profile/16480093833915945352
2/05/2017 11:46:00 pm http://www.movingpictureblog.com/2017/02/me-and-steve-bannon-go-way-back.html
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"the undefeated" http://www.movingpictureblog.com/search/label/%22the%20undefeated%22
ann hornaday http://www.movingpictureblog.com/search/label/ann%20hornaday
steve bannon http://www.movingpictureblog.com/search/label/steve%20bannon
it's about damn time: the blackcoat's daughter (a.k.a. february) opens march 31 http://www.movingpictureblog.com/2017/02/its-about-damn-time-blackcoats-daughter.html
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my original variety review http://variety.com/2015/film/festivals/february-review-toronto-film-festival-1201592767/
anthony perkins http://www.movingpictureblog.com/2010/12/additional-dialogue-anthony-perkins-on.html
increasingly popular variety.com website http://variety.com/2017/biz/news/variety-traffic-record-january-2017-page-views-unique-visitors-1201977083/
a24 http://a24films.com/
directv http://www.directv.com/dtvapp/content/directv-tv-deals-gm?cmp=knc-cbr-inf-5-414-12294559&k_clickid=04154d97-1f78-4365-b4c2-a7859d979ebb
joe leydon https://www.blogger.com/profile/16480093833915945352
2/03/2017 04:02:00 pm http://www.movingpictureblog.com/2017/02/its-about-damn-time-blackcoats-daughter.html
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a24 http://www.movingpictureblog.com/search/label/a24
directv http://www.movingpictureblog.com/search/label/directv
osgood perkins http://www.movingpictureblog.com/search/label/osgood%20perkins
the blackcoat's daughter http://www.movingpictureblog.com/search/label/the%20blackcoat%27s%20daughter
charlie chaplin: another immigrant banned from the usa http://www.movingpictureblog.com/2017/01/charlie-chaplin-another-immigrant.html
- https://2.bp.blogspot.com/-6hv4f2hgwns/wi_paqfs3pi/aaaaaaaafkc/ktwka6gcs7efxuhtj672yifw_rnnft_ygclcb/s1600/chaplinthekid.jpg
the great dictator http://www.rogerebert.com/reviews/great-movie-the-great-dictator-1940
here http://www.onthisdeity.com/19th-september-1952-%e2%80%93-america-banishes-charlie-chaplin/
gabriel over the white house http://www.avclub.com/article/igabriel-over-thei-iwhite-houseis-fictional-presid-89478
joe leydon https://www.blogger.com/profile/16480093833915945352
1/30/2017 07:53:00 pm http://www.movingpictureblog.com/2017/01/charlie-chaplin-another-immigrant.html
1 comment: https://www.blogger.com/comment.g?blogid=31771970&postid=2340839754676421404
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charlie chaplin http://www.movingpictureblog.com/search/label/charlie%20chaplin
donald trump http://www.movingpictureblog.com/search/label/donald%20trump
immigrants http://www.movingpictureblog.com/search/label/immigrants
hail and farewell to gene cernan -- the last man on the moon http://www.movingpictureblog.com/2017/01/hail-and-farewell-to-gene-cernan-last.html
- https://4.bp.blogspot.com/-i6yu6jnsrw0/wh16hhepjli/aaaaaaaafim/l5rkvcxqafc8lcwucd2txvboegckirhpgclcb/s1600/cernanawards.jpg
passed away monday http://www.npr.org/sections/thetwo-way/2017/01/16/505928876/gene-cernan-last-man-to-walk-on-the-moon-dies-at-82
here http://www.cowboysindians.com/2015/08/gene-cernan/
netflix https://www.netflix.com/title/80087933
joe leydon https://www.blogger.com/profile/16480093833915945352
1/16/2017 08:00:00 pm http://www.movingpictureblog.com/2017/01/hail-and-farewell-to-gene-cernan-last.html
1 comment: https://www.blogger.com/comment.g?blogid=31771970&postid=1514383906406670824
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gene cernan http://www.movingpictureblog.com/search/label/gene%20cernan
the last man on the moon http://www.movingpictureblog.com/search/label/the%20last%20man%20on%20the%20moon
la la land, hell or high water big winners at houston film critics society awards http://www.movingpictureblog.com/2017/01/la-la-land-hell-or-high-water-big.html
- https://3.bp.blogspot.com/--nupei1x8sg/whbsockyg7i/aaaaaaaafh0/muev4vybpyuzfpcj1ga7dtve2aa2jilvaclcb/s1600/la-la-land-ryan-gosling-emma-stone%2b%25281%2529.jpg
la la land http://www.lalaland.movie/
golden globe awards http://www.goldenglobes.com/
hfcs http://www.houstonfilmcritics.org/
match https://matchouston.org/
razzie awards http://razzies.com/
joe leydon https://www.blogger.com/profile/16480093833915945352
1/06/2017 10:23:00 pm http://www.movingpictureblog.com/2017/01/la-la-land-hell-or-high-water-big.html
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hell or high water http://www.movingpictureblog.com/search/label/hell%20or%20high%20water
la la land. houston film critics society http://www.movingpictureblog.com/search/label/la%20la%20land.%20houston%20film%20critics%20society
razzie awards http://www.movingpictureblog.com/search/label/razzie%20awards
prepare for 2017 with words of wisdom from sir michael caine http://www.movingpictureblog.com/2017/01/prepare-for-2017-with-words-of-wisdom.html
- http://2.bp.blogspot.com/-ifsgbwe9kii/tohwzalslwi/aaaaaaaadgo/ime2m9lskuy/s1600/michaelcaine.jpg
sir michael caine http://the-talks.com/interviews/sir-michael-caine/
going in style http://www.imdb.com/title/tt2568862/?ref_=fn_al_tt_1
coup d'etat http://www.imdb.com/title/tt5779540/?ref_=nv_sr_1
joe leydon https://www.blogger.com/profile/16480093833915945352
1/01/2017 06:40:00 pm http://www.movingpictureblog.com/2017/01/prepare-for-2017-with-words-of-wisdom.html
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my titillating encounter with the great debbie reynolds http://www.movingpictureblog.com/2016/12/my-titillating-encounter-with-great.html
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grieve for debbie reynolds http://variety.com/2016/film/news/debbie-reynolds-dead-dies-carrie-fisher-mother-1201949432/
joe leydon https://www.blogger.com/profile/16480093833915945352
12/28/2016 08:26:00 pm http://www.movingpictureblog.com/2016/12/my-titillating-encounter-with-great.html
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albert brooks http://www.movingpictureblog.com/search/label/albert%20brooks
debbie reynolds http://www.movingpictureblog.com/search/label/debbie%20reynolds
oliver stone http://www.movingpictureblog.com/search/label/oliver%20stone
happy 121st birthday to cinema! http://www.movingpictureblog.com/2016/12/happy-121st-birthday-to-cinema.html
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auguste and louis lumiere http://en.wikipedia.org/wiki/louis_lumi%c3%a8re
cinématographe http://en.wikipedia.org/wiki/cinematographe
la sortie de l'usine lumière à lyon http://www.youtube.com/watch?v=exhtq01e6ji&feature=related
baby's dinner http://www.youtube.com/watch?v=wqy-eu2d8m0
lumiere & company http://www.amazon.com/gp/redirect.html?ie=utf8&location=http%3a%2f%2fwww.amazon.com%2flumiere-company-patrice-leconte%2fdp%2f1572522119%2fsr%3d11-1%2fqid%3d1167364233&tag=themovingpict-20&linkcode=ur2&camp=1789&creative=9325
the sprinkler sprinkled http://www.youtube.com/watch?v=-i6ezgmszcu&feature=related
joe leydon https://www.blogger.com/profile/16480093833915945352
