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ad presents: some for harry / a haruomi hosono companion
sirius/xmu :: aquarium drunkard show (noon est, channel 35)
john darnielle :: the aquarium drunkard interview
form arcosanti :: 2017
trummors :: headlands
roky erickson :: all that may do my rhyme/where the pyramid meets the eye
mary timony (helium, ex-hex) :: the aquarium drunkard interview
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playlist / provenance after the jump . . .
sirius 480:
free
aquarium drunkard:
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aquarium drunkard:
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playlist / provenance after the jump . . .
sirius 480:
free
aquarium drunkard:
john darnielle:
aquarium drunkard:
mary timony:
ad:
mary timony:
em playlist / provenance after the jump . . .
sirius 480:
free
aquarium drunkard:
john darnielle:
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mary timony:
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ad presents: some for harry / a haruomi hosono companion http://www.aquariumdrunkard.com/2017/05/22/ad-presents-some-for-harry-a-haruomi-hosono-companion/
b kramer http://www.aquariumdrunkard.com/contact/
some for harry / a haruomi hosono companion http://aquariumdrunkard.info/upload/some%20for%20harry.mp3
- http://www.aquariumdrunkard.com/2017/05/22/ad-presents-some-for-harry-a-haruomi-hosono-companion/#more-52610
harry hosono http://www.aquariumdrunkard.com/category/harry-hosono/
mixtapes http://www.aquariumdrunkard.com/category/mixtapes/
no comments http://www.aquariumdrunkard.com/2017/05/22/ad-presents-some-for-harry-a-haruomi-hosono-companion/#respond
sirius/xmu :: aquarium drunkard show (noon est, channel 35) http://www.aquariumdrunkard.com/2017/05/19/siriusxmu-aquarium-drunkard-show-noon-est-channel-35-237/
sirius/xmu http://www.sirius.com/servlet/contentserver?pagename=sirius/cachedpage&c=channel&cid=1104779639693
sirius http://www.sirius.com/servlet/contentserver?pagename=sirius/cachedpage&c=channel&cid=1104779639693
sirius http://www.aquariumdrunkard.com/category/sirius/
no comments http://www.aquariumdrunkard.com/2017/05/19/siriusxmu-aquarium-drunkard-show-noon-est-channel-35-237/#respond
john darnielle :: the aquarium drunkard interview http://www.aquariumdrunkard.com/2017/05/18/john-darnielle-the-aquarium-drunkard-interview/
no matter how sad https://www.youtube.com/watch?v=3swoonpkgda
- http://www.aquariumdrunkard.com/2017/05/18/john-darnielle-the-aquarium-drunkard-interview/#more-52584
mountain goats http://www.aquariumdrunkard.com/category/mountain-goats/
no comments http://www.aquariumdrunkard.com/2017/05/18/john-darnielle-the-aquarium-drunkard-interview/#respond
form arcosanti :: 2017 http://www.aquariumdrunkard.com/2017/05/17/form-arcosanti-2017/
- http://www.aquariumdrunkard.com/2017/05/17/form-arcosanti-2017/#more-52667
form arcosanti http://www.aquariumdrunkard.com/category/form-arcosanti/
no comments http://www.aquariumdrunkard.com/2017/05/17/form-arcosanti-2017/#respond
trummors :: headlands http://www.aquariumdrunkard.com/2017/05/17/trummors-headlands/
headlands https://trummors.bandcamp.com/album/headlands
t wilcox https://twitter.com/tywilc
trummors :: spanish peaks http://aquariumdrunkard.info/upload/01%20-%20spanish%20peaks.mp3
trummors http://www.aquariumdrunkard.com/category/trummors/
3 comments http://www.aquariumdrunkard.com/2017/05/17/trummors-headlands/#comments
roky erickson :: all that may do my rhyme/where the pyramid meets the eye http://www.aquariumdrunkard.com/2017/05/16/roky-erickson-all-that-may-do-my-rhymewhere-the-pyramid-meets-the-eye/
grateful dead http://www.aquariumdrunkard.com/category/dead-notes/
wrote robert wilonsky, visiting roky at that small place, for an insightful story published by the houston press http://www.houstonpress.com/music/dont-laugh-at-a-legend-roky-erickson-emerges-from-the-cacophony-with-his-first-new-album-in-a-decade-6572492
roky erickson :: starry eyes http://aquariumdrunkard.info/upload/02%20-%20starry%20eyes%20(feat.%20lou%20ann%20barton).mp3
