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jon spencer: garage / proto-punk companion – a mixtape
julius eastman :: femenine
the lagniappe sessions :: daniel bachman / second session
there is no such thing as nowhere :: marfa myths 2017
ryo fukui :: a letter from slowboat
helen oakley dance: the dances of bittersweet hill
sirius/xmu :: aquarium drunkard show (noon est, channel 35)
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jon spencer: garage / proto-punk companion – a mixtape http://www.aquariumdrunkard.com/2017/03/24/jon-spencer-garage-proto-punk-companion-a-mixtape/
s/t second full-length https://en.wikipedia.org/wiki/boss_hog_(album)
brood x https://itunes.apple.com/no/album/brood-x/id1195023973
in the red records http://intheredrecords.com/
mr farmer https://www.youtube.com/watch?v=x16lg18xvuc
- http://www.aquariumdrunkard.com/2017/03/24/jon-spencer-garage-proto-punk-companion-a-mixtape/#more-51996
boss hog http://www.aquariumdrunkard.com/category/boss-hog/
cristina martinez http://www.aquariumdrunkard.com/category/cristina-martinez/
jon spencer http://www.aquariumdrunkard.com/category/jon-spencer/
no comments http://www.aquariumdrunkard.com/2017/03/24/jon-spencer-garage-proto-punk-companion-a-mixtape/#respond
julius eastman :: femenine http://www.aquariumdrunkard.com/2017/03/23/julius-eastman-femenine/
wild, grand, delirious, demonic, an uncontainable personality surging into sound http://www.newyorker.com/magazine/2017/01/23/julius-eastmans-guerrilla-minimalism
femenine http://frozenreeds.com/?p=300
provocative https://www.youtube.com/watch?v=6_qgqckq1ik
titles https://www.youtube.com/watch?v=pdeckwhgoog
mary jane leach http://www.mjleach.com/eastman.htm
j woodbury https://twitter.com/jasonpwoodbury
julius eastman http://www.aquariumdrunkard.com/category/julius-eastman/
no comments http://www.aquariumdrunkard.com/2017/03/23/julius-eastman-femenine/#respond
the lagniappe sessions :: daniel bachman / second session http://www.aquariumdrunkard.com/2017/03/22/the-lagniappe-sessions-daniel-bachman-second-session/
2016 self-titled album http://www.aquariumdrunkard.com/2016/11/17/daniel-bachman-watermelon-slices-on-a-blue-bordered-plate/
daniel bachman :: beautiful eyes of virginia http://aquariumdrunkard.info/upload/beautiful%20eyes%20of%20virginia.mp3
joe bussard http://www.dust-digital.com/country-classics/
daniel bachman :: blind al blues http://aquariumdrunkard.info/upload/blind%20al%20blues.mp3
biography written by rebecca davis https://www.amazon.com/blind-owl-blues-mysterious-legend/dp/0615792987
youtube https://www.youtube.com/watch?v=7zvueedllly
the lagniappe sessions :: daniel bachman / first session http://www.aquariumdrunkard.com/2014/11/05/the-lagniappe-sessions-daniel-bachman/
lagniappe sessions archives http://www.aquariumdrunkard.com/category/lagniappe-sessions/
d norsen http://dnorsen.co/
daniel bachman http://www.aquariumdrunkard.com/category/daniel-bachman/
lagniappe sessions http://www.aquariumdrunkard.com/category/lagniappe-sessions/
no comments http://www.aquariumdrunkard.com/2017/03/22/the-lagniappe-sessions-daniel-bachman-second-session/#respond
there is no such thing as nowhere :: marfa myths 2017 http://www.aquariumdrunkard.com/2017/03/21/there-is-no-such-thing-as-nowhere-marfa-myths-2017/
abrahamsson http://www.aquariumdrunkard.com/2016/11/07/anthology-recordings-behind-the-surf-archive-series/
ballroom marfa https://ballroommarfa.org
- http://www.aquariumdrunkard.com/2017/03/21/there-is-no-such-thing-as-nowhere-marfa-myths-2017/#more-52007
marfa myths http://www.aquariumdrunkard.com/category/marfa-myths/
1 comment http://www.aquariumdrunkard.com/2017/03/21/there-is-no-such-thing-as-nowhere-marfa-myths-2017/#comments
ryo fukui :: a letter from slowboat http://www.aquariumdrunkard.com/2017/03/21/ryo-fukui-a-letter-from-slowboat/
ryo fukui https://en.wikipedia.org/wiki/ryo_fukui
scenery https://www.discogs.com/ryo-fukui-scenery/release/3420018
a letter from slowboat https://www.discogs.com/ryo-fukui-a-letter-from-slowboat/release/9531795
