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cate le bon :: rock pool
address los angeles: 3101 s western: 21st century ltd.
sirius/xmu :: aquarium drunkard show (noon est, channel 35)
abadane :: freedom (hourya)
mor thiam :: ayo ayo nene (blessing for the new born baby)
the beans :: spill the beans
bash & pop :: anything could happen
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cate le bon :: rock pool http://www.aquariumdrunkard.com/2017/01/23/cate-le-bon-rock-pool/
rock pool http://www.dragcity.com/products/rock-pool
crab day http://www.dragcity.com/products/crab-day
a spoto http://www.aquariumdrunkard.com/contact/
cate le bon :: i just wanna be good http://aquariumdrunkard.info/upload/04%20i%20just%20wanna%20be%20good.mp3
cate le bon http://www.aquariumdrunkard.com/category/cate-le-bon/
no comments http://www.aquariumdrunkard.com/2017/01/23/cate-le-bon-rock-pool/#respond
address los angeles: 3101 s western: 21st century ltd. http://www.aquariumdrunkard.com/2017/01/20/address-los-angeles-3101-s-western-21st-century-ltd/
address los angeles http://www.aquariumdrunkard.com/category/address-los-angeles
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union station https://en.wikipedia.org/wiki/union_station_(los_angeles)
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21st century ltd. http://www.aquariumdrunkard.com/category/21st-century-ltd/
address los angeles http://www.aquariumdrunkard.com/category/address-los-angeles/
1 comment http://www.aquariumdrunkard.com/2017/01/20/address-los-angeles-3101-s-western-21st-century-ltd/#comments
sirius/xmu :: aquarium drunkard show (noon est, channel 35) http://www.aquariumdrunkard.com/2017/01/20/siriusxmu-aquarium-drunkard-show-noon-est-channel-35-223/
sirius/xmu http://www.sirius.com/servlet/contentserver?pagename=sirius/cachedpage&c=channel&cid=1104779639693
sirius http://www.sirius.com/servlet/contentserver?pagename=sirius/cachedpage&c=channel&cid=1104779639693
sirius http://www.aquariumdrunkard.com/category/sirius/
2 comments http://www.aquariumdrunkard.com/2017/01/20/siriusxmu-aquarium-drunkard-show-noon-est-channel-35-223/#comments
abadane :: freedom (hourya) http://www.aquariumdrunkard.com/2017/01/19/abadane-freedom-hourya/
abadane :: freedom (hourya) http://aquariumdrunkard.info/upload/03.%20freedom%20(hourya)%20-%20abadane.mp3
abadane http://www.aquariumdrunkard.com/category/abadane/
no comments http://www.aquariumdrunkard.com/2017/01/19/abadane-freedom-hourya/#respond
mor thiam :: ayo ayo nene (blessing for the new born baby) http://www.aquariumdrunkard.com/2017/01/19/mor-thiam-ayo-ayo-nene-blessing-for-the-new-born-baby/
spiriual jazz series https://www.discogs.com/various-spiritual-jazz-esoteric-modal-and-deep-jazz-from-the-underground-1968-77/release/1257820
mor thiam’s http://en.wikipedia.org/wiki/mor_thiam
ust reissued the lp http://www.jazzmanrecords.co.uk/mor-thiam-dini-safarrar
akon’s http://en.wikipedia.org/wiki/akon
mor thiam :: ayo ayo nene (blessing for the new born baby) http://aquariumdrunkard.info/upload/01%20ayo%20ayo%20nene%20(blessing%20for%20the%20new%20born%20baby).mp3
mor thiam http://www.aquariumdrunkard.com/category/mor-thiam/
1 comment http://www.aquariumdrunkard.com/2017/01/19/mor-thiam-ayo-ayo-nene-blessing-for-the-new-born-baby/#comments
the beans :: spill the beans http://www.aquariumdrunkard.com/2017/01/18/the-beans-spill-the-beans/
the tubes https://en.wikipedia.org/wiki/the_tubes
spill the beans http://lightintheattic.net/releases/2832-spill-the-beans
d norsen http://www.aquariumdrunkard.com/contact/
the beans :: empty shoes http://aquariumdrunkard.info/upload/the%20beans%20-%20empty%20shoes.mp3
beans http://www.aquariumdrunkard.com/category/beans/
1 comment http://www.aquariumdrunkard.com/2017/01/18/the-beans-spill-the-beans/#comments
bash & pop :: anything could happen http://www.aquariumdrunkard.com/2017/01/18/bash-pop-anything-could-happen/
the replacements http://www.aquariumdrunkard.com/category/the-replacements/
friday night is killing me http://www.aquariumdrunkard.com/2008/03/15/bash-pop-friday-night-is-killing-me/
anything could happen https://store.fatpossum.com/products/anything-could-happen
perfect https://en.wikipedia.org/wiki/perfect_(american_band)
j neas http://www.aquariumdrunkard.com/contact/