12/28/2016 12:04:00 am http://www.movingpictureblog.com/2016/12/happy-121st-birthday-to-cinema.html
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auguste lumiere http://www.movingpictureblog.com/search/label/auguste%20lumiere
louis lumiere http://www.movingpictureblog.com/search/label/louis%20lumiere
coming soon to a theater or scratching post near you: kedi http://www.movingpictureblog.com/2016/12/coming-soon-to-theater-of-scratching.html
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my variety review http://variety.com/2016/film/reviews/kedi-review-1201890566/
kedi http://www.kedifilm.com/
here https://www.youtube.com/watch?v=lkq7uqplcl8&feature=youtu.be
joe leydon https://www.blogger.com/profile/16480093833915945352
12/16/2016 05:02:00 pm http://www.movingpictureblog.com/2016/12/coming-soon-to-theater-of-scratching.html
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kedi http://www.movingpictureblog.com/search/label/kedi
museum of fine arts houston http://www.movingpictureblog.com/search/label/museum%20of%20fine%20arts%20houston
godzilla flames again. and again. and again. and again. http://www.movingpictureblog.com/2016/12/godzilla-flames-again-and-again-and.html
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el rey cable network http://www.elreynetwork.com/
shin godzilla http://www.movingpictureblog.com/2016/10/shin-godzilla-batman-begins-of-zilla.html
my 2014 tribute http://www.movingpictureblog.com/2014/05/godzilla-brief-history-of-original.html
charcoal gray http://www.sportsalcohol.com/godzillas-appearance/
here http://www.comingsoon.net/horror/news/794733-el-rey-rolls-out-3rd-annual-godzilla-kaiju-christmas-marathon
preview https://www.youtube.com/watch?v=0vzrfa_fplu
joe leydon https://www.blogger.com/profile/16480093833915945352
12/14/2016 05:08:00 pm http://www.movingpictureblog.com/2016/12/godzilla-flames-again-and-again-and.html
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el rey network http://www.movingpictureblog.com/search/label/el%20rey%20network
godzilla http://www.movingpictureblog.com/search/label/godzilla
shin godzilla http://www.movingpictureblog.com/search/label/shin%20godzilla
remembering fritz weaver http://www.movingpictureblog.com/2016/11/remembering-fritz-weaver.html
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passed away saturday at age 90 http://www.nytimes.com/2016/11/27/movies/fritz-weaver-tony-winning-character-actor-dies-at-90.html
joe leydon https://www.blogger.com/profile/16480093833915945352
11/27/2016 11:03:00 pm http://www.movingpictureblog.com/2016/11/remembering-fritz-weaver.html
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arthur miller http://www.movingpictureblog.com/search/label/arthur%20miller
fritz weaver http://www.movingpictureblog.com/search/label/fritz%20weaver
ingrid bergman http://www.movingpictureblog.com/search/label/ingrid%20bergman
and then there was the time robert vaughn told me... http://www.movingpictureblog.com/2016/11/and-then-there-was-time-robert-vaughn.html
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a cowboys & indians magazine tribute http://www.cowboysindians.com/2016/11/remembering-robert-vaughn-and-the-magnificent-seven/
joe leydon https://www.blogger.com/profile/16480093833915945352
11/13/2016 02:33:00 am http://www.movingpictureblog.com/2016/11/and-then-there-was-time-robert-vaughn.html
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richard chamberlain http://www.movingpictureblog.com/search/label/richard%20chamberlain
robert vaughn http://www.movingpictureblog.com/search/label/robert%20vaughn
superman iii http://www.movingpictureblog.com/search/label/superman%20iii
the towering inferno http://www.movingpictureblog.com/search/label/the%20towering%20inferno
does doctor strange make house calls? http://www.movingpictureblog.com/2016/11/does-doctor-strange-make-house-calls.html
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this clip https://www.youtube.com/watch?v=czqkti1d1zs
doctor strange http://www.movingpictureblog.com/2016/04/trailer-park-doctor-strange.html
joe leydon https://www.blogger.com/profile/16480093833915945352
11/05/2016 10:01:00 am http://www.movingpictureblog.com/2016/11/does-doctor-strange-make-house-calls.html
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benedict cumberbatch http://www.movingpictureblog.com/search/label/benedict%20cumberbatch
doctor strange http://www.movingpictureblog.com/search/label/doctor%20strange
jimmy kimmel http://www.movingpictureblog.com/search/label/jimmy%20kimmel
words of wisdom from john cassavetes: “you know, in this business, it's all jealousy.” http://www.movingpictureblog.com/2016/10/words-of-wisdom-from-john-cassavetes.html
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an interesting commentary http://www.hollywood-elsewhere.com/2016/10/fraternity-3/
john cassavetes: interviews https://www.amazon.com/john-cassavetes-interviews-conversations-filmmakers/dp/1496806697/ref=as_sl_pc_tf_til?tag=moving0be-20&linkcode=w00&linkid=abebc1cb6e179115ba7eac71bf7e8cac&creativeasin=1496806697
university press of mississippi http://www.upress.state.ms.us/books/1888
joe leydon https://www.blogger.com/profile/16480093833915945352
10/22/2016 04:02:00 pm http://www.movingpictureblog.com/2016/10/words-of-wisdom-from-john-cassavetes.html
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gabriella oldham http://www.movingpictureblog.com/search/label/gabriella%20oldham
jeffrey wells http://www.movingpictureblog.com/search/label/jeffrey%20wells
john cassavetes http://www.movingpictureblog.com/search/label/john%20cassavetes
wild western: in a valley of violence http://www.movingpictureblog.com/2016/10/wild-western-in-valley-of-violence.html
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elsewhere http://www.cowboysindians.com/2016/07/in-a-valley-of-violence-ti-west/
here http://www.cowboysindians.com/2016/07/ethan-hawke/
here http://www.cowboysindians.com/2016/07/in-a-valley-of-violence-ti-west/
joe leydon https://www.blogger.com/profile/16480093833915945352
10/20/2016 11:52:00 pm http://www.movingpictureblog.com/2016/10/wild-western-in-valley-of-violence.html
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cowboys and indians magazine http://www.movingpictureblog.com/search/label/cowboys%20and%20indians%20magazine
ethan hawke http://www.movingpictureblog.com/search/label/ethan%20hawke
in a valley of violence http://www.movingpictureblog.com/search/label/in%20a%20valley%20of%20violence
ti west http://www.movingpictureblog.com/search/label/ti%20west
there are bad movies, and then there are worse movies, and then there is... max steel http://www.movingpictureblog.com/2016/10/there-are-bad-movies-and-then-there-are.html
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here http://variety.com/2016/film/reviews/max-steel-review-1201889470/
joe leydon https://www.blogger.com/profile/16480093833915945352
10/15/2016 08:56:00 pm http://www.movingpictureblog.com/2016/10/there-are-bad-movies-and-then-there-are.html