slowboat jazz club http://www.jazz-slowboat.jp/
ryo fukui http://www.aquariumdrunkard.com/category/ryo-fukui/
1 comment http://www.aquariumdrunkard.com/2017/03/21/ryo-fukui-a-letter-from-slowboat/#comments
helen oakley dance: the dances of bittersweet hill http://www.aquariumdrunkard.com/2017/03/20/helen-oakley-dance-the-dances-of-bittersweet-hill/
helen oakley dance https://en.wikipedia.org/wiki/helen_oakley_dance
- http://www.aquariumdrunkard.com/2017/03/20/helen-oakley-dance-the-dances-of-bittersweet-hill/#more-51857
helen oakley dance http://www.aquariumdrunkard.com/category/helen-oakley-dance/
no comments http://www.aquariumdrunkard.com/2017/03/20/helen-oakley-dance-the-dances-of-bittersweet-hill/#respond
sirius/xmu :: aquarium drunkard show (noon est, channel 35) http://www.aquariumdrunkard.com/2017/03/17/siriusxmu-aquarium-drunkard-show-noon-est-channel-35-231/
sirius/xmu http://www.sirius.com/servlet/contentserver?pagename=sirius/cachedpage&c=channel&cid=1104779639693
sirius http://www.sirius.com/servlet/contentserver?pagename=sirius/cachedpage&c=channel&cid=1104779639693
sirius http://www.aquariumdrunkard.com/category/sirius/
1 comment http://www.aquariumdrunkard.com/2017/03/17/siriusxmu-aquarium-drunkard-show-noon-est-channel-35-231/#comments
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- http://www.rhino.com/article/now-available-david-bowie-who-can-i-be-now-1974-1976
- https://geometricpatterns.bandcamp.com/album/house-in-the-tall-grass
-
https://www.discogs.com/herbie-hancock-magic-windows/release/676625
- http://lightintheattic.net/releases/2700-lagniappe-sessions-volume-1?ct=t(lagniappe_press_release10_13_2016)&mc_cid=61606ee3c7&mc_eid=8fa7a31e6f
- https://www.discogs.com/james-mason-rhythm-of-life/release/230143
- https://www.discogs.com/gabor-szabo-macho/release/844346

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jon spencer: garage / proto-punk companion – a mixtape “you play that blues explosion album from last year a lot, so check this out.” that was rob green, a guy i clerked with in an athens, ga record store in 1995. the record cd he was referring to was boss hog’s s/t second full-length. and like the blues explosion’s orange and extra width before it, the album quickly entered regular rotation with “knock my teeth out, make way for gold” becoming something of an in-store, record nerd, mantra for the next several months. ah, the 90s…. and now…they’re back. made up of jon spencer and co-conspirator/wife cristina martinez, boss hog returns with brood x, their first new album in 17 years. out today via in the red records, we asked spencer to run down some of his favorite garage and proto-punk moments for ad. as expected, his picks and thoughts on each are inspired. jon spencer, in his own words, below . . . __________________________________________________________________________________ let’s skip the more widely-known and acknowledged “masters” – the velvet underground, the stooges, mc5, suicide, and new york dolls. here are some of the other freaks! i tried to stick with bands that had little to do with the blues, rhythm & blues, and tradition – these are bands that found their own style, their own sound, their own way. this is in no way meant to be any sort of definitive list. it s purely subjective – just some of my faves. youtube links are included for easy reference but if you are curious please visit your local mom & pop independent record store and buy some music! or pick up a guitar or synth or drum or kitchen utensil or piece of earth and make some noise! los saicos, demolition: 1965. crazy surf-style punk from peru: “destroy the train station!” the monks, complication: 1966. a german band comprised of ex-american gi’s (that had been stationed in germany), the monks wore robes and shaved tonsures into their hair and made uber-rock. all-rhythm, relentless, and wild. the monks toured the german beat-club circuit relentlessly in the late 1960s, playing several shows a day, 7 days a week. their one studio album black monk time is great from start to finish: pounding