bash & pop :: anything could happen http://aquariumdrunkard.info/upload/03_anything_could_happen.mp3
bash & pop http://www.aquariumdrunkard.com/category/bash-pop/
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cate le bon :: rock pool rock pool is an extension of the madcap musical world of le bon’s last record, crab day. she calls these songs the “killed darlings” of that studio session, in which she conjured the ritual tunes for an absurdist holiday of the mind, her “crab day.” the sound is playful: wild fun in constant danger of unraveling, or perhaps some fluxus game for rock band. however, the playfulness is contained in deftly composed songwriting, bursting with formal surprises and rhythmic turnarounds. songs unfold with the elegance of a medieval court dance, the repetition of compositional minimalism, and the jerky boogie of a new wave band. firm beats pulse under interlocking, angular guitars that split and skitter against mallet and bell sounds. plucky, percussive timbres interlock with pleasing geometry. her vocal melodies often leap and bound, while her delivery maintains a beguiling, glassy control. against the frenetic spectacle of the music, her cool, composed singing disarms, allowing her keen language to seep in. the vibe of crab day is topsy turvy, contradictory. le bon sings about how love is not love and how she was born on the wrong day. tracks like “find me” and “i’m a dirty attic” are framed with these labyrinthine lyrics that conjure a surreal, heightened space…  like some endless kafka castle. the album ends with a drawn out musical crescendo that never resolves, vanishing like a staircase that walks forever up into the clouds. rock pool’s “killed darlings” begins to breach those cloudy barriers. rock pools are natural habitats for crabs, but they fill and drain–liminal spaces that are at times dry, and at other times submerged. the title track’s descending/ascending chorus and the single note splatter solo in “perfume days” firmly locate us in the key of crab, but she opens the ep by singing that she doesn’t mind cleaning out her totemic mug museum. nonsense congeals into reality. the final track shatters the absurdist spell to deliver an heartwarming, plaintive love song in which le bon sighs “i just wanna be good to you” over rolling pianos and piping organs. we emerge from the house of mirrors with at least one clear purpose: to try to be good.  she is currently on tour with tim presley, and the collaborative energy of their past project, drinks, carries into the live show, with cate and her band helping to bring presley’s the wink to life. words / a spoto cate le bon :: i just wanna be good january 23rd, 2017 | cate le bon • no comments --> address los angeles: 3101 s western: 21st century ltd. address los angeles, a recurring feature on aquarium drunkard, explores the lesser-to-unknown corners of la: be it an address, an artist, or a fleeting thought. by 1905 jacob adloff was enjoying a great degree of success. in the 27 years since he’d moved to america from his native germany, he’d made a name for himself bottling and distributing beer, was a partner in several saloons, and had married into a well-established pioneer family. at the age of 45 his prize investment was surely vienna park — a beer garden, restaurant, bowling venue, outdoor space and gathering area. spanning 20 acres vienna park was often raucous, with concerts, fairs, ample evening illumination and manicured gardens. located at the corner of western avenue and jefferson boulevard, in what is now called jefferson park, vienna found itself  just outside of city limits — until 1896. as history is cyclical, local pressure and a growing city wrapped it within its bounds, reigning in the parks more libidinous behaviors. nearby, charles victor hall was becoming a small-time oil tycoon, and owned several properties near adloff’s which were occupied by the cities more prominent and wealthy (read: less eastern-european) citizenry. hall, under the guise of an improvement society, set out to convert the land into a public park, driving the crowds, and adloff, away. and while no bucolic utopia was to come, adloff likely read the writing on the wall. he subdivided his lot and set out to sell — but not before building at