continues to this day http://www.aquariumdrunkard.com/2017/03/21/there-is-no-such-thing-as-nowhere-marfa-myths-2017/
where the pyramid meets the eye: a tribute to roky erickson http://recordstoreday.com/specialrelease/9391
doug sahm http://www.aquariumdrunkard.com/2016/11/21/happy-thanksgiving-doug-sahm-and-friends-austin-tx-1972-4/
play loud! productions http://www.forcedexposure.com/labels/play.loud.productions.germany.html
j woodbury https://twitter.com/jasonpwoodbury
roky erickson http://www.aquariumdrunkard.com/category/roky-erickson/
no comments http://www.aquariumdrunkard.com/2017/05/16/roky-erickson-all-that-may-do-my-rhymewhere-the-pyramid-meets-the-eye/#respond
mary timony (helium, ex-hex) :: the aquarium drunkard interview http://www.aquariumdrunkard.com/2017/05/16/mary-timony-helium-ex-hex-the-aquarium-drunkard-interview/
matador records http://www.matadorrecords.com
- http://www.aquariumdrunkard.com/2017/05/16/mary-timony-helium-ex-hex-the-aquarium-drunkard-interview/#more-52328
helium http://www.aquariumdrunkard.com/category/helium/
mary timony http://www.aquariumdrunkard.com/category/mary-timony/
the ad interview http://www.aquariumdrunkard.com/category/the-ad-interview/
no comments http://www.aquariumdrunkard.com/2017/05/16/mary-timony-helium-ex-hex-the-aquarium-drunkard-interview/#respond
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- http://www.rhino.com/article/now-available-david-bowie-who-can-i-be-now-1974-1976
- https://geometricpatterns.bandcamp.com/album/stone-garden
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https://www.discogs.com/herbie-hancock-magic-windows/release/676625
- http://lightintheattic.net/releases/2700-lagniappe-sessions-volume-1?ct=t(lagniappe_press_release10_13_2016)&mc_cid=61606ee3c7&mc_eid=8fa7a31e6f
- https://www.discogs.com/james-mason-rhythm-of-life/release/230143
- https://www.discogs.com/ryo-kawasaki-juice/release/601988

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ad presents: some for harry / a haruomi hosono companion “it was really pure art. pure art. anyway, producing great works was the ultimate goal; we had eyes for nothing else. we heard nothing else. we still had no sense of society. there was no sense of the masses.” – haruomi hosono here now, “some for harry,” a celebration and glance at haruomi hosono: bass god of japan, the in-demand producer, the confounding inventor, the soothe-singing crooner and social commentator; an hour of groove, freak-out, electronicalypso and beyond. / b kramer some for harry / a haruomi hosono companion playlist / provenance after the jump . . . may 22nd, 2017 | harry hosono, mixtapes • no comments --> sirius/xmu :: aquarium drunkard show (noon est, channel 35) our weekly two hour show on sirius/xmu, channel 35, can be heard twice every friday – noon est with an encore broadcast at midnight est. sirius 480: jean-michel bernard – générique stéphane ++ can – i want more ++ the velvet underground – i’m waiting for the man ++ the soft boys – vegetable man ++ white fence – growing faith ++ the olivia tremor control – memories of jacqueline 1906 ++ faust – it’s a rainy day, sunshine girl (ad edit) ++ the velvet underground – i’m not a young man anymore ++ the paragons – abba ++ big star – back of a car ++ the soul inc. – love me when i’m down ++ donn shinn & the soul agents – a minor explosion ++ t.l. barrett and youth for christ choir – ever since ++ shintaro sakamoto – mask on mask ++ flash & the dynamics – electric latin soul ++ donald jenkins & the delighters: elephant walk ++ symphonic four: who do you think youre fooling ++ milton henry: gypsy woman ++bishop perry tills – i pound a solid rock ++ serge gainsbourg – new delire ++ phil upchurch – sitar soul ++ white hinterland – dreaming of plum trees ++ jan hammer group – don’t you know ++ joe valentine – i can’t stand to see you go ++ serge gainsbourg – requiem pour un con  ++ the three degrees – collage ++ dion – baby let’s stick together ++ margo guryan – sunday morning ++ robert vanderbilt & the foundation of souls – a message especially from god (ad edit) ++ ned doheny – i’ve got your number (demo) ++ daughn gibson – bad guys ++ glen campbell – guess i’m