drums, fuzz guitar & fuzz organ (a buddy of the band custom-bulit their fuzz-boxes & amps), banjo as rhythm guitar, and off-the-wall yet still political chants & hollers. the music machine, talk talk: 1966. along with the chocolate watchband (and the seeds, see below) one of the the great california ’60s garage-punk bands. unlike the watchband i think these guys actually played their instruments in the studio, and all band members wore black turtlenecks and a black glove on one hand!. driving beat, sharp turns, great fuzz – talk talk gets in and out and lays waste all in under 2 minutes. the seeds, pushin’ too hard / mr. farmer: most people know pushin’ too hard (see goofy tv sitcom appearance) but i prefer mr farmer (1967) from their 2nd album web of sound. the seeds were led by the mystical and way-out-there sky saxon and their sound was dominated by daryl hooper’s heavy-handed keyboard style. mr farmer almost sounds like krautrock. march 24th, 2017 | boss hog, cristina martinez, jon spencer • no comments --> julius eastman :: femenine “…wild, grand, delirious, demonic, an uncontainable personality surging into sound,” wrote alex ross in his january essay about julius eastman for the new yorker. though he died in 1990, eastman’s work has steadily amassed a following in the years since. in 2016, the frozen reeds label issued his s.e.m. ensemble recording of his composition femenine. featuring piano, reeds, violin, synthesizer, percussion, and mechanized sleigh bells (an invention of the composer himself) the performance was informally recorded live on wednesday, november 6, 1974 at the arts center on the campus of the academy of the holy names in albany, new york. it wasn’t a stuffy affair; eastman made soup to serve during the concert. over 72 minutes, the ensemble offers up hypnotic sounds. much of eastman’s output explored his identity as a gay black man, often employing provocative titles, and a confrontational approach. but in the liner notes of femenine, author mary jane leach, co-editor of gay guerrilla: julius eastman and his music, says femenine aspired to please listeners. even if eastman’s wearing of a dress and “the informality of the concert” gave some conservative members of the audience pause, there’s no denying the beauty and spirit of the recording. with it, eastman conjures up “sounds like angels opening up heaven.” words/j woodbury march 23rd, 2017 | julius eastman • no comments --> the lagniappe sessions :: daniel bachman / second session lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. an extra or unexpected gift or benefit. 2. something given or obtained as a gratuity or bonus. guitar journeyman daniel bachman returns with his second lagniappe session. fresh off his excellent 2016 self-titled album, bachman’s proved himself one of the most nuanced guitarists in his field. beyond its technical aspects, bachman’s playing stirs deep feelings, as do the recordings here, of lemuel turner’s 1928 “beautiful eyes of virginia” and a reconfiguration of alan wilson/canned heat’s “blind lemon.” daniel bachman :: beautiful eyes of virginia (lemuel turner) i went to joe bussard’s house a couple of weeks ago with my sister sarah and he played this tune because i told him i like that kind of guitar music. lemuel turner was a steel guitar player who made four steel guitar solos for victor records in 1928 and to my knowledge this one has never been released since. john troutman recently published new information on turner and we now know he was from mccomb city mississippi. it’s also known that he served in world war i in france. he was severely injured from gassing, early chemical warfare, and spent six years in a san francisco hospital. it was while lemuel was here that he learned to play in this style. i think it’s a nice and unusual tune. daniel bachman :: blind al blues (alan wilson) i have been trying to get this one tight for about a year now and got a recording of it on my phone recently. “blind al blues” is the name i gave it because i thought the name “blind lemon,” which alan wilson