least nine homes on his own plots, some of which still stand in the neighborhood today. adloff had many other interests in his care, including a popular saloon on the corners of n. main and chavez, in the heart of old chinatown and on the site of the future union station. simultaneously, racial covenants were making moves to ensure that an area which had come to see some of the greatest diversity of european immigrants and descendants stay white. in 1928, ruling on a case involving a tract of land mere blocks from the former site of vienna park, the california supreme court ruled that the covenants could continue to bar occupancy by non-caucasians — but not the ownership of the land itself. january 20th, 2017 | 21st century ltd., address los angeles • 1 comment --> sirius/xmu :: aquarium drunkard show (noon est, channel 35) our weekly two hour show on sirius/xmu, channel 35, can be heard twice every friday – noon est with an encore broadcast at midnight est. sirius 466: jean michel bernard – générique stephane ++ sun ra – we’re living in the space age ++ honeyboy martin & the voices – dreader than dread ++ johnny & the attractions – i’m moving on ++ andersons all stars – intensified girls ++ king sporty – dj special ++ freddie mackay – when i’m gray ++ hopeton lewis – sound and pressure ++ the upsetters – popcorn ++ willie williams – armageddon time ++ sister nancy – bam bam ++ nora dean – angie la la ++ the upsetters – taste of killing ++ the skatalites – herb man dub ++ lloyd & glen – that girl ++ the jamaicans – ba ba boom ++ hopeton lewis – let me come on home ++ byron lee – hot reggae ++ ernest ranglin – below the bassline ++ errol dunkley – the scorcher ++ los holy’s – cissy strut ++ slim smith – hip hug ++ the reggae boys – selassie ++ dave barker – funky reggae ++ johnny clarke – rebel soldiering ++ mad a – aouh aouh ++ clarendonians – you won’t see me ++ ebo taylor – love and death ++ peter king – african dialects ++ dorothy ashby – soul vibrations ++ sun ra – angels & demons ++ alton ellis – whiter shade of pale ++ mor thiam – ayo ayo nene ++ fatback band – goin’ to see my baby ++ the aggravators – dub is shining ++ west african cosmos – emeraude ++ mor thiam – ayo ayo nene (blessings for the new born baby) *you can listen, for free, online with the sirius three day trial — just submit an email address and they will send you a password. __________________________________________________________________________________ january 20th, 2017 | sirius • 2 comments --> abadane :: freedom (hourya) the enduring enigma of the unknown. a cornerstone of various compilations (both authorized and not) focused on subrosa 70s north afican folk and pop, abadane was a short-lived algerian outfit — “freedom (hourya)” is their legacy. abadane :: freedom (hourya) january 19th, 2017 | abadane • no comments --> mor thiam :: ayo ayo nene (blessing for the new born baby) in 2008, via the first volume of jazzman record’s spiriual jazz series, i stumbled upon senegalese drummer and bandleader mor thiam’s “ayo ayo nene.” cut in 1973, the track was originally found on thiam’s drums of fire — a record that was beyond scarce. until now. jazzman has just reissued the lp. i cannot possibly spit enough hyperbolic praise here to do the track justice, so just press play, rinse and repeat. oh yeah, thiam is akon’s pops. mor thiam :: ayo ayo nene (blessing for the new born baby) january 19th, 2017 | mor thiam • 1 comment --> the beans :: spill the beans with flowers tucked behind their ears and thumbs pointed west (cue music…) the youth of the mid-60s were hip to turn on, tune in and drop out. the high desert residents of phoenix, arizona were no strangers to the unearthly vibrations that were coming from the bay area. local freakazoid bill spooner, later of the tubes, was quick to channel that energy into a series of early psychedelic outfits including the xl’s, oat willy and the dream band and local celebrity mike condello’s aptly named band condello, who released their debut tripper phase 1 in 1968. during a sojourn to los angeles, things went sideways for the condello’s with the band crumbling leaving bill to return home and assemble the beans. featuring bill on guitar the group also included vince welnick (the tubes and later the grateful