dumb ++ jonathan rado – valentine’s day (mccartney) ++ paul mccartney – arrow through me ++ gil scott-heron – message to the messengers ++ ty segall – goodbye bread ++ jerry & jeff – voodoo medicine man ++ jack nitzsche: the lonely surfer / oscar harris: twinkle stars boo galoo ++ joe bataan: chick-a-boom ++ jacques dutronc: les cactus ++ the shadows: scotch on the socks ++ chubby checker – goodbye victoria ++ nancy dupree – james brown *you can listen, for free, online with the sirius three day trial — just submit an email address and they will send you a password. __________________________________________________________________________________ may 19th, 2017 | sirius • no comments --> john darnielle :: the aquarium drunkard interview since forming the mountain goats in 1991, john darnielle has sung about remarkable people: wounded couples, texas death metal aficionados, doo wop singers, professional wrestlers, horror authors, heretics, prophets, long-dead classical pianists, and occasionally, john darnielle. he works along the fringes, building up narratives around his pop cultural obsessions and consistent empathy. in a john darnielle song, no matter how sad, human beings are never reduced to caricatures. they are always treated with a profound respect. on the mountain goats’ new album, goths, darnielle turns his attention to the death and darkness obsessed subculture that emerged in the u.k. in the early 1980s. in typical darnielle style, the songs are sweet and understated. it’s a record about aging and identity, about cultures shifting around us. goths talk to other goths, and outsiders try to figure out goths: in “rage of travers,” darnielle crafts a fictional epic about ’70s blues rock guitarist pat travers wondering why the hell bauhaus won’t let him sit in at a gig at the storied london nightclub the batcave. it’s a record about time moving on, whether or not we’re okay with that sort of thing. the record is occasionally nostalgic — “outside it’s 92 degrees/and kroq is playing siouxsie and the banshees” he sings longingly on “stench of the unburied” — but the record also charts new ground for the long-running band. though the group’s recent records have embraced a certain smoothness, goths leans even heavier into aor gloss and sheen. darnielle doesn’t play guitar on the album, sitting instead at a fender rhodes, and presents his distinct voice is new, tempered ways. it’s a band record; the interplay between rhythm section peter hughes and jon wurster shines on “unicorn tolerance,” and multi-instrumentalist matt douglas works in crafty, engrossing woodwind arrangements on “paid in cocaine” and “the grey king and the silver flame attunement.” the album comes hot on the heels of universal harvester, darnielle’s third novel, following 2008’s black sabbath: master of reality for the 33⅓ series and 2014’s wolf in white van. it’s about a video store in nevada, iowa. a clerk there, jeremy, and the store’s owner sarah jane, begin to discover disturbing scenes recorded over chunks of vhs tapes returned to the shop. their investigation brings them into contact with a mysterious woman named lisa sample, and face to face with the concept of grief. both goths and universal harvester center around the ways we ask art to speak for us, how we ask it to offer forms of expression for things that sometimes feel too deep to name. the book and the record are both informed by darnielle’s stubborn and pervasive humanism. aquarium drunkard called him up to discuss his ethos, vocal jazz, and growing as a writer. here’s that conversation. aquarium drunkard: you sing really incredibly on this record. was that something you worked hard to do for goths? john darnielle: i really worked hard to sing as best i could. i really think i’ve grown as a singer. that’s a hard thing to sell people on when they think of you as the guy with the pushing, nasal voice, which i do have. i have one of those assaultive registers. i have a register that a lot of people really like [but] either you love it or hate it. but i’ve grown as a singer a lot over the last couple records and i’ve embraced that. may 