calls it on the recording, doesn’t fit the way i’d like it to. and also i’m pretty sure he wrote this song, so why not name it after him? i got really into alan after reading this great biography written by rebecca davis. alan was born in boston and grew up in the arlington heights neighborhood. he went from trombone to harmonica to the guitar, played with fred neil, penned the theory for fahey’s thesis on patton and was involved in early environmentalism, especially concerning the redwood forests in northern california, along with countless other contributions. alan seems like he was a brilliant and complicated guy. there are two other songs from this same tape and the recordings are on youtube and some german canned heat cd. previously: the lagniappe sessions :: daniel bachman / first session lagniappe sessions archives / imagery via d norsen march 22nd, 2017 | daniel bachman, lagniappe sessions • no comments --> there is no such thing as nowhere :: marfa myths 2017 “you have to really want to be here,” keith abrahamsson says, overlooking the small west texas town of marfa. we’re sitting on the deck of a stone and adobe house just off highway 90, positioned atop a hill. since 2014, the label abrahamsson founded, mexican summer, has hosted the annual marfa myths festival here with arts nonprofit ballroom marfa. initially a single performance at local venue el cosmico, the gathering has bloomed into a four-day multidisciplinary happening, dedicated to blurring the lines between cinema, literature, art, and music. below us, a rooster crows and a couple dogs fitfully bark. abrahamsson, wearing a denim jacket and faded levis, leans back in his chair and considers my question: what keeps him coming back to marfa? “it’s kind of hard to articulate,” abrahamsson says. “but it does feel like the town has this magical something. i don’t know if it’s the remote location, or the super-dramatic landscape and sky. there’s something about it that just has this seemingly magnetic pull. i don’t know how to articulate what about it gives you the feeling that it’s a special place, but it does have that quality.” marfa’s specialness is a reminder that there’s no such thing as “nowhere.” despite its relative geographic remoteness — it’s located about six hours west of austin and a three-hour drive from el paso — marfa feels alive in an indefinable way, pulsing with a vibrancy most small, mostly isolated communities in america can’t anymore, their industries and prospects dried up. though regular injections of new yorkers, angelinos, and big city entrepreneurs — via festivals like marfa myths, the marfa film festival, and the chinati weekend — bring clout and cash to the town, it’s not a hectic place. which is precisely why everything feels so charming: things happen here, at their own gentle pace. march 21st, 2017 | marfa myths • 1 comment --> ryo fukui :: a letter from slowboat everyone loves a good origin story — it’s human nature. no matter the creative discipline such tales make even the most potent work seem more revelatory. enter the late japanese jazz pianist ryo fukui. an autodidact, fukui taught himself piano at age 22 – just four years prior to the release of his exceptional 1976 debut lp, scenery. far from prolific, fukui released just four more albums over the course of the next four decades…which brings us to a letter from slowboat. released a year prior to his death in 2016, letter is a live album taking its name from the slowboat jazz club in sapporo, japan. comprised of recordings culled from performances at the club, the collection is as satisfying as it is hard to find outside of japan. thankfully there is youtube where the record is streaming in full. press play and let it wash you clean. march 21st, 2017 | ryo fukui • 1 comment --> helen oakley dance: the dances of bittersweet hill helen oakley dance was a pioneering record collector, jazz writer, producer and promoter. during the 1930s, she promoted the first jazz “concert”, where pop music was first played to listen to rather than as a reason to dance, and the first multiracial jazz band. for her, promoting black musicians was a way of promoting civil rights. in an age of beyoncé and the grammys, of black lives matter, of kanye and trump, her story, of music and equality, of jim crow and the rise of fascism, deserves to be more widely known. by the time she spoke to mark tucker from the yale oral history of american music project, helen oakley dance’s memory was not as sharp as it once was, and she sometimes stumbled over her words. it was 1987, and she couldn’t remember exactly which song duke ellington had been playing when she cried, standing at the side of the stage, one evening in the 1930s. she began to talk about the musicians she had known back in chicago, and became a little lost: “i used to write about jess when he was playing in the cellar, and playing… getting off at eight a.m. in the morning, and nobody knew about him. and, also, there was a… the chicago rhythm kings, or… my memory is poor, mark.” “it’s the thing when you don’t refer back to these same sets of things,” she said, “the names that you know very well escape you.” she called over to her husband, stanley, whom she called stanny. “we might need stanny for some dates and some names, because…” stanley, like helen, was a respected jazz writer, particularly about ellington. he’d first become well known in his native england, and had delivered the eulogy at ellington’s funeral, but he deferred to helen as the true pioneer, as a writer, producer, promoter, record collector, and civil rights activist: she “was there first”, he said, if people asked. march 20th, 2017 | helen oakley dance • no comments --> sirius/xmu :: aquarium drunkard show (noon est, channel 35) our weekly two hour show on sirius/xmu, channel 35, can be heard twice every friday – noon est with an encore broadcast at midnight est. sirius 474: jean michel bernard – générique stephane ++ the swamp rats – i’m going home ++ dennis wilson / beach boys – lady ++ the kinks – i go to sleep (demo) ++ le bain didonc – 4 cheveux dans le vent ++ the brummels – bof! ++ nancy sinatra (w/ hal blaine) – drummer man ++ the motions – beatle drums ++ naomi and the boys – as tears go by ++ ify jerry krusade – everybody likes something good ++ aguaturbia – rollin’ ‘n tumblin’ ++ sea-ders – thanks a lot ++ the olivia tremor control – memories of jacqueline 1906 ++ the millennium – i just don’t know to say goodbye ++ harry nilsson – you can’t do that (alternate take) ++ roy wood – wake up ++ emitt rhodes – long time no see ++ jacques dutronc – l’espace d’une fille ++ allah-las – strange heat ++ the strange boys – should have shot paul ++ the zombies – sticks and stones ++ thee oh sees – the sun goes all around ++ lantern – bleed me dry ++ canarios – trying so hard ++ screaming lord sutch – flashing lights ++ bob azzam & his orchestra – the last time ++ alex chilton – jumpin’ jack flash ++ johnny & the attractions – i’m moving on ++ beach boys – unknown harmony ++ rob jo star band – i call on one’s muse ++ cisneros & garza group – i’m a man ++ rolling stones – we love you ++ music convention – sitar track ++ shin joong hyun – i’ve got nothing to say ++ the samurai – fresh hot breeze of summer ++ the shadows – scotch on the socks ++ dion – daddy (rollin in your arms) ++ relatively clean rivers – easy ride ++ the soul inc. – love me when i’m down ++ jerry and jeff – voodoo medicine man ++ dion – baby, let’s stay together ++ apple & the three oranges – curse upon the world ++ t.l. barrett and youth for christ choir – like a ship ++ eddie bo & inez cheatham – lover and a friend ++ tony owens – i got soul ++ famous l. renfroe – introduction ++ big sambo & the house wreckers – the rains came ++ alton ellis – whiter shade of pale *you can listen, for free, online with the sirius three day trial — just submit an email address and they will send you a password. __________________________________________________________________________________ march 17th, 2017 | sirius • 1 comment --> -->


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