dead) on keyboards, rick anderson (the tubes) on bass and drummer bob macintosh. as a collective, beans hoisted their freak flag high and were quickly declared the biggest band in phoenix by the end of 1969. and what do you do when you can’t get any bigger? you head (back) out west. these three politically charged psych pop songs were recorded between 1969 and 1972 in various studios between phoenix and their new adopted digs in san francisco. limited to 500 copies and housed in a unique die-cut jacket, spill the beans also includes a deep dive into the history of bill spooner’s early career, before beans morphed into the tubes, by arizona music historian john p. dixon.  words / d norsen the beans :: empty shoes january 18th, 2017 | beans • 1 comment --> bash & pop :: anything could happen 26 years ago, when the replacements called it quits the first time, it was hard to know what to expect from any of the individual members. for a brief moment though, it was tommy stinson who looked like he might best carry the band’s torch. 1993’s friday night is killing me by his band bash & pop still holds up as maybe the most rollicking and rocking of any post-replacements release. the band was short-lived, and stinson was on to his next band in 1994, but that singular bash & pop album has held a place in the hearts of most deep fans of the replacements since. yet it came as somewhat of a shock, following the end of the replacements’ recent reunion, that stinson would announce he was releasing another album under the name bash & pop. while the band went through several members during its brief incarnation (and its sole album was recorded with a bevy of studio help alongside the band), original drummer steve foley’s death, and the fact no other original members would be involved, would seem to preclude the use of the name. and yet…here we are, and anything could happen is the result. whether it’s something about the bash & pop name or the fact that the two albums were recorded following the demise of relationships (the replacements, the former; stinson’s marriage, the latter), the new album joins its predecessor as some of the best music stinson has recorded outside of the mats. the energy is inherent from the get-go with opener “not this time” comprised of a ripping slide-guitar that carries its fast-loping beat before settling into “on the rocks,” a song that sounds like a time capsule from the first bash & pop outing. while there are a number of songs that match that feel, much of the album sounds like a true successor rather than a replication. starting with the title track, the album takes a spin through a set of songs that carry their fair share of emotional weight. the lovely “breathing room” is one of the finest examples of this, a thoughtful and soft examination from the inside of a relationship falling apart that manages to be both honest in its exhaustion, but sympathetic to the other party in a way that often goes unexplored. the record isn’t without its flaws. “unfuck you,” despite its short run time, is an attempt to play on words that doesn’t quite deserve even the amount of time it gets. “jesus loves you” similarly just sounds under-cooked. but these two songs, buried toward the end, don’t derail the album’s great build. if anything, they become something we expect from even the best replacements’ albums – the few songs that you howl about how much you dislike them, but couldn’t imagine the album without them – their incompleteness making them that much more essential. closer “shortcut” manages to bring things back in a nice way, echoing friday night is killing me‘s gorgeous closer “first steps.” anything can happen is the best tommy stinson music since his band perfect and maybe since bash & pop’s first go-round. while stinson’s lyrics are a bit more brash than his former cohort paul westerberg, when he’s able to temper them with the right amount of pathos, the rougher spots become a perfect juxtaposition, making the lyrical focus shine all the more. it’s the perfect representation of the man who has probably been the hardest working replacement of all. words / j neas bash & pop :: anything could happen january 18th, 2017 | bash & pop • 2 comments --> -->


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