18th, 2017 | mountain goats • no comments --> form arcosanti :: 2017 it’s a sunday afternoon at the form festival at arcosanati. mother’s day, actually. i’m watching phil elverum of mt. eerie sing the most pained songs about the mother of his daughter, his late wife, the artist geneviève castrée. “death is real,” he sings over casual strums of his acoustic guitar, from a small stage under a gorgeous half-dome, one of the structural features favored by artist and architect paolo soleri. founded in 1970, soleri built arcosanti in the arizona desert atop the concept of “arcology” — architecture in alignment with ecology. in many ways, this scene typifies what people might think about form from the outside. there’s a cool breeze sweeping in from across the canyon. the desert sun shines over us, and there are dozens of clusters of artfully dressed and composed young people — the kind who might, without any affectation, refer to themselves as “influencers” or “creatives.” but in this moment, none of the cynical jokes you might make about flighty millennials gathering in the desert for transformative, transcendent experiences could possible take root. tears are welled up in my eyes; the moment’s real. may 17th, 2017 | form arcosanti • no comments --> trummors :: headlands consider your cosmic country rock needs met for the summer. trummors’ headlands is a gorgeous sonic road trip through the beauty, sadness and mystery of the american west (or what’s left of it), packed with sunburnt pedal steel, close harmonies and sneakily sophisticated songwriting. think new riders of the purple sage, american beauty-era dead, neil’s harvest and the early 70s work of iain matthews (whose “hearts” is given an absolutely perfect rendering here). the core trummors duo of anne cunningham (vocals, harmonium) and david lerner (vocals, guitar) is joined on headlands by a crack band of fellow travelers — especially strong throughout is kevin barker’s b-bender guitar work; check out the sparkling solo that closes out the appropriately named “breezin'” or the fuzzed out blast that pleasingly interrupts “hollis tornado.” roll the windows down, crank the volume up and head for the open highway with trummors. words / t wilcox trummors :: spanish peaks may 17th, 2017 | trummors • 3 comments --> roky erickson :: all that may do my rhyme/where the pyramid meets the eye in the 1990s, roky erickson was rediscovered. psychedelia’s forgotten man, a cult hero for decades, got a new lease on his creative life. in the mid-1960s, his legendary 13th floor elevators roared out of austin, establishing the template for rock psychedelia. their garage punk squall was so propulsive, so “out there,” it spooked even the grateful dead and their san francisco cohort. but years of struggle followed, during which erickson’s schizophrenia was exacerbated by drug use and dubious medical “treatment,” including sessions of electro-shock therapy. after stints in institutions and years of legal trouble, erickson ended up living behind an adult bookstore, surrounded by buzzing shortwave radios, police scanners, and tvs, subsisting on a $200-a-month social security check. “for as long as he can remember — if he indeed can remember — roky erickson has been called many things by many people,” wrote robert wilonsky, visiting roky at that small place, for an insightful story published by the houston press. “he’s been lauded as a texas music legend whose name belongs up there with buddy holly, janis joplin and ‘t-bone’ walker. he’s been called one of the fathers of psychedelic music…and, unfortunately, he has been pigeonholed as a reclusive lunatic who does daily battle with the demons swirling inside his drug-damaged head.” roky erickson :: starry eyes but the ’90s saw a renewed interest and the start of a creative stretch for erickson which continues to this day. in 1994, paul leary of the butthole surfers’ trance syndicate label released all that may do my rhyme, erickson’s first studio record in nearly a decade. it followed a 1990 compilation, where the pyramid meets the eye: a tribute to roky erickson, which had turned on a whole new