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max steel. variety http://www.movingpictureblog.com/search/label/max%20steel.%20variety
shin godzilla: the batman begins of zilla thrillers http://www.movingpictureblog.com/2016/10/shin-godzilla-batman-begins-of-zilla.html
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shin godzilla http://variety.com/2016/film/festivals/shin-godzilla-film-review-1201872105/#article-comments
funimation films http://www.funimationfilms.com/movie/shingodzilla/
here http://variety.com/2016/film/festivals/shin-godzilla-film-review-1201872105/#article-comments
here http://www.movingpictureblog.com/2014/05/godzilla-brief-history-of-original.html
joe leydon https://www.blogger.com/profile/16480093833915945352
10/09/2016 05:41:00 pm http://www.movingpictureblog.com/2016/10/shin-godzilla-batman-begins-of-zilla.html
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the moving picture blog random musings on all things cinematical, and otherwise, by joe leydon. thursday, february 16, 2017 donald trump is keyser söze! yes, stephen colbert went there. posted by joe leydon at 2/16/2017 09:58:00 am no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: donald trump, keyser söze, stephen colbert wednesday, february 08, 2017 arriving just in time to be even more relevant: from nowhere after seeing the provocative and powerful from nowhere last year at the sxsw film festival in austin, i wrote: arriving in the middle of an election season when debates over u.s. immigration policy have devolved into sloganeering and shouting matches, from nowhere feels all the more urgent and relevant as it applies human faces to abstract statistics and arguments. writer-director matthew newton (three blind mice) neatly avoids predictability and melodramatic excess in focusing on three undocumented teenagers nearing graduation at a bronx high school, effectively using the specifics of their individual situations to illustrate opportunities and obstacles in the path of anyone pursuing the american dream while hiding in plain sight. credible and creditable performances by a fine cast of promising newcomers and familiar veterans enhance the emotional impact of this low-key but compelling indie... i know: it sounds a bit like one of those “eat your spinach, it’s good for you” movies. but trust me: from nowhere is not just a noble gesture — it’s also a compelling, well-crafted and impressively acted drama that arguably is even more relevant right now than it was last march. the movie begins its theatrical run in new york and los angeles february 17 before (i hope) rolling out to theaters nationwide. here is my original variety review, and here is a trailer. posted by joe leydon at 2/08/2017 09:45:00 pm no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: from nowhere, immigration, sxsw, undocumented immigrants sunday, february 05, 2017 me and steve bannon go way back while reading ann hornaday's washington post piece about interviewing steve bannon last year at the cannes film festival -- back when he was doing nothing more threatening than making right-wing agitprop documentaries -- i was reminded that i actually reviewed for variety one of his more popular efforts as an auteur: the undefeated, his 2011 feature-length mash note to sarah palin -- which co-starred, no kidding, andrew breitbart. a sample paragraph: “faster than the speed of thought, the undefeated is a history lesson designed for students with minimal attention spans. bannon strives to give every scene an insistently propulsive pace, relying heavily on smash cuts, skittish pans and self-conscious switches between color and black-and-white. [the director] overhypes much of his archival footage and almost drowns out some of his interviewees with the sort of thunderous music one normally hears only in movies when astronauts are preparing to blow up meteors. the interviews are shot in a swervy, jerky manner that may be intended to come across as dynamic, but actually appear to indicate the videographer was barely suppressing nature’s call.” the funny thing is, my review was one of the more positive ones. but i bet that doesn't keep me off trump's white house enemies list. especially if that list is ghost-written by, well, you know. by the way: in her washington post, hornaday notes that, over 25 years ago, bannon served as executive producer for the indian runner, sean penn's first effort as a film director. think those two guys still hang out together? posted by joe leydon at 2/05/2017 11:46:00 pm no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: "the undefeated", ann hornaday, steve bannon friday, february 03, 2017 it's about damn time: the blackcoat's daughter (a.k.a. february) opens march 31 it was a different time, perhaps a better time. the sky was bluer, friends were truer. most people — not me, mind you, but most other people — still thought donald trump would never, ever get the gop nomination for president. it was september 2015. and at the toronto film festival, i saw a chilling little film called february. as i wrote in my original variety review: “let’s address the obvious right off the bat: yes, [february] is the first feature written and directed by osgood perkins — son of anthony perkins, the late, great actor who made his stab at immortality as norman bates in alfred hitchcock’s psycho — and yes, this, too, is a thriller that generates a shock or two through the grievous misuse of cutlery. (come to think of it, it also features a portentous close-up of water swirling down a bathtub drain.) but rest assured, this slow-burning, sure-footed scary movie is likely to prompt discussions about things other than family traditions — or, if you prefer, bloodlines. an atmospheric and suspenseful indie with a subtle but unmistakable retrograde feel, it should score with sophisticated genre aficionados and anyone else inclined to savor a stealthy, unsettling escalation of dread before full-bore horror kicks in.” not very long after the toronto fest wrapped, february was renamed the blackcoat’s daughter. (that’s the title under which you’ll now find my review on the increasingly popular variety.com website.) and then… well, not much. until now. a24, arguably the most venturesome distributor in the movie business right now, has announced a march 31 theatrical release date for february… er, i mean the blackcoat’s daughter. and if you can’t wait that long: it will be available exclusively on directv starting february 16 before opening at theaters and drive-ins everywhere. so what’s it all about? that’s difficult to say. in my revised variety review, i explain: “the challenge facing those eager to talk or write about the blackcoat’s daughter is simple yet daunting: you can’t provide too many details without spilling an inordinate number of beans. indeed, it’s hard to praise the three lead performances [by emma roberts, kiernan shipka and lucy boynton] — which, not incidentally, are very good indeed — without spoiling the pleasure of appreciating