generation of fans, featuring zz top (whose roots stretched back to the fertile texas psych scene the elevators helped establish), primal scream, doug sahm, the jesus and mary chain, t-bone burnett, r.e.m. and others paying tribute to roky’s trailblazing sound. both records have recently been reissued — by play loud! productions and sire for last month’s record store day, respectively. while neither capture the wildness or the paranoia of his work with the elevators or aliens, both help to illuminate erickson’s strength as a songwriter. where the pyramid meets the eye demonstrates how his songs influenced far-flung genres, from the psych folk of bongwater to the alt-pop of john wesley harding to the mystic punk of jesus and mary chain; all that may do my rhyme drills down on erickson’s rockabilly and trad folk-rock foundation, his strained voice working over the production of casey monahan and texas roots artist speedy sparks and accompaniment from leary, charlie sexton, and others. featuring songs from his back catalog, remixed versions culled from previous sessions, and a few newer compositions, the record feels purely texan, dry and jangly. best of all is a duet on “starry eyes,” perhaps erickson’s sweetest tune, with lou ann barton, whose version of “don’t slander me” is a highlight of the pyramids compilation as well. “starry eyes/what can i say to make you listen?” erickson pleads. decades later, via films like you’re gonna miss me and 2010 lp true love cast out all evil, a fuller view of roky has emerged — his science fiction and b-horror movie lyrics sorted in the context of his inner life — but all that may do my rhyme helps make clear his musical essence, while where the pyramid meets the sky helps show how others took his strange sounds new places. words/j woodbury may 16th, 2017 | roky erickson • no comments --> mary timony (helium, ex-hex) :: the aquarium drunkard interview led by mary timony, helium was one of the great ’90s guitar bands. on records like 1995’s the dirt of luck and 1997’s magic city, timony and co. created deeply personal and catchy indie rock, blending in progressive textures and expressive guitar work as the band went on. this week, matador records reissues both records, pairing the latter with the no guitars ep. additionally, the label’s prepared a double lp collection of b-sides, demos, and rarities called ends with and. taken together, the discography helps make a case for helium as one of the most idiosyncratic bands in ’90s indie rock, whose work sounds fresh and engaging in modern context, and positions timony as a true guitar hero, “the only human being to make a paul reed smith seem cool,” gerard cosloy writes in the liner notes of ends with and. this summer, timony presses pause on her phenomenal band ex-hex to tour as “mary timony plays helium.” we spoke to the guitarist and singer about reevaluating the work of her former band, re-learning her own songs, and what the creative spirit of the ’90s was like. aquarium drunkard: how has returning to helium’s music been for you? mary timony: it was cool. it was a real treasure hunt. i spent a month or so just kind of going through stuff i’d saved in tupperware bins in this basement and attic. i was looking for stuff i remembered i might have. it was a combination of racking my memory and searching things i’d saved. it was pretty fun; you always feel like you are hopefully saving things for a reason, that it’s not just junk. [laughs] ad: what kind of person do you hear playing and singing on those records? mary timony: it’s always hard to hear yourself. i’ve never liked listening to stuff i’ve done, especially stuff that was done quickly… it’s never pleasant. [laughs] but so much time has gone by, i’m on the other side now. i’m able to be a little more objective. it’s almost like listening to another person. the early helium stuff i’ve always been embarrassed of, because my singing was not that great. but around the dirt of luck i start to feel okay about it. may 16th, 2017 | helium, mary timony, the ad interview • no comments --> -->


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