how each actress approaches her role.” here is the trailer for the blackcoat’s daughter — which, i am happy to note, doesn’t give too much of the game away. (and yes, before you ask: my variety review is quoted here. twice.) posted by joe leydon at 2/03/2017 04:02:00 pm 1 comment: email thisblogthis!share to twittershare to facebookshare to pinterest labels: a24, directv, osgood perkins, the blackcoat's daughter monday, january 30, 2017 charlie chaplin: another immigrant banned from the usa i try to make all the college courses i teach as, well, relevant for my students as possible. (yes, i didn’t think i’d ever again be using that ‘60s/’70s buzzword either.) most of the time, that requires a lot of time, effort and, most important, research on my part, to find direct (or even indirect) links to the current zeitgeist to make whatever material i’m covering – whether it be in a film studies course, or a journalism course, or media and society 101 – seem less like dry and dusty and, worst of all, irrelevant history. and then there are times when god just throws something into my lap. today i screened charlie chaplin’s the kid in a history of film class. as usual, i pointed out that the term “chaplinesque” continues to be used to describe everyone and everything from adam sandler’s big daddy to zach galifianakis’s baskets. i also said they might be amused to know if they watched old black-and-white reruns of the addams family — and you might be surprised how many of them are familiar with that ‘60s sitcom through reruns on digital networks — that jackie coogan grew up to be uncle festus. but today was a bit different. today, i pointed out that charlie chaplin was demonized by j. edgar hoover and others because of his supposed “subversive” activities (which included, among other things, chaplin’s directing and starring in the great dictator). and that in 1952, after he voyaged from the us to his native england for the premiere of limelight, attorney general james patrick mcgranery revoked his re-entry permit, and announced chaplin would have to submit himself to interviews about his political leanings if he didn’t want to be permanently banned from returning. (you can read more about this shameful episode, and chaplin’s response to mcgranery’s threat, here.) after telling my students all of this, i paused a few seconds, then added: “gosh, aren’t we glad this sort of thing doesn’t happen in america anymore?” the general response: laughter. and no one laughed louder, i should note, than two female students wearing hijabs. by the way: later this week, i am screening for another class gregory la cava’s gabriel over the white house, a truly bizarre 1933 fantasy — which i scheduled before the november election — in which a us president suspends the constitution, imposes martial law, dissolves congress, summarily executes perceived enemies of the state — and is viewed as a hero. think i’ll have any trouble making that one seem relevant? posted by joe leydon at 1/30/2017 07:53:00 pm 1 comment: email thisblogthis!share to twittershare to facebookshare to pinterest labels: charlie chaplin, donald trump, immigrants monday, january 16, 2017 hail and farewell to gene cernan -- the last man on the moon such has been my good fortune in life that, on certain rare occasions, i have been in the presence of historic figures. at the 2016 houston film critics society awards, i was privileged to be honored alongside -- and to joke around with -- astronaut gene cernan, my fellow adopted texan, who passed away monday at age 82. months earlier, i was grateful for the opportunity to interview him for cowboys & indians magazine at sxsw after the premiere of the last man on the moon, the exceptional documentary based on his autobiography of the same name. my favorite parts of our conversation: most kids say they want to be a cowboy or an astronaut when they grow up. but in your case… well, i thought i’d like to be both. [laughs] but i think i may have been better at one than the other. i’ve got a little ranch out in kerrville, texas, where i have some longhorns, some horses. it’s my personal tranquility base. and i love it. see, my dad loved the outdoors. and i spent a great deal of time growing up on my grandparents’ farm up in wisconsin. so i always wanted a ranch somewhere. at one point, i thought of having it in montana – which, to me, is big-time cowboy country. but that wasn’t for me. this is the closest thing i’ve got to it. and, yeah, i’m a cowboy when i go out there. who would you say were your greatest influences during your childhood? i’ve got two major heroes in my life. well, maybe more than that. but, of course, the first one is my dad. and the other one is john wayne. i always wanted to be like john wayne. and the closest i ever came is when i crashed that helicopter out in florida [in 1971]. i got out, and i swam to the surface – and saw the helicopter was a blazing ball of fire. and i thought, “i remember john wayne in one of those movies where he was on a merchant ship that got torpedoed. and what he did what was, he’d go down under the water [to avoid the fire], and then kick his way back to the surface.” and that’s what i did. you’ve been forthcoming while sharing your experiences in your autobiography, the last man on the moon, and in the new documentary film based on that book. do you hope to inspire young people with your story? from my point of view, that’s the purpose of the film. forget me. it’s not about gene, the last man on the moon. it’s about inspiring those young kids to have a dream like i did. there was no space program when i was a kid. my dream was flying fighter planes off aircraft carriers. and i did. and i believe the important thing is to have a dream, and believe in yourself, and commit yourself to that dream. did i ever think that dream would ever lead to my calling the moon my home? not in a million years. but you’ve got to start somewhere... look, i don’t need anyone to tell me how wonderful i am. people have been telling me that for 40 years. i don’t need to be on another magazine cover, or anything like that. but walking on the moon gives me a platform to tell kids, “look, if i can go to the moon – what can’t you do?” that’s the message of this movie. (you can read the rest of our q&a here. and you can view the last man on the moon on netflix.) posted by joe leydon at 1/16/2017 08:00:00 pm 1 comment: email thisblogthis!share to twittershare to facebookshare to pinterest labels: gene cernan, the last man on the moon friday, january 06, 2017 la la land, hell or high water big winners at houston film critics society awards la la land continued its extended victory lap friday — two days before the golden globe awards — by picking up top prizes at the 10th annual houston film critics society awards extravaganza. the hfcs (of which i am a member) named la la land the best picture of 2016, and filmmaker damien chazelle the year’s best director, during a program presented at h-town’s match performing and visual arts center. la la land also picked up awards for cinematography (linus sandgren) and technical achievement (production design). the acclaimed modern-day western hell or high water picked up a pair of prizes: best supporting actor (jeff bridges) and best screenplay (taylor sheridan). elsewhere on the list of hfcs award winners: actor — casey affleck, manchester by the sea actress — natalie portman, jackie supporting actress — viola davis, fences animated film — kubo and the two strings documentary — o.j.: made in america foreign film — the handmaiden texas independent film award — tower outstanding cinematic contribution — the alamo drafthouse lifetime achievement — margo martindale and to counterbalance all the honors, hfcs announced a dishonor: zoolander 2 was named worst picture of 2016. which, of course, should greatly enhance its chances at this year's razzie awards. posted by joe leydon at 1/06/2017 10:23:00 pm 1 comment: email thisblogthis!share to twittershare to facebookshare to pinterest labels: hell or high water, la la land. houston film critics society, razzie awards sunday, january 01, 2017 prepare for 2017 with words of wisdom from sir michael caine i originally posted this back in 2011, but i think it's even more appropriate for today. from sir michael caine, words to live by: "you are going to make every moment count. i mean, you better make every moment count. live your life now; start in the morning. you mustn’t sit around waiting to die. when it happens you should come into the cemetery on a motorbike, skid to a halt by the side of the coffin, jump in and say: 'great. i just made it.'" works for me. and sir michael also said this: "you quite often see these middle aged people on television who’ve won the fight against cancer and now they want to live their lives differently and enjoy every moment. before they just went along and now they’ve had this scare that they were going to die. i had that scare that i was going to die when i was nineteen when i was a soldier, so i have been living my life that way for sixty years now... "i was a soldier in korea and i got into a situation where i knew i was going to die – like the people know they are going to die of cancer, except then we got out of it. but it lasted with me – i was nineteen. that formed my character for the rest of my life. the rest of my life i have lived every bloody moment from the moment i wake up until the time i go to sleep." by the way: sir michael is 83 years old, and he already has two movies in the can -- going in style and coup d'etat -- ready for release this year. i strongly suspect he and keith richards will outlive all of us. posted by joe leydon at 1/01/2017 06:40:00 pm no comments: email thisblogthis!share to twittershare to facebookshare to pinterest wednesday, december 28, 2016 my titillating encounter with the great debbie reynolds in november 1996, while i was free-lancing for nbc affiliate krrc-tv, i drove to austin to cover the junket for albert brooks’ mother – and had a brief one-on-one sit-down with debbie reynolds. funnily enough, i had asked her a question during a press conference for the very same movie a few weeks earlier at the toronto film festival: “how would you compare working for albert brooks to working for oliver stone?” (afterwards, i had to remind more than a few of my quizzical colleagues that she had played a supporting role in stone’s heaven & earth.) and she was very gracious while saying nice things about both gentlemen. but in austin, she displayed — well, a delightfully bawdier side of her character. as i walked into the hotel suite where the videotaping would take place, reynolds was talking with the production crew about her… her… well, ok, her breasts. specifically: she was discussing how she had maintained her figure despite the passing of years — she was 64 at the time, the same age i am now — and the laws of gravity. and she wanted everyone within earshot to know: “i’m very proud of my tits.” when she realized a newcomer had entered the interview zone, she turned her gaze to me, and bluntly asked: “don’t you think i still have great tits?” for a second, i thought: “just how does one respond to a question like that?” and then i figured, what the hell, say what you think. so i answered: “they look terrific, ma’am. and your ass looks pretty good, too.” she laughed, but demurred. “oh, no, that’s gone to hell. but my tits…” i have dined out on that anecdote many times over the past two decades. and i thought about it again yesterday, when i learned of carrie fisher’s passing, and recalled how she was a fabulously and fearlessly funny woman who never shied away from making herself the butt of her own jokes. (pardon the pun.) tonight, i grieve for debbie reynolds, and find myself painfully reminded of the classic explanation of the difference between plot and story. (plot: “the queen died. and then five days later, the king died.” story: “the queen died. and then five days later, the king died — of a broken heart.”) at the same time, however, i take some solace and amusement in my happy memory: like mother, like daughter. posted by joe leydon at 12/28/2016 08:26:00 pm 2 comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: albert brooks, debbie reynolds, oliver stone happy 121st birthday to cinema! on december 28, 1895, cinema in projected form was presented for the first time to a paying audience by two french brothers, auguste and louis lumiere (pictured above), owners of a photographic studio in lyons. they went to paris to demonstrate their cinématographe -- the name they'd given their combination camera and projector -- by showcasing short films they had shot with their hand-cranked innovation. according to legend: at the grand café at 14 boulevard des capucines, a man stood outside the building all day on december 28, handing out programs to passers-by. but cold weather kept many people from stopping. as a result, only 33 tickets were sold for the first show. when the lights went down that evening in a makeshift theater in the basement of the grand café, a white screen was lit up with a photographic projection showing the doors of the lumiere factory in lyon. without warning, the factory doors were flung open, releasing a stream of workers... and, wonder of wonders, everything moved. the audience was stunned. this first film was entitled la sortie de l'usine lumière à lyon (workers leaving the lumière factory). ten more short scenes followed, each reel roughly 17 meters in length, including baby's dinner (kinda-sorta the first home movie by proud parents, later echoed by spike lee in lumiere & company) and the sprinkler sprinkled (arguably the first slapstick comedy, involving a man, his garden hose and a practical joker). within a week, with no advertising but word of mouth, more than 2,000 spectators visited the grand café each day, each paying the admission price of one franc. the crowds were so huge, police had to be called in to maintain order. the age of cinema had begun. vive le cinema. posted by joe leydon at 12/28/2016 12:04:00 am no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: auguste lumiere, louis lumiere friday, december 16, 2016 coming soon to a theater or scratching post near you: kedi as i wrote in my variety review just a few months ago, after the film played at the museum of fine arts, houston: "early in kedi, ceyda torun’s splendidly graceful and quietly magical documentary about the multifaceted feline population of istanbul, a human inhabitant of the city notes: 'dogs think people are god, but cats don’t. cats know that people act as middlemen to god’s will. they’re not ungrateful. they just know better.' all of which might explain why so many of the movie’s four-legged subjects come across not as feral orphans who rely on the kindness of strangers, but rather as slumming royals who occasionally deign to interact with two-legged acolytes. "indeed, another interviewee here swears that, after his fishing boat was damaged during a storm, a beneficent cat led him to a lost wallet containing just enough money to pay for repairs. 'whoever doesn’t believe this story,' the grateful beneficiary proclaims, 'is a heathen in my book.' "trust me: kedi will make you a believer." thanks to oscilloscope laboratories, which proudly bills itself as the distributor "of the best in american independent, foreign, documentary, and cat films," kedi is slated to start prowling in north american theaters february 10. here is the trailer. posted by joe leydon at 12/16/2016 05:02:00 pm no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: kedi, museum of fine arts houston wednesday, december 14, 2016 godzilla flames again. and again. and again. and again. ‘twas the weekend of christmas, and all through the land, godzilla was stirring and stomping and grand. yes, friends, it’s that time of year again: time for the original gangsta lizard to loom large and take charge during the annual kaiju christmas movie marathon on the el rey cable network. mothra, rodan, ghidorah and other notorious notables also figure into the binge-worthy cavalcade of creature features, which kicks off at 6 am et/pt december 23 with the original 1954 gorjira, and knocks off at 4:30 am et/pt december 27 with the classic godzilla raids again (a.k.a. gigantis the fire monster). big g — newly reanimated just a few months ago in shin godzilla — is the star of almost every movie in the el rey lineup (rodan is the sole exception), and the marathon as a whole serves as a testament to the wide range of his iterations. as i noted in my 2014 tribute: “much like madonna, matthew mcconaughey and miley cyrus, godzilla illustrates a time-honored showbiz dictum: the best way to sustain your superstardom is to repeatedly reinvent yourself. “during six decades of japanese-produced low-tech monster mashes and made-in-america cgi-stuffed spectacles, big g has remained au courant through the miracle of image makeovers. from nuclear-age nightmare to doting single parent, from freelance global defender to butt-kicking tag-team wrestler, he has evolved and developed, evincing a versatility that might make meryl streep turn green – or, perhaps more appropriately, charcoal gray – with envy.” you can marvel at the many faces of godzilla as you peruse titles in the kaiju christmas schedule here. and you can prepare for the marathon by viewing this preview. posted by joe leydon at 12/14/2016 05:08:00 pm no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: el rey network, godzilla, shin godzilla sunday, november 27, 2016 remembering fritz weaver fritz weaver -- the esteemed character actor who passed away saturday at age 90 -- told me a lovely story about ingrid bergman when i had the pleasure to interview several years ago in new york. back in 1970, he and bergman co-starred in a walk in the spring rain, a romantic melodrama about a would-be author (weaver) and his wife (bergman) who move from new york to the backwoods of tennessee while he works on his long-delayed novel. while he scribbles away, the neglected wife drifts into an affair with an earthy neighbor (anthony quinn at his earthiest) -- and, while enjoying her middle-age craziness, refuses to serve as babysitter for her college-bound daughter, despite the daughter's attempts to guilt-trip her mom in accepting the task. (it doesn't help at all that the daughter insists mom really has nothing better to do because, well, she's old.) the affair, not surprisingly, ends badly. on the first day they were to shoot a scene together, weaver told me, bergman knocked at the door of his trailer, and he invited her inside. he assumed she wanted to ask some questions about their scene, which she did. but then she did something totally unexpected: she asked, "would you kiss me, please?" so weaver did what any reasonably sentient heterosexual male would do if ingrid bergman asked for a smooch -- he gracious granted her request. "there," she told him as the brief lip-lock concluded. "now we have a past." and with that, she was ready to play his wife. some guys have all the luck. i first became aware of weaver when i was 14 years old, when i watched him give a standout performance as rev. john hale in a star-studded tv production of arthur miller's the crucible. (george c. scott was john proctor, collen dewhurst was elizabeth proctor, and tuesday weld was abigail williams.) the telecast, oddly enough, had a major albeit indirect impact on me: when i saw a thoroughly second-rate stage production of the play (with professional actors) two years later, i couldn't help comparing it to the tv production, and realized that, hey, professional stage actors could be just as bad as professional movie actors. weaver laughed when i told him about this during our interview -- which was keyed to, of all things, his appearance in the 1982 movie creepshow. and he accepted with modest gratitude my fanboy praise of his performance in another arthur miller drama, the acclaimed 1979 off-broadway revival of the price. even now, i can still hear him delivering what i think is the key line of the play, one that continues to haunt me: "we invent ourselves to wipe out what we know." during a stage and screen career that spanned seven decades, weaver accumulated a prodigious number of tv, film and theater credits -- ranging from fail-safe (1964) to the original 1970 broadway production of child's play (for which he won a tony award), from the 1978 miniseries holocaust (which netted him an emmy nomination) to a 2014 co-starring stint opposite adam sandler in the cobbler. trivia buffs, take note: he was the bad guy in the very first episode of the man from u.n.c.l.e., and sherlock holmes (under the direction of harold prince) in the 1965 broadway musical baker street. (and before you ask: yes, i have the original cast album for the latter. on vinyl, no less.) fritz weaver added something special, and substantial, to every production that employed him, even when he gave the production a lot more than it ever gave him. he will be missed. posted by joe leydon at 11/27/2016 11:03:00 pm 2 comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: arthur miller, fritz weaver, ingrid bergman sunday, november 13, 2016 and then there was the time robert vaughn told me... while preparing a cowboys & indians magazine tribute to robert vaughn, who passed away friday at age 83, i was reminded of two remarks he made during interviews i did with him decades ago. and i smiled at the memories because both illustrated his trademark dry wit — and, just as important, his ready willingness to make himself the butt of his own joke. the first time we chatted was in my hometown of new orleans, which he visited while on a promotional tour for the towering inferno (1974). naturally, i asked a fair share of fanboy questions about the magnificent seven (1960) and the man from u.n.c.l.e (1964-68) — hey, i was only 22 at the time — which vaughn graciously answered. but when the conversation turned back to the star-studded disaster movie he was in town to hype… well, to be honest, the only thing i recall his saying in regard to towering inferno is his bemused observation that he and another ‘60s tv star, richard chamberlain, played characters who existed primarily to increase the body count. “i wonder,” he mused aloud with a perfectly straight face, “just how upset audiences will be to see dr. kildare and napoleon solo falling out of a burning skyscraper?” years later, at a movie junket for superman iii (1983), vaughn amiably agreed that the super-hero sequel wasn’t exactly the crowing artistic achievement of his career. (it’s worth noting that the movie rates only a fleeting mention in his wonderfully entertaining autobiography, a fortunate life.) but never mind: the paycheck was substantial. indeed, vaughn admitted that he took a very pragmatic approach to acting gigs, given his then-current status as a journeyman actor who relied on the name recognition that was his legacy from a once-trendy television series. “my wife and i were renovating our home a while ago,” vaughn said, “and i took one job mainly because we needed a new porch. “not a new porsche, mind you” he added with a grin, “but a new porch.” must admit: i think of vaughn’s self-deprecating disclosure every time i see a talented actor playing a supporting part — or even the lead — in a movie that is in no way worthy of his (or her) talent. before i make any hasty judgments, i consider: maybe he (or she) got a way-cool veranda out of the deal. maybe even a condo. posted by joe leydon at 11/13/2016 02:33:00 am no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: richard chamberlain, robert vaughn, superman iii, the towering inferno saturday, november 05, 2016 does doctor strange make house calls? have to admit: i laughed out loud more than once while watching this clip. what really makes it work, i think, is jimmy kimmel's willingness to serve more or less as the straight man to benedict cumberbatch, while cumberbatch plays the sorcerer supreme with pretty much the same subtly sardonic edge he brings to his performance in the actual doctor strange movie. the whole thing strikes me as an amusingly retro throwback to the days when celebrities would plug their movies by remaining in character while fooling around with bob hope or johnny carson. posted by joe leydon at 11/05/2016 10:01:00 am 3 comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: benedict cumberbatch, doctor strange, jimmy kimmel saturday, october 22, 2016 words of wisdom from john cassavetes: “you know, in this business, it's all jealousy.” jeffrey wells posted an interesting commentary today over at hollywood elsewhere, postulating that hollywood major players are far less supportive of their fellow filmmakers than their counterparts, past and present, in other countries. and got me to thinking about something the late, great john cassavetes told me way during an interview way back in 1985. you can read the entire article i gleaned from our conversation in gabriella oldhman’s exceptional anthology john cassavetes: interviews, recently published by the university press of mississippi. (mind you, i’m not saying it’s exceptional simply because she included something written by me — but, hey, that didn’t hurt.) this particular segment, however, i feel is especially relevant in light of wells’ observation: so, at 55, john cassavetes is still a maverick, eh? the question elicits a melancholy smile. cassavetes stares at his soft drink for a moment as he calmly considers his answer. “people used to love to call me a maverick, because i had a big mouth, and i’d say, ‘that bum!’ or something like that when i was young. mainly, because i believed it, and i didn’t know there was anybody’s pain connected to the business. i was so young, i didn't feel any pain. i just thought, ‘why don’t they do some exciting, venturesome things? why are they just sitting there, doing these dull pictures that have already been done many, many times, and calling them exciting? that's a lie — they're not exciting. exciting is an experiment.’ “now, from the point of view of a guy in his 20s, that was true. but when i look back on it, i think, yes, that man was a maverick. but...” his words trail off into weak laughter. “that reputation keeps with you, through the years. once the press calls you a maverick, it stays in their files. i’ll be dead five years, and they'll still be saying, ‘that maverick son-of-a-bitch, he's off in colorado, making a movie. as if they really cared. “you know, in this business, it's all jealousy. i mean, this is the dumbest business i’ve ever seen in my life. if somebody gets married, they say, ‘it’ll never work.’ if somebody gets divorced, they say, ‘good. i'll give you my lawyer.’ if somebody loses a job, everyone will call him -- to gloat. they’ll discuss it, they’ll be happy, they’ll have parties. i don't understand how people that can see each other all the time, and be friends, can be so happy about each other’s demise. “i think people, studio executives and filmmakers, should hate each other openly, and save a lot of trouble. it’s like me and actors. i never get along with actors, not on the level of friendship, because i don't believe in it. only on a creative level. now, through a period of years, peter falk and i have become very good friends, as have ben gazzara and i. but only after a period of years. that friendship came out of working on husbands together, and the success that came out of that. and a lot of other films, too. sometimes, we’ve been successful, and sometimes we've been unsuccessful. i mean, the creative part of it has always been successful. that’s been the bargain of it, our relationship. “but i’m sure that, the moment i was no longer interested in anything artistic, peter would not be my friend anymore. and that would be fair game. i probably wouldn’t be his friend, either, if i weren’t interested in art.” posted by joe leydon at 10/22/2016 04:02:00 pm no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: gabriella oldham, jeffrey wells, john cassavetes thursday, october 20, 2016 wild western: in a valley of violence ti west's in a valley of violence, as i have posted elsewhere, is a brutally gritty and slow-burningly suspenseful drama that is laced with elements of dark comedy, abounding in deadly serious mayhem, and loaded with tips of the stetson to classic spaghetti westerns. the official plot synopsis: a mysterious drifter named paul (ethan hawke) and his dog abbie make their way toward mexico through the barren desert of the old west. in an attempt to shorten their journey they cut through the center of a large valley, landing themselves in the forgotten town of denton — a place now dubbed by locals as a “valley of violence.” the once-popular mining town is nearly abandoned, and controlled by a brash group of misfits and nitwits. chief among them: the seemingly untouchable gilly (james ransone), who is the troublemaking son of the town’s unforgiving marshal (john travolta). as tensions rise between paul and gilly, denton’s remaining residents bear witness to an inevitable act of violence that starts a disastrous chain reaction, infecting the petty lives of all involved, and quickly drags the whole town into the bloody crosshairs of revenge. mary-anne (taissa farmiga) and ellen (karen gillan), two bickering sisters who run the town’s only hotel, try to find the good in both men, while desperately searching for their own salvation. only the world-weary marshal struggles to stop the violent hysteria. but after a gruesome discovery about paul’s past, there is no stopping the escalation the movie opens friday in theatrical and vod release. here is an interview i did with lead player ethan hawke, and here is another q&a i conducted with director ti west -- both for cowboys & indians magazine. posted by joe leydon at 10/20/2016 11:52:00 pm no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: cowboys and indians magazine, ethan hawke, in a valley of violence, ti west saturday, october 15, 2016 there are bad movies, and then there are worse movies, and then there is... max steel "that loud, dull thud you may have heard emanating from megaplexes friday signaled the theatrical dump of max steel, a ponderous and preposterous sci-fi action-adventure that obviously was intended by folks aflame with misguided optimism as the curtain-raiser for a superhero franchise. inspired, for want of a better term, by a mattel action figure and its tv cartoon show spinoffs, this drearily lame time-waster plays like the origin story for a comic-book series about a teen who wields energy waves as an offensive weapon, and a techno-organic extraterrestrial that serves as his sidekick. or something like that. suffice it to say that if nick fury ever sized up these guys as potential avengers, he wouldn’t even bother to draft them for the farm team." you can read the rest of my variety review of this misbegotten movie here. posted by joe leydon at 10/15/2016 08:56:00 pm no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: max steel. variety sunday, october 09, 2016 shin godzilla: the batman begins of zilla thrillers "the original gangsta lizard gets a largely satisfying reboot in shin godzilla, a surprisingly clever monster mash best described as the batman begins of zilla thrillers. co-directors hideaki anno (the cult-fave evangelion franchise) and shinji higuchi (attack on titan), working from anno’s genre-respectful yet realpolitik-savvy screenplay, draw basic elements from ishiro honda’s original 1954 gojira and its many follow-ups — to the point of including a wink-wink, nudge-nudge reference to goro naki, a character who loomed large in two sequels — but update the familiar kaiju mythos to a 21st-century world where the sudden appearance of an immense, fire-breathing reptile in japan can generate all sorts of inter-agency political wrangling, revive terribly unpleasant memories of the country’s militaristic past, and really, really wreak havoc on the value of the yen in global monetary markets. "in short, anno and ishihara operate according to a classic sci-fi game plan: this couldn’t happen. but if it did happen, this probably is what would happen." you can read the rest of my variety review of shin godzilla — which funimation films will release tuesday, oct. 11, in theaters throughout north america — here. and you can read my 2014 tribute to big g here. posted by joe leydon at 10/09/2016 05:41:00 pm no comments: email thisblogthis!share to twittershare to facebookshare to pinterest labels: godzilla, shin godzilla, variety phantasm: ravager: a grand finale for the franchise? phantasm: ravager began to roll out in limited theatrical release this weekend. as i reported for variety last month from fantastic fest: "it’s kinda-sorta like an alain resnais movie, only with zombie dwarfs. and four-barrel shotguns. and, of course, floating, blade-bedecked silver spheres. phantasm: ravager — the fifth and purportedly final installment in the cult-favorite franchise launched in 1979 with writer-director don coscarelli’s phantasm — most assuredly is the surreal thing, a time-tripping, dimension-hopping whirligig that suggests last year at marienbad (or, better still, resnais’ je t’aime, je t’aime) reconstituted as the fever dream of a horror-fantasy aficionado. "anyone unfamiliar with its predecessors in the on-again, off-again series (which includes two direct-to-video sequels) won’t be able to make heads or tails of what transpires here. indeed, even dedicated phantasm fanatics may be hard-pressed to discern anything resembling a unifying narrative thread. but the latter group — the film’s target audience — likely will be willing to eschew coherence for the opportunity to savor this chaotic reprise of familiar characters and concepts in the cinematic equivalent of a greatest hits album." you can read the rest of my review here. posted by joe leydon at 10/09/2016 01:45:00 pm 1 comment: email thisblogthis!share to twittershare to facebookshare to pinterest labels: alain resnais, fantastic fest, phantasm: ravager older posts home subscribe to: posts (atom) about me: joe leydon houston, texas, united states view my complete profile available at amazon twitter tweets by @joeleydon links to my other outlets variety movingpicturehistoryblog the moving picture show cowboys & indians essentials anne thompson box office mojo coming soon internet movie data base leonard maltin roger ebert rotten tomatoes popular posts r.i.p.: merv griffin (1925-2007) merv griffin ’s most enduring contributions to american pop culture may be jeopardy! and wheel of fortune – and, arguably, one of the guil... i fought cancer. cancer lost. some friends have asked if i was scared when, in september 2009, i was diagnosed with prostate cancer. the weird thing is, i got the bad ... naked women reading books ok, i admit: this story has absolutely nothing to do with movies. on the other hand, you have to admit: it does have redeeming literary me... jeff